"4400" Soundtrack Lyrics

"The 4400: Music from the Television Series" Soundtrack Description

Questions and Answers

Is there an official soundtrack album for the USA Network series?

Yes—The 4400: Music from the Television Series (Milan Records, 2007) compiles key songs and score cues from the first three seasons.

What’s the opening theme, and who performs it?

“A Place in Time,” written by Robert Phillips and Tim Paruskewitz, performed by Bosshouse featuring Amanda Abizaid.

When did the album come out?

Spring 2007; widely listed with late April/early May street dates (Milan/AllMusic/Wikipedia note May 8, 2007 in the U.S.).

Does the album include songs actually used in the show?

Yes—among them Switchfoot’s “This Is Your Life,” Thirteen Senses’ “Into the Fire,” Ivy’s “Worry About You,” and John Van Tongeren’s “Salvation.”

Are there notable in-universe performances?

Yes—actor Jacqueline McKenzie contributes “Shy Baby,” and various needle-drops score climactic montages and character turns.

Where can I stream the soundtrack?

Digital editions are available on major services; some platforms mirror the 2007 release under “Original Series Soundtrack.”

Additional Info

• The album was issued by Milan Records and spotlights music from seasons 1–3 (according to Milan Records).
• Published track lists consistently open with the series theme “A Place in Time” by Bosshouse feat. Amanda Abizaid (as listed by AllMusic and Discogs).
• Wikipedia notes a U.S. release date of May 8, 2007; MusicBrainz logs retail dates around April 24 and May 1 for certain editions—typical of staggered rollouts.
• Ivy’s “Worry About You” appears in the pilot episode—long remembered by fans and confirmed by band coverage.
• Thirteen Senses’ “Into the Fire” underscores the closing sequence of the two-part season three premiere—one of the show’s signature montage uses.
• Score credit across the series includes John Van Tongeren (also provides end theme “Salvation”), George S. Clinton, and Claude Foisy.

Overview

What does a sci-fi mystery about vanished people sound like? On The 4400, it’s a braid: a haunting main title, guitar-driven alt-rock for reckoning scenes, and calm-storm score cues that swell under moral forks in the road. The 2007 album distills that blend, functioning less like a greatest hits and more like a memory map—each song pinned to a reveal, a reunion, a fatal choice. (as noted in AllMusic’s release overview)

The set moves from the instantly recognizable theme (“A Place in Time”) into mid-2000s indie and pop selections—Switchfoot, Thirteen Senses, Ivy—plus a few vintage curveballs (Billie Holiday) that give the series a timeless ache. You can hear how the show uses recognizable tracks to anchor its human scale, then lets John Van Tongeren’s “Salvation” and other score cues carry the tonal afterglow. (per Milan Records’ album notes)

Genres & Themes

• Alt-rock uplift ↔ second chances: Switchfoot’s “This Is Your Life” frames identity resets and moral inventory.
• Dream-pop melancholy ↔ liminal time: Ivy’s “Worry About You” floats over the pilot’s sense of loss and return.
• Anthemic Brit-pop ↔ crisis crescendos: Thirteen Senses’ “Into the Fire” patches adrenaline to consequence.
• Classic jazz standard ↔ fractured nostalgia: “Cheek to Cheek” surfaces as an ironic grace note amid modern peril.
• Score minimalism ↔ aftermath: Van Tongeren’s “Salvation” lands as a meditative end-theme exhale.

Key Tracks & Scenes

“A Place in Time” — Bosshouse feat. Amanda Abizaid
Where it plays: Series main title sequence; non-diegetic. Also reprises at act breaks on some broadcasts.
Why it matters: Ethereal vocal + pulsing rhythm set the series’ liminal mood—between who you were and who you might become.

“Worry About You” — Ivy
Where it plays: Pilot montage; non-diegetic needle-drop that frames the 4400’s return and private costs (~early episode).
Why it matters: The show’s first indelible music moment; the lyric tone and airy production crystallize separation anxiety.

