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Backstabber Lyrics — Eminem

Album: Infinite  
Backstabber by Eminem
Police voice:
Attention all units, attention all units
We have an All Points Bulletin out on a man with green hair
I repeat, we have an APB on a man with green hair
He's armed with a knife, I repeat, he's armed with a knife
Proceed with caution, watch your back fella's
He could be coming at your girlfriend next

Verse 1:
There's a joker on the loose from the psychiatric ward
His face is up on the bulletin board with a reward
He'll stab you with a sword don't be fooled by his charm
He's probably armed with intent to do bodily harm
Ring the alarm, look for a man with green hair
Check at your girl's house, he was last seen there
He's has a mean stare but usually crack's jokes
Good luck on your mission and guard your backs folks

Chorus:
I make you think you're a best friend then
Why I oughtta
Hit a b**ch snake from the back, I make you think you're a best friend then
Why I oughtta
Stay away from him he ain't no good!

Verse 2:
We got the walkie-talkies to keep us all informed
Suited up head to toe in detective uniforms
Our unit storms in, we split the ghetto in sectors
Locking down every block and put up metal detectors
Protectors and be sure that you stand close
Watch each others backs and guard your command post
And most of all be advised that he's wise
He could be disguised as one of your very own guys

Chorus:
I make you think you're a best friend then
Why I oughtta
Hit a b**ch snake from the back, I make you think you're a best friend then
Why I oughtta
Stay away from him he ain't no good!

Verse 3:
I'm on a solo mission to find him personally
To settle the score and beat then him mercifully
For what he first did to me
It's sure to be the last
Following footprints with a magnifying glass
To drag his lying ass back to his padded cell
I'm mad as hell, on the trail of the tattle tail
I heard a yell the voice sounded familiar
"Give me your girlfriend or I'm gonna kill ya"

Chorus:
I make you think you're a best friend then
Why I oughtta
Hit a b**ch snake from the back, I make you think you're a best friend then
Why I oughtta
Stay away from him he ain't no good!

Verse 4:
I followed the voice that led down a flight of steps
Sneezing at dust, and swinging at the spider-webs
Inside the depths of his basement
I taste lint in my mouth, then the lights in the place… went!
I saw my life flash in front of my eyes
I felt a butcher knife slash at one of my thighs
None of my guys knew where I'm at I was doomed
Then I remembered the flashlight in my costume

Chorus:
I make you think you're a best friend then
Why I oughtta
Hit a b**ch snake from the back, I make you think you're a best friend then
Why I oughtta
Stay away from him he ain't no good!

Verse 5:
Dealing with backstabber's there was one thing I learned
They're only powerful when you got your back turned
I yearned for the day that we finally met again
So I can give him a taste of his own medicine
He shed his skin, then he promised to come clean
I took his butcher knife and jabbed it into his spleen
Cut him at the seam then dragged the fella home
Beating him over the head with the telephone

Police voice:
Attention all cars, attention all cars
Unit 313 has apprehended the suspect
He's going back to the crazy home, I repeat
He's going back to the crazy home, how about that?

Chorus:
I make you think you're a best friend then
Why I oughtta
Hit a b**ch snake from the back, I make you think you're a best friend then
Why I oughtta
Stay away from him he ain't no good!
I make you think you're a best friend then
Why I oughtta
Hit a b**ch snake from the back, I make you think you're a best friend then
Why I oughtta
Stay away from him he ain't no good!
I make you think you're a best friend then
Why I oughtta
Hit a b**ch snake from the back, I make you think you're a best friend then
Why I oughtta
Stay away from him he ain't no good!


Song Overview

Backstabber lyrics by Eminem, Denaun
Eminem, with Denaun, sings 'Backstabber' lyrics in the album cut.

Recorded in the Bass Brothers’ basement and issued on Web Entertainment, “Backstabber” sits deep in the Infinite tracklist as a boom-bap detective yarn. The beat chugs, sirens crackle, and the verses chase a snitch through dim Detroit basements. No flashy single push, no glossy video - just early hunger and hometown smoke.

Review and Highlights

Scene from Backstabber by Eminem, Denaun
'Backstabber' in the unofficial audio upload.

