"Better Man" Lyrics

"Better Man (Original Motion Picture Soundtrack)" Soundtrack Description

Questions and Answers

Is there an official soundtrack album?

Yes. “Better Man (Original Motion Picture Soundtrack)” released December 27, 2024; the set features 13 songs performed by Robbie Williams, re-recorded/arranged for the film.

Who composed the score?

Batu Sener composed the original score; his work underpins the big needle-drops and the more fragile, internal beats.

Are the hits the original studio versions or new vocals?

New vocals. Director Michael Gracey had the songs “re-sung” to match the emotion of specific scenes rather than simply dropping in the classic takes.

Is there a new original song?

Yes — “Forbidden Road,” issued as a single ahead of the album’s release and featured in the film’s final stretch.

Who handled music supervision?

Jordan Carroll is credited as executive music producer and music supervisor, coordinating the re-recordings and clearances.

Where can I stream the album?

It’s available on major platforms (Spotify/Apple Music) as a 13-track, ~52-minute release.

Additional Info

• The album collects re-recorded versions of signature songs (“Angels,” “Let Me Entertain You,” “Rock DJ,” “Feel”) tailored to the film’s narrative arc (as reported by Radio Times).
• Score composer Batu Sener was announced in early 2024, with sessions spanning the film’s edit and final mix (as stated in Film Music Reporter).
• The trailer and campaign leaned into the film’s bold device: Williams is portrayed by a CGI primate — a visual metaphor the director pitched from the start (according to The Guardian).
• Lead single “Forbidden Road” arrived in late November 2024 with a lyric video featuring film footage; it impacted UK download charts on release week.
• An elaborate “Rock DJ” set-piece required a large-scale Regent Street shoot with hundreds of dancers and vehicles; production delays pushed it but the number stayed in (per Entertainment Weekly’s feature).
• Jordan Carroll is credited in music department listings as executive music producer/music supervisor, bridging catalog and new vocal sessions.

Overview

Why make a biopic sing in the first person if the singer’s catalog already does? Better Man answers by rewiring the hits. Instead of needle-dropping the original masters, the soundtrack rebuilds them around the story’s feelings — smaller microphones for private doubt, stadium air when bravado takes the wheel. It’s less greatest-hits and more emotional remix.

That approach pays off. Batu Sener’s score stitches between chapters, letting strings and synth-beds hand off to songs that are now in character. When the movie gets weird — yes, a CGI monkey fronts the life story — the music stays human. The vocals carry the grain of age and hindsight; the band arrangements tilt toward drama rather than radio gloss. (according to NME magazine)

Genres & Themes

• Pop-rock anthems re-cut as character pieces → swagger becomes confession; choruses arrive later, like earned releases.
• Orchestral-meets-electronic score → Sener’s cues push propulsion in career highs and hold space in rehab/relapse lows.
• Brit-pop bravado vs. torch-song tenderness → the album toggles between crowd-pleaser voltage and late-night candor.
• Diegetic pivots → rehearsals, studio takes, and performance sequences let songs live inside the world, not just over it.

Key Tracks & Scenes

“Rock DJ” — Robbie Williams (film version)
Where it plays: A full-tilt Regent Street showstopper with 500 dancers and rolling vehicles; staged as public euphoria (diegetic performance). Approx. ~1:25:00.
Why it matters: The movie’s audacious centerpiece; arrangement leans harder on rhythm hits to match the choreography surge.

“Angels” — Robbie Williams (film version)
Where it plays: Reflective late-act cue after a personal crash; mostly close-mic vocal over strings/piano (non-diegetic turning diegetic). Around ~1:50:00.
Why it matters: The re-sing trades stadium swell for intimacy; the lyric lands like a prayer said quietly, not a victory lap.

“Let Me Entertain You” — Robbie Williams (film version)
Where it plays: Early breakthrough montage from club to arena (diegetic show sequence). Roughly ~0:35:00.
Why it matters: A mission statement; guitars cut sharper, tempo pushes a notch to sell ascent momentum.

“Feel” — Robbie Williams (film version)
Where it plays: Post-success isolation beat; studio-booth framing (diegetic recording turned interior monologue). About ~1:05:00.
Why it matters: Strips the gloss; dry vocal + minimal pads make the title honest.

“Forbidden Road” — Robbie Williams
Where it plays: End-chapter sequence and credits roll (non-diegetic → credits). Around ~2:12:00.
Why it matters: The new song closes the circle; lyric nods to the film’s recovery arc.

*Timings are approximate and vary slightly by edit and territory.

Music–Story Links (characters & plot beats)

• When the film swaps original masters for re-sung takes, it lets familiar hits behave like new dialogue. The catalog becomes memoir, not wallpaper.
• “Rock DJ” is chaos harnessed — fame as choreography. The number’s city-scale staging mirrors how success spills into public space.
• “Feel” and “Angels” act as emotional bookends: one is self-interrogation in a booth, the other is grace after impact.
• Batu Sener’s cues cover the bruises between songs, giving the audience room to breathe when spectacle would ring false.

How It Was Made (supervision, score, behind-the-scenes)

Director Michael Gracey (of The Greatest Showman) shaped the film around re-imagined catalog cuts — “re-sung” to fit each beat — with Jordan Carroll steering music supervision and executive music production. Batu Sener (announced February 2024) scored the film, blending orchestral pulse with electronic undercurrents. The production staged a massive “Rock DJ” shoot on London’s Regent Street; it survived months of rescheduling and still made the final cut thanks to sheer stubbornness and choreography marathons. (as stated in Film Music Reporter and Entertainment Weekly)

Reception & Quotes

Reactions split on the audacity (yes, the primate), but most agreed the music choices land — rebuilt hits that serve character first. The album rolled out December 27, 2024 and quickly charted on downloads, then surged with physical editions. (according to Apple Music and industry roundups)

“Songs are re-sung to match the emotion of the moment.” — director commentary summarized in Radio Times

“A crowd-pleasing Regent Street number that almost didn’t happen.” — Entertainment Weekly feature

Technical Info

• Title: Better Man (Original Motion Picture Soundtrack)
• Year: 2024
• Type: Movie
• Performer: Robbie Williams (re-recorded vocals)
• Score Composer: Batu Sener
• Music Supervision / Exec Music Producer: Jordan Carroll
• Label / Release: Digital release December 27, 2024; physical formats followed in 2025
• Running Time: ~52 minutes; 13 tracks
• Selected Notable Placements: “Rock DJ” (Regent Street set-piece), “Let Me Entertain You” (rise montage), “Feel” (studio confession), “Angels” (late-act reckoning), “Forbidden Road” (finale/credits)
• Film Context: Semi-biographical musical directed by Michael Gracey; U.K. release late December 2024

Canonical Entities & Relations

Sources: Apple Music (album page & runtime); Spotify (album listing); Radio Times (song placements & “re-sung” note); Film Music Reporter (Batu Sener scoring); Entertainment Weekly (Regent Street production feature); The Guardian (director/williams interview & CGI concept); IMDb (soundtracks & music department credits); Official Robbie Williams site & socials (single announcement).

October, 23rd 2025