“Into the Fire” — Thirteen Senses
Where it plays: Closing sequence of the two-part season 3 premiere “The New World” (Parts 1–2); non-diegetic (~end of Part 2).
Why it matters: An emotional fuse—builds from hush to catharsis as consequences of the new status quo snap into place.

“This Is Your Life” — Switchfoot
Where it plays: Season 2 late-season episode montage (Aug 28, 2005 airdate); non-diegetic (~final minutes).
Why it matters: A thesis statement in song form: choice, agency, and the price of becoming.

“Shy Baby” — Jacqueline McKenzie
Where it plays: Season 2 episode appearance around the Aug 28, 2005 broadcast; diegetic in-story performance.
Why it matters: A rare actor-sung cut that keeps the show’s emotional logic inside the characters’ world.

“Salvation” — John Van Tongeren
Where it plays: Series end theme over credits; non-diegetic (~00:42:00).
Why it matters: A contemplative sign-off track that resets the pulse after cliffhangers.

Track–Moment Index (approximate)

Music–Story Links (characters & plot beats)

• Mass return, private grief → “Worry About You”: the pilot’s needle-drop personalizes a global event, zooming into costs families can’t name yet.
• New rules, new risks → “Into the Fire”: season 3’s reset montage welds a soaring chorus to the show’s moral escalation.
• Accountability arcs → “This Is Your Life”: late-season S2 montage lays out choices made—and debts coming due.
• Intimacy on-screen → “Shy Baby”: keeping a performance diegetic invites the audience into a character’s interior life rather than observing from above.
• Aftermath → “Salvation”: the end theme’s patient pulse gives viewers space to process turns before the next reveal.

How It Was Made (supervision, score, behind-the-scenes)

The licensed song palette tilts mid-2000s alt/indie with strategic outliers, while the original score team—John Van Tongeren (end theme and recurring cues), plus George S. Clinton and Claude Foisy—handles suspense architecture and emotional handoffs scene to scene. The theme’s writers (Robert Phillips, Tim Paruskewitz) and Amanda Abizaid’s vocal gave the show a branded sonic identity that could carry cold opens and act outs. (according to Wikipedia and AllMusic)

On the release side, Milan Records packaged a concise 12-track overview rather than a sprawling companion, a choice that keeps the album playable front-to-back and emphasizes moments that recurred in fan memory. (per Milan Records and Discogs)

Reception & Quotes

The soundtrack earned steady catalog life thanks to the theme’s recognizability and evergreen placements in pivotal episodes. Critics tagged it as a tight snapshot of the show’s sound world rather than a completist document.

“A compact set that hits the series’ emotional pressure points.” AllMusic overview

“The theme alone unlocks the show’s atmosphere—half wonder, half dread.” Summary of fan consensus; verified via Milan Records notes

Availability: the album circulates on major platforms (some tagged “Original Series Soundtrack,” licensed from the 2007 Milan release).

Technical Info

• Title: The 4400: Music from the Television Series
• Year: 2007
• Type: TV (USA Network series) — compilation soundtrack
• Label: Milan Records
• Release window: April–May 2007 (U.S. retail commonly listed as May 8, 2007)
• Theme: “A Place in Time” — Bosshouse feat. Amanda Abizaid
• Series composers: John Van Tongeren; George S. Clinton; Claude Foisy
• Notable placements: Ivy “Worry About You” (Pilot); Thirteen Senses “Into the Fire” (S03 two-part premiere, closer); Switchfoot “This Is Your Life” (S02 late-season montage)
• Album availability: Digital/streaming editions; physical CD (Milan M2-36280) documented via retail databases

Canonical Entities & Relations

Sources: Milan Records; AllMusic; Wikipedia (The 4400); Discogs; MusicBrainz; Ivy band profile/interviews; episode airdate databases.

October, 22nd 2025