"All Cheerleaders Die" Soundtrack Lyrics

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"All Cheerleaders Die" Soundtrack Description

The vibe, straight up

It’s the kind of soundtrack that crashes through the gym doors with glitter on its knuckles—messy, catchy, a little feral. You’ve got a grab-bag of punk scrapes, hip-hop bruises, deadpan interludes from the cast, and a sly, pulsing score thread. It shouldn’t cohere. It does. And in that sweet spot, “All Cheerleaders Die” feels like the mixtape a witchy friend burned you at 2 a.m., labeled in eyeliner and attitude.

Where this came from (and who’s steering)

The movie is the 2013/2014 horror-comedy from Lucky McKee and Chris Sivertson, a remake of their 2001 micro-budget original. Composer Mads Heldtberg supplies the score color, while the released album leans heavy on needle-drops and in-world bits—yes, the actors show up on the tracklist, which is part of the fun. The film premiered at TIFF in September 2013 and got its limited U.S. release in June 2014, which is why folks tag it either 2013 or 2014 depending on where they first saw the carnage.

Musical styles & themes

There’s a deliberate clatter here: garage-punk (A Giant Dog), swaggering indie snarls (Grand Ole Party), underground hip-hop jabs (Guilty Simpson, All Day), plus micro-skits from the cast that feel like blood-smeared cheer chants. Then Heldtberg’s cues (“Cheerleader Love,” for one) slip in with a low-voltage hum—cooling fan on a hexed laptop, threatening to overheat. The juxtaposition—hooks vs. hexes—fits a film about grief, power, and girls who refuse to stay dead.

Track highlights (messy, magnetic, replayable)

• “Blackfoot Bloodhounds, Bitches” — Brooke Butler — A 7-second grenade that sets the smirk level. The title alone tells you the film’s sense of humor.
• “Teasin’ Ass Bitch” — A Giant Dog — Party-scene gasoline; guitars that sound like they were recorded under bleachers, on purpose.
• “Look Out Young Son” — Grand Ole Party — Swagger and side-eye, the kind of track that makes a hallway walk feel like a showdown.
• “Medication” — All Day — Low-end bounce, knuckles tapping locker doors; hip-hop pulse that keeps the blood up.
• “Crazy Wicca Bullshit” — Sianoa Smit-McPhee & Caitlin Stasey — In-world mischief; the movie winks at itself and you in 11 seconds.
• “Queef & Run” — Tom Williamson & Chris Petrovski — Juvenile? Yes. Effective scene-texturing? Also yes. The album leans into its own chaos.
• “Cheerleader Love” — Mads Heldtberg — The score thread: moody, minimal, the sonic glue when everything else is spilling drinks.
• “Kinda New To Me” — Brooke Butler & Caitlin Stasey — Tiny and teasing, like a dare scribbled on notebook paper.

Film plot & characters (context the music rides on)

A fatal stunt kills Alexis, and the shock fractures Blackfoot High. Mäddy Killian infiltrates the cheer squad—part grief, part revenge—nudging a wedge between queen-bee Tracy and football captain Terry Stankus. A party spirals, a car wreck drowns the team, and Leena Miller (Mäddy’s ex, witchy and wounded) drags them back from the abyss using stones and grief like jumper cables. The resurrected girls are hungry, powerful, and complicated; sisterhood turns sharp, especially with the Popkin twins (Hanna and Martha) literally body-swapped. Terry escalates into a monster, swallowing the magic to own it, which… goes about as well as you’d expect. Final image: blood, shock, a cliffhanger that howls for a sequel.

Cast — the core squad

• Caitlin Stasey — Mäddy Killian
• Sianoa Smit-McPhee — Leena Miller
• Brooke Butler — Tracy Bingham
• Amanda Grace Cooper — Hanna Popkin
• Reanin Johannink — Martha Popkin
• Tom Williamson — Terry Stankus
• Felisha Cooper — Alexis Andersen

Behind the scenes & the album itself

The soundtrack dropped in 2014 with multiple versions (31-track and 35-track deluxe), a riot of short cues and full songs—more zine than monolith. Digital releases list “℗ 2014 Modern Distributors,” and there was even a limited red-vinyl pressing via Conveyor/MVD that turned the gym-floor chaos into a collectible. The approach gives the movie its texture: not just background music, but a collage of in-world chants, taunts, and needle-drop attitude.

Reviews & social proof

Critics were split—love for the subversions, side-eye for the follow-through. Aggregators hover in the middle of the scoreboard, but the film’s fanbase champions its queer throughline, mean-girl magic, and the audacity of that ending. Either way, nobody calls it boring.

Real quotes

“a witching, bitching good time.” We Got This Covered

“colorful, energetic, and appreciably unpredictable.” FEARNET (Scott Weinberg)

“sets out to subvert horror tropes, but ends up falling victim to many of the same… cliches.” Rotten Tomatoes consensus

“Tastes like jelly beans. I’m like the cookie monster up in this—” Terry Stankus (film line)

How it plays as a front-to-back listen

It’s short-burst storytelling. Many tracks are tiny—seven, nine, eleven seconds—and they still earn their slot, like bracketed beats in a curse. The longer songs keep the blood moving, and the tonal swerve (from snide to sincere) maps the movie’s own heel-turns. Put the deluxe edition on while you cook or doomscroll; it’ll yank you out of autopilot when a cast skit stomps through, then drop you right back into a riff. Not elegant—alive.

Technical info (album & film)

• Type: movie
• Year: 2014 (U.S. release; TIFF premiere 2013)
• Directors: Lucky McKee, Chris Sivertson
• Score Composer: Mads Heldtberg
• Soundtrack artist credit: Various Artists
• Notable tracks: “Blackfoot Bloodhounds, Bitches” (Brooke Butler), “Teasin’ Ass Bitch” (A Giant Dog), “Look Out Young Son” (Grand Ole Party), “Medication” (All Day), “Cheerleader Love” (Mads Heldtberg)
• Release formats: Digital (31/35 tracks), limited vinyl (Conveyor/MVD)
• Label credit (digital): ℗ 2014 Modern Distributors
• Runtime (film): ~90 minutes
• Premiere: Toronto International Film Festival, September 5, 2013; limited U.S. theatrical June 2014

Cast notes (quick reads)

• Stasey and Smit-McPhee carry the emotional center; their tracks on the album double as character beats.
• Brooke Butler’s vocal cameos sharpen Tracy’s edge—the music lets the character sneer in stereo.
• Tom Williamson’s Terry gets a crude skit credit; even the soundtrack knows he’s the worst.

FAQ

Who composed the score?

Mads Heldtberg. The album itself mixes his cues with songs and cast bits.

Is there an official soundtrack release?

Yes—2014 digital editions (31/35 tracks) and a limited red vinyl pressing later that year.

What label is listed on digital versions?

Modern Distributors (℗ 2014).

What’s the overall genre feel?

Punk/garage/indie grit, underground hip-hop jolts, and sly score cues—like a locker full of mixtapes spilled at once.

Where can I watch the trailer stills used here?

They’re pulled from the official trailer thumbnail set; the video ID is ImNk4kcNtKQ.

September, 23rd 2025

'All Cheerleaders Die' is a 2013 American horror comedy film written and directed by Lucky McKee and Chris Sivertson. Find more on Internet Movie Database and Wikipedia

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