"6 Years" Soundtrack Lyrics

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"6 Years" Soundtrack Description

Questions and Answers

Is there an official soundtrack album?

No. One was floated by The Orchard during release, but it never materialized; the film uses licensed songs plus score. (as noted by Wikipedia)

Who composed the score?

Julian Wass wrote the score—low-key, guitar-forward textures that hold the drama steady between needle-drops.

What song opens the film?

“Glazin’” by Jacuzzi Boys—sun-bleached garage-pop right as the title lands.

What’s the end-credits song?

“Impregnable Question” by Dirty Projectors closes the film on a thoughtful, unresolved note.

Is there a song the actors perform in the movie?

Yes. There’s an in-film cover of “Indian Summer” (Beat Happening) performed by the cast; another planned cover (“Get Me” by J Mascis) was recorded for the unreleased OST.

Who supervised the music?

Chris Swanson served as music supervisor, shaping the indie-heavy palette around the Austin setting.

Can I stream the exact lineup?

No official album exists, but fan/editorial playlists mirror almost all placements; availability can vary by region.

Additional Info

• The unofficial cue sheet leans on indie labels—Domino, Hardly Art, K, and more. (as cataloged by RingoSt r ack and scene logs)
• Dirty Projectors’ “Impregnable Question” rolls over the credits—tender but unsentimental.
• Cast-recorded covers (“Indian Summer,” “Get Me”) were tracked for the planned but unreleased album. (according to Wikipedia)
• Placement strategy favors diegetic party and bar moments; Austin’s music ecosystem is the subtext.
• Music supervision by Chris Swanson (Secretly Group) helped stitch contemporary indie with the characters’ early-20s headspace.

Overview

What does a breakup sound like when you still love the person? 6 Years answers with slyly upbeat indie pop bleeding into bruised confessionals. The needle-drops—Jacuzzi Boys, Gardens & Villa, Foxygen—feel like the friends’ playlists you inherit in your early 20s: catchy on the surface, complicated underneath.

Composer Julian Wass keeps the score spare—guitars, pulses, the human-scale stuff—so songs can carry the messier spikes: desire, jealousy, the shame after a fight. The effect is intimate rather than showy, matching the film’s improvisatory style. (as discussed in IndieWire coverage)

Genres & Themes

• Indie pop/rock → the dopamine rush of young love; hooks mask denial.
• Bedroom electronica → late-night drift, texts you re-read too many times.
• Lo-fi/garage → reckless edges at parties; the scenes where feelings spill.
• Guitar-led score → cushions the impact without telling you how to feel.

Key Tracks & Scenes

“Glazin’” — Jacuzzi Boys
Where it plays: Title card / early montage (≈ 00:00), non-diegetic.
Why it matters: Sun-streaked garage pop paints the couple’s “we’re fine” fantasy before cracks show.

“Drive (Los Angeles)” — LOLAWOLF
Where it plays: Mel heads home from the club (≈ 00:04), non-diegetic.
Why it matters: Sleek pulse undercuts the hangout glow; distance creeps in.

“Pulsing” — Tomas Barfod feat. Nina K
Where it plays: Post-kiss fallout and bedroom scene (≈ 00:31), non-diegetic.
Why it matters: Desire and guilt trade bars—the rhythm won’t let either win.

“I’ll Always Wonder” — Eastern Midwestern
Where it plays: Celebration after Dan’s New York offer (≈ 00:44), non-diegetic.
Why it matters: A title-as-thesis: the elation already tastes like regret.

“Indian Summer” — (cast performance)
Where it plays: Sung in-scene (≈ 00:52), diegetic.
Why it matters: The most vulnerable moment—music as truth you can barely say aloud.

“Impregnable Question” — Dirty Projectors
Where it plays: End credits (≈ 01:16), non-diegetic.
Why it matters: The breakup’s aftermath, held in a tender, unanswered question.

Track–Moment Index (compact)

Track	Scene / Location	Diegetic?	Approx. Time
Glazin’ — Jacuzzi Boys	Title & opening good-times montage	No	~00:00
Avalanche — Gardens & Villa	Mel tells friends she wants to move in	No	~00:03
Drive (Los Angeles) — LOLAWOLF	Ride home from the club	No	~00:04
How Can You Really — Foxygen	Dan at his internship; awkward chat	No	~00:04
Pulsing — Tomas Barfod feat. Nina K	Make-up sex / text reveal	No	~00:31
Take Me — Kingdom	Party spiral after the split	No	~00:46
Indian Summer — (cast)	In-scene performance	Yes	~00:52
I Went to the Hospital — Cass McCombs	Morning-after clarity	No	~01:08
Impregnable Question — Dirty Projectors	End credits	No	~01:16

Music–Story Links (characters & plot beats as connected to songs)

• Party sheen vs. private doubt: The fizzy indie opener (“Glazin’”) frames their highlight reel; the songs get slower as honesty creeps in.
• Temptation scored in neon: Sleek electronic cues (“Drive,” “Pulsing”) track choices made in low light and long looks.
• Voice as confession: The diegetic “Indian Summer” turns a room into a diary—less performance, more surrender.
• Letting go without verdicts: “Impregnable Question” grants a humane, unresolved exit—the film’s emotional thesis in miniature.

