"About Last Night" Soundtrack Lyrics

---

"About Last Night (2014)" Soundtrack: Description.

Background

The 2014 remake of “About Last Night” arrives with a glass-in-hand swagger, a little messy around the edges—human in that way rom-coms should be. It pulls its bones from a 1986 film and a sharper 1974 stage play, but the reboot tilts toward South L.A. singles, modern texting habits, and the way work bleeds into romance. Marcus Miller handles the score, but the music story leans on a curated batch of soul, funk, retro-R&B, indie shimmer, and a few fresh originals built to play wingman to chemistry. You can hear the intent: give the lovers rhythm to run on, then yank the needle when heartbreak shows up at 3 a.m.

Official Trailer

Musical Styles & Themes

The album lands like a DJ set at a too-late, too-loud post-dinner catch-up: James Brown’s grit (“Get Up (I Feel Like Being a Sex Machine)”) kicks the door; Jamiroquai slides in with sleek late-night drive energy; Toro y Moi sprinkles neon dust over the afterglow; then classic smooth-soul (“What You Won’t Do for Love”) smirks from the corner. Between those poles, you get velvet grooves from The Brand New Heavies, and modern pop-R&B flavors like Kim Cesarion’s “Undressed,” all stitched around new cues that underscore glances, bad decisions, and the texting spiral. It’s the city at night—horns, basslines, elevated conversations you wish you’d had.

Track Highlights & Scene Connections

“Get Up (I Feel Like Being a Sex Machine)” — James Brown

The Godfather of Soul doesn’t whisper; he commands. Dropping this track early sets a playful dare between friends before anything serious hardens. It’s the soundtrack equivalent of a friend shouting, “We’re staying out,” and somehow you do.

“Feel So Good” — Jamiroquai

A slinky, glossy pulse that drives like midnight down La Brea. It’s perfect for the montage space where flirtation becomes ritual: brunches, furniture assembled (badly), toothbrushes left behind like tiny flags.

“Rose Quartz” — Toro y Moi

This one glows. Airy keys, featherlight drums, the sort of track that makes a bar feel warmer and the room feel like it’s bending toward one person. It’s less a banger than a mood lamp.

“Never Stop” — The Brand New Heavies

Polished acid-jazz turned romantic fuel. If you’ve ever slow-danced in a kitchen because the living room was too tidy, you get why it belongs here.

“A Million” — John Legend

An original that sneaks up on you. Legend’s vocal glows with that patient, seasoned warmth, a counterpoint to on-again/off-again lovers trying to say the right thing without losing pride. Also, it’s new to this album; not recycled.

“Luckiest Man” — Mishon feat. Problem

A fizzy, West Coast-tilted flex that sounds like confidence right before the fall. It’s clever placement: bravado on wax while feelings get real offscreen.

“Undressed” — Kim Cesarion

A glossy, radio-ready hook with a wink—desire without apology. The kind of track that lives in bedroom mirrors and Uber rides home, equal parts charm and mischief.

Deep Cuts that matter

• “What You Won’t Do for Love” — Bobby Caldwell, the old flame you were NOT ready to see again at the same party.
• “No Hay Problema” — Pink Martini, cocktail-jazz polish when the film needs a smirk instead of a shout.
• “Please Come Home” — Gary Clark Jr., bluesy ache for the early-morning second thoughts.
• Plus score threads from Marcus Miller, slipping in and out like the cab light turning on at closing time.

Production & Behind the Scenes

Steve Pink directs; Leslye Headland pens the screenplay; Will Packer and Will Gluck steer the ship. Marcus Miller’s score does careful work—tucking under dialogue, then blooming during reconciliations. The compilation, released by Columbia, arrived digitally/physically around the film’s Valentine’s Day launch and stuffed in two premieres: Legend’s “A Million” and Mishon’s “Luckiest Man,” alongside a showroom’s worth of catalog cuts that lean tasteful rather than obvious. It’s the kind of needle-drop strategy that rewards rewatchers; you catch new textures the third time through.