Quick summary

  • Album cut from Infinite - released November 12, 1996 on Web Entertainment.
  • Produced by Denaun Porter; early drum programming credited in scene lore to Proof.
  • Builds on Soul Intent’s “Fuckin’ Backstabber,” weaving samples of LL Cool J and Craig Mack into the hook.
  • Narrative rap - a first-person hunt for a two-timing friend tied to local Detroit rivalries.
  • Not pushed as a single; no official video, but related imagery echoes Detroit underground tapes and cameos of the era.

Creation History

Cut during the Infinite sessions at the Bass Brothers’ basement setup, the track reflects that basement-studio economy: gritty kicks, dry vocal, tight 90s swing. Denaun’s production keeps it classic - a clipped snare, vinyl-grit textures, and room for long story bars. The chorus stitches a chant from Soul Intent’s earlier hook with lines sourced from LL Cool J and Craig Mack. As Detroit papers later traced, the wider backdrop involved local crews recording in literal basements around the East Side - a petri dish for style-borrowing, friendly theft, and petty wars that would shape the city’s rap character.

Key takeaways

  1. Story rap framed as a police manhunt - a format that spotlights rhyme density and scene gossip.
  2. Hook architecture = collage of older phrases re-contextualized for a new target.
  3. Classic boom-bap pocket: around mid-90s tempo, head-nod drums, scratch-era DNA.
  4. Early blueprint for Eminem’s crime-noir vignettes: basements, knives, unreliable narrators.

Song Meaning and Annotations

Eminem, Denaun performing Backstabber
Video moments that reveal the meaning.

Plot

The narrator deputizes himself to track down a “backstabber.” APBs blare, the crew armors up, and the search narrows to a basement where the foe, maybe costumed, maybe familiar, ambushes him in the dark. After setbacks and a flashlight save, he flips the script and drags the culprit back to a padded cell - order restored, at least in his head.

Song Meaning

On the surface: a cops-and-robbers chase. Underneath: betrayal in a tight scene - jealousy, rumors, and the paranoia of small-circle fame. The “Unit 313” tag nods to Detroit’s code, so the conflict reads as a local grievance turned myth. The green-hair Joker imagery signals that the villain is both cartoonish and real - a stand-in for a one-time friend whose clout was built near yours.

Annotations

“We have an APB on a man with green hair.”

Fans link the color to a Detroit rapper who literally walked around with a green afro and joker hat in that era - part theater, part calling card. The Joker parallel lets the story feel comic-book big while being block-level specific.

“He could be disguised as one of your very own guys.”

The line nails the theme: betrayal comes dressed as the homie. In small indie circuits, that lands harder than a diss track - you still see each other at shows, studios, and basements.

“Dealing with backstabbers, there was one thing I learned - they’re only powerful when you got your back turned.”

That’s the thesis statement. The power of a snake is purely positional - turn around and the spell breaks.

“To drag his lyin’ ass back to his padded cell.”

The padded-cell image ties back to local videos where the asylum was a literal set. The lyric recasts petty beef as a sanity quest - get the chaos back in restraints.

Shot of Backstabber by Eminem, Denaun
Short scene from the video.
Genre and production

Pure mid-90s boom-bap: straight-ahead 4-bar loops, stiff-backed snares, and a detective-radio intro that reads like a cassette skit. The hook splices phrases from earlier records, a very 90s practice where DJs and producers built new choruses out of other songs’ pressure points.

Cultural touchpoints

Three totems circle the track: Detroit’s “313,” the Joker’s green hair, and the basement studio. Together they paint a time capsule of late-pre-Shady Detroit - DIY rooms, borrowed gear, and neighborhood myth-making. According to the Detroit Metro Times, the falling-out that inspired the song traces to a rumor involving Kim and a one-time collaborator - the kind of rumor that can split a crew and fuel a whole album’s subtext.