How It Was Made (supervision, score, behind-the-scenes)

Wass’s score keeps to small, human scales—guitars, gentle pulses, negative space—to avoid melodrama. The licensed side pulls from the indie ecosystem around Austin (Domino, K, Hardly Art), grounding the film in a believable, mid-2010s sound. (as listed by FilmMusic.com and RingoStrack)

Music supervisor Chris Swanson (Secretly Group) steered the selections; scene-by-scene placements reflect character POV rather than montage gloss. An official OST was discussed by The Orchard during distribution but ultimately went unreleased. (as stated on Wikipedia and FilmMusic.com)

Reception & Quotes

Critics marked the music’s restraint and the film’s intimacy; the songs feel lived-in, not “synced at” the audience. (according to IndieWire’s reviews)

“Intimate, improvisatory; the drama lands because the movie refuses easy sentiment.” IndieWire

“A modest story carried by observant detail—and a soundtrack that trusts silence.” The Playlist

Release path: SXSW premiere (March 14, 2015), U.S. VOD via The Orchard (Aug 18, 2015), then worldwide on Netflix (Sept 8, 2015). (as stated on Wikipedia)

Technical Info

• Title: 6 Years — songs from the film (no official OST)
• Year: 2015
• Type: Movie
• Composer (score): Julian Wass
• Music Supervision: Chris Swanson
• Selected notable placements: Jacuzzi Boys — “Glazin’” (open); LOLAWOLF — “Drive (Los Angeles)” (night drive); Tomas Barfod feat. Nina K — “Pulsing” (complicated intimacy); Cass McCombs — “I Went to the Hospital” (morning-after); Dirty Projectors — “Impregnable Question” (credits)
• Release context: SXSW premiere Mar 14, 2015; U.S. VOD Aug 18, 2015 (The Orchard); Netflix worldwide Sept 8, 2015
• Album status: No commercial soundtrack album released
• Availability notes: Scene-based playlists on major services replicate most cues; regional licensing may vary.

Canonical Entities & Relations

Subject	Relation	Object
Julian Wass	composed	6 Years original score
Chris Swanson	music supervised	6 Years (feature film)
Hannah Fidell	wrote & directed	6 Years (2015)
The Orchard	distributed (U.S. VOD)	6 Years
Netflix	released worldwide	6 Years streaming
Dirty Projectors	performed	“Impregnable Question” (end credits)
Jacuzzi Boys	performed	“Glazin’” (opening)
Beat Happening	wrote	“Indian Summer” (covered in-film)

Sources: Wikipedia (film & soundtrack section); FilmMusic.com (credits); SoundtrackRadar (scene placements & timestamps); RingoStrack (song roster); IndieWire; The Playlist.

This is the film about what does it mean to be together and what it includes if you have 6 years of the common life: happiness, envy of some surrounding people, fights, fun, sadness, and, of course, terribly beautiful love. If you truly experience feelings like these, than you will not do the deception, you will obtain all the depth you are able to receive and you will want to give back as twice as much more. In the film, everything revolves around the relationships of the main characters and the life situations, in which they are got with living. Since the main heroes are young, they have hot blood, and they cannot restrain their strong emotions, and therefore provoke a situation that would not have occurred if they were older for 10–15 years. They break the relationship at the end of the film, despite the fact that they have 6 years of strong and vibrant feelings behind. The soundtrack for the movie is the same youth sounding like everything happening on the screen with its protagonists. Here you find mixture of rock (by Jacuzzi Boys), psychedelic (Avalanche), trance, electro, pop, lounge and various variations. For example, Drive (Los Angeles) will make you feel good with so much relaxing sound so that under it you better do only one thing – to sleep. The track Reflection Of You (Lovelock remix) echoes to the previous one, having more varieties in the mood. However, sleepiness is still the main theme. In principle, the nature of the collection can be described in two words: British pop + trance in different modes. If you are young and you have hot blood, and if you are willing to easily destroy everything that was built for so long, just like the main characters of this film did, then this musical score will be the best for your intentions.

October, 22nd 2025

More about 6 Years, an American romantic drama film on IMDb, RottenTomatoes, Wikipedia

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