Full Plot & Character Breakdown

Let’s be honest: this is a two-couple dance. Danny (Michael Ealy) and Debbie (Joy Bryant) start cautious, pretending they’re not looking for anything serious. Meanwhile Bernie (Kevin Hart) and Joan (Regina Hall) flame like fireworks—loud, messy, honest to a fault. Nights out turn into sleepovers, sleepovers into toothpaste diplomacy, and before anyone notices, cohabitation shows up with a tiny dog and shared bills. Work stress, mixed signals, and some carefully aimed insults push Danny and Debbie apart; Bernie and Joan crash and rebuild, crash again, then—like those friends who swear they’re “done for real”—stumble back toward each other. The ending leaves room for grown-up do-overs; it believes in second chances but not fairy dust.

Main Quartet

• Danny — Michael Ealy: guarded, charming, the guy who’s allergic to grand gestures until the clock runs out.
• Debbie — Joy Bryant: competent, quietly fierce; rarely wrong, occasionally too right for romance’s chaos.
• Bernie — Kevin Hart: a live microphone in human form; says the quiet part loud, then makes you laugh anyway.
• Joan — Regina Hall: razor-edged wit hiding a marshmallow center that she will deny exists.

Supporting & Cameos

• Christopher McDonald — Casey McNeil
• Adam Rodríguez — Steven Thaler
• Joe Lo Truglio — Ryan Keller
• Paula Patton — Alison
• Terrell Owens — yes, that cameo

Reception & Social Proof

Box office first: Valentine’s weekend, the film opened strong—second only to animated juggernaut bricks—and turned a tidy profit against its budget. That’s not just date-night luck; that’s word-of-mouth doing laps. Critically, the consensus circled the cast. One review noted the “well-cast” ensemble and how Ealy and Bryant’s chemistry steadied the film while the flashier pairing grabbed attention. Another called out the remake’s sitcom-familiar beats but tipped its hat to the performers who leveled up the material. Fans? They mostly raved about Hart and Hall’s roast-battle romance and the soundtrack’s dinner-to-sunrise flow.

“The film’s best asset… is how well it is cast.” RogerEbert.com

“Has little new to offer… [but] the cast does what it can… and clearly self-improves upon… thin, at times choppy material.” Los Angeles critic

Release Info & Credits (Soundtrack)

• Label: Columbia Records
• Digital release: February 2014
• Physical release: March 2014
• Compiler: Various Artists; original score by Marcus Miller
• Runtime: roughly one hour (album editions vary by region)
• Notables: two premieres (“A Million,” “Luckiest Man”), plus catalog standouts from James Brown, Jamiroquai, Toro y Moi, The Brand New Heavies, Bobby Caldwell, Pink Martini, Gary Clark Jr.

Why the soundtrack works

Because it sounds like real courtship. Not the tidy, montaged version—the wobbly one. The needle drops don’t just decorate scenes; they tilt perspective. A funk charmer turns a petty squabble into foreplay. A soft-focus soul cut makes a breakup feel undeservedly cinematic (we’ve all done that, yes). Indie chill flirts with the idea that maybe, whether it’s the second night or the second try, there’s time to get it right. The music keeps saying: take another lap.

FAQ

Who composed the score?

Marcus Miller, whose cues thread the rom-com beats with sleek bass and jazz-schooled touches.

Is “A Million” exclusive to this soundtrack?

Yes—John Legend’s track premiered with the album and lives here.

What styles dominate the compilation?

Vintage funk/soul, early-’90s/’00s R&B polish, indie chillwave, and contemporary pop-R&B.

How did the film perform on opening weekend?

It debuted strong over Valentine’s weekend, finishing second and easily covering its modest budget trajectory.

Any must-listen cuts if I’m short on time?

Start with “A Million,” “Undressed,” “Rose Quartz,” “Never Stop,” then cleanse the palate with James Brown’s opener.

Cast Snapshot (for context)

2014 Principal Cast

• Kevin Hart — Bernie
• Michael Ealy — Danny
• Regina Hall — Joan
• Joy Bryant — Debbie
• Plus: Christopher McDonald, Adam Rodríguez, Joe Lo Truglio, Paula Patton, Terrell Owens (cameo)

September, 18th 2025

Read about 'About Last Night', an American romantic comedy film on Wikipedia and Internet Movie Database

---

A-Z Lyrics Universe

---