Key Facts

  • Artist: Eminem, Denaun
  • Featured: Uncredited hook elements sampled; scene credits often cite Proof’s voice on the chant
  • Composer: Marshall Bruce Mathers III; Denaun Porter
  • Producer: Denaun Porter
  • Release Date: November 12, 1996
  • Genre: Hip-hop, Boom bap
  • Instruments: Drum programming, turntable scratches, sampled hooks
  • Label: Web Entertainment
  • Mood: Suspicious, hard-nosed, noir-comic
  • Length: 3:24
  • Track #: 10 on Infinite
  • Language: English
  • Album: Infinite (1996)
  • Music style: Detroit underground, mid-90s New-York-leaning swing
  • Poetic meter: Predominantly trochaic stresses over duple meter; internal rhyme chains and alliteration drive momentum

Canonical Entities & Relations

PeopleEminem - writes and performs verses.
Denaun Porter - produces the beat and appears on credits.
Proof - associated with drum programming on Infinite and the chant lineage.
OrganizationsWeb Entertainment - releases the album.
FBT/Bass Brothers - provide basement studio and exec production.
WorksFuckin’ Backstabber - earlier Soul Intent cut whose hook DNA returns here.
“Jealous” (LL Cool J) and “Get Down” (Craig Mack) - source lines that thread into the chorus.
Venues/LocationsDetroit’s “313” - the code invoked as a squad tag; recording hub in suburban basements.

Questions and Answers

Was “Backstabber” a single?
No - it lives as an album track on Infinite, with no official single rollout or video.
What songs feed the hook?
It stitches elements from Soul Intent’s earlier “Fuckin’ Backstabber,” plus lines from LL Cool J’s “Jealous” and Craig Mack’s “Get Down.”
Why the “Unit 313” callout?
“313” is Detroit’s area code, so the “unit” tag reads like the city itself backing the narrator in a local feud.
Is the villain a specific person?
The lyrics suggest a once-close Detroit peer. Contemporary coverage and scene interviews point to a falling-out that fits the clues, but the record keeps it theatrical - a Joker-coded composite rather than a courtroom name.
How does this track connect to Eminem’s later writing?
It previews his crime-skit storytelling: unreliable narration, basement settings, and comic-book menace folding into real-life gossip.
What’s the musical engine?
Mid-tempo boom-bap around the mid-90s BPM, sparse sample loop, and a chanty collage chorus.
Any official remixes or covers worth noting?
None in the commercial catalog. Most “Backstabber” uploads are fan audio rips from the cassette or vinyl.
Where does the Joker imagery come from?
Detroit performers of the era openly wore joker hats and green hair in videos; the song plays with that iconography to inflate the stakes.

How to Sing Backstabber

Vitals: ~94 BPM, approximate key center F minor, album length 3:24. Range sits in a speak-rap zone; aim for tight consonants and breath-efficient phrasing.

  1. Tempo - lock the pocket: Count in 8s at ~94 BPM. Practice over a hi-hat loop so your internal swing matches the drums.
  2. Diction: Crisp t/d/k on bar ends. Let sibilants trail just a hair to glue lines without smearing rhymes.
  3. Breathing: Mark breaths before multisyllabic chains. Use quick nose inhales between internal rhymes.
  4. Flow/rhythm: Alternate straight 16s with dotted accents. The hook wants a call-and-response bark; verses ride tighter subdivision.
  5. Accents: Punch the story beats - “APB,” “basement,” “padded cell.” Keep volumes controlled; think hard-nosed narration, not shout-rap.
  6. Ensemble/doubles: Stack unisons on line-ends of verse 3 and the first word of each hook line. Keep the doubles dry and short.
  7. Mic: Work close for intimacy, pull back a fist for yells like “backstabber.” Cut plosives with a pop filter and 15-degree off-axis angle.
  8. Pitfalls: Over-swinging the pocket. The groove is straight; your swag comes from syllable math, not lazy timing.

Additional Info

According to WhoSampled’s cataloging, the hook leans on two obvious sources - LL Cool J’s “Jealous” and Craig Mack’s “Get Down” - plus the earlier Soul Intent chant. That collage makes the chorus feel bigger than the room it was recorded in, a common trick of the period. And as the Detroit Metro Times once chronicled, the rumor mill around the song’s inspiration was loud long before the album hit - part of why the track still reads like neighborhood lore pressed to tape.

Sources

Wikipedia; Metro Times; Discogs; WhoSampled; AcousticBrainz; Eminem.net; IMDb; Michigan Public Service Commission




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