"All God's Creatures" Soundtrack Lyrics

---

"All God's Creatures" Soundtrack Description

Background & First Listen

This isn’t a symphonic sweep; it’s a box of matches. Strike one and you get garage sneer; strike another, a glossy indie wink, then suddenly a late-night instrumental breathing in the dark. The 2012 release arrives like an after-hours companion to the film’s rough tender heart — a compilation by design, stitched from downtown DNA and coffee-shop static. I threw it on thinking “background noise,” and, well, no: by track three it’s already narrating the bad ideas I swore I wouldn’t repeat. It’s compact too, built for bus rides and walks home you don’t want to end. The album feels handmade, imperfect, alive — which is pretty much the movie’s pitch in a nutshell.

Musical Styles & Themes

Collage is the point. You bounce between jagged guitars and soft-lit synths, from swagger to second thoughts. Des Roar brings the grin-and-bare-teeth energy; Car Stereo Wars slide in with satin edges and sly cool; The Dangerous Maybes keep it street-level — hooks with a hangover. Instrumentals from Molotov Elysian and Ajar are the mood lighting: patient, haunted, almost kind. The sequencing does a neat trick where adrenaline and intimacy trade places, making the romance feel dangerous and the danger weirdly romantic. That moral fog isn’t an accident; the music leans into it, ribs and all.

Track Highlights

Scenes-that-live-rent-free

• “When In Rome” — Des Roar. The opener struts like a dare. It’s the night stretching its legs, saying: we could behave, but we won’t. I heard it and pictured a block of wet pavement and a decision you frame as destiny to feel better about it.
• “Smooth” — Car Stereo Wars. Irony in silk. The chorus moves like a neon reflection on chrome, and suddenly the story’s violence feels even colder because the music refuses to sweat.
• “Morning Shower” — The Dangerous Maybes. That song you play when sunlight is too honest. Guitars shrug, percussion taps an apology, and you promise yourself you’ll choose different next time (sure).
• “Ted Bundy Was A Lady’s Man” — Des Roar. Provocative title, ratty charm. The track toys with charisma as camouflage — how the right grin can deflect a dozen red flags. It’s catchy enough that you catch yourself complicit.
• “Breath Before Water” — Molotov Elysian. Minimal and tidal. Feels like holding your breath right before stepping off the ledge — not to fall, to sink into some truth you’ve been dodging.
• “Let It Slide” — Ajar. Small, careful, forgiving. Not absolution exactly; more like the sound of someone loosening their grip on a story that was strangling them.

Film Plot & Characters

The logline is simple, the ache is not. Jon, a barista by day and a predator at night, nurses a broken compass he mistakes for a code. Delia walks in — smart, defensive, funnier than she lets on. Their orbit turns jagged: a romance that keeps asking whether tenderness is rescue or just another disguise. It’s a lean 83 minutes with the stomach-drop of a bad dream; somehow the movie still finds pockets of grace, little human corners where the light gets in.

Cast — the through-line performances

• Josh Folan as Jon — precise, unsettling, always calculating where the exits are.
• Jessica Kaye as Delia — sharp edges and soft eyes, the kind of presence that can reset a scene with one look.
• Tiffany Lee as Lydia — a sister tether, someone who knows the old stories and still answers the phone.
• Adam Barnett as the Stepfather — everyday menace, all the more upsetting because it feels familiar.
• Ginger Kroll and Carson Grant add texture on the margins, giving the city its voices and verdicts.

Why the world feels lived-in

• The ensemble plays like locals, not tourists. You get the gossip, the rituals, the quiet rules of blocks that look ordinary until they aren’t.

Production Notes

• Directors: Ryan Charles and Frank Licata — microbudget eyes, generous with location grit.
• Writers / Producers: Josh Folan with additional material by Billy Fox; Folan also produces, which tracks with the film’s DIY spine.
• Premiere: Hoboken International Film Festival, June 4, 2011; the commercial life staggered into 2012.
• Distributor: Osiris Entertainment shepherded the release.
• Soundtrack label: Warlock Records dropped the 13-track compilation on July 17, 2012.

Reception & Social Proof

Some films split the room; this one slices it. Formal critic coverage was light but pointed, while audience reactions landed all over: a chunk admired the focus on character damage over gore, others bounced off the discomfort. The common refrain I heard: more a dark character drama than a straight horror piece. Fair. The soundtrack gets kinder notes — people found it playable outside the movie, a neat trick for a shoestring title.

Quotes

“Love isn’t only for a chosen few — it’s for all God’s creatures.” — tag-line voice, the film’s thesis in one breath

“We’re all just trying not to be the worst versions of ourselves.” — a line that could belong to half the characters here

FAQ

Who’s on the soundtrack?

Des Roar, Car Stereo Wars, The Dangerous Maybes, Molotov Elysian, and Ajar — thirteen tracks total, all pulling in different directions until they don’t.

Is there a traditional score?

No single-composer score; it’s a curated compilation built to mirror the film’s tonal whiplash.

What’s the runtime of the film?

About 83 minutes — tight and nervy.

When did the soundtrack drop?

July 17, 2012 via Warlock Records.

What’s the overall vibe?

Gritty-romantic. A jukebox of desire, denial, and late-night choices that feel braver in the dark.

Where can I see the core cast?

Leads include Josh Folan and Jessica Kaye, with Tiffany Lee, Adam Barnett, Ginger Kroll, and Carson Grant shaping the world around them.

Technical Info

• Title: All God’s Creatures (Original Motion Picture Soundtrack)
• Year: 2012
• Type: Movie soundtrack
• Label: Warlock Records
• Release date: July 17, 2012
• Total length: ~55 minutes (13 tracks)
• Film runtime: 83 minutes
• Premiere (film): June 4, 2011 — Hoboken International Film Festival
• Directors (film): Ryan Charles, Frank Licata
• Writers / Producers (film): Josh Folan with additional material by Billy Fox
• Distributor (film): Osiris Entertainment

Full Track List

1. When In Rome — Des Roar
2. How Much Is Too Much — Des Roar
3. Morning Shower — The Dangerous Maybes
4. Smooth — Car Stereo Wars
5. Not Over For Me — Des Roar
6. Confessions Of A White, Widowed Male — Des Roar
7. Ted Bundy Was A Lady’s Man — Des Roar
8. Across The Ocean — The Dangerous Maybes
9. Dearheart — Car Stereo Wars
10. Breath Before Water — Molotov Elysian
11. Cerequil Caracell — Ajar
12. Let It Slide — Ajar
13. Mirages — Molotov Elysian

Why it plays better than you expect

• Range without chaos. You jump genres, but the flow feels like one restless night out, not a playlist stunt.
• Character-first curation. The songs do subtext work — Delia’s fragile hope, Jon’s control, the city’s low hum of danger.
• Time-capsule glow. Early-2010s indie fingerprints are all over it; if that era lives in your bones, this will ring the bell.

September, 23rd 2025

Find information about 'All God's Creatures', an American romantic thriller on Internet Movie Database and Wikipedia

---

A-Z Lyrics Universe

---