"Sinners" Lyrics

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"Sinners (Original Motion Picture Soundtrack)" Soundtrack Description

FAQ

• Is there an official soundtrack album? Yes—“Sinners (Original Motion Picture Soundtrack)” was released on April 18, 2025, alongside the film.
• Who composed the score? Ludwig Göransson composed the original score, released the same day as a separate album.
• What song plays during the end credits? “Sinners” by Rod Wave rolls over the credits; an epilogue sequence follows.
• Where were the songs recorded? Core sessions took place at Royal Studios (Memphis) and Esplanade Studio (New Orleans), with additional scoring at Warner Bros.’ Eastwood Scoring Stage.
• Are the performances in the movie live? Many musical moments were staged and recorded live or semi-live to preserve the juke-joint feel.

Additional Info

• Two companion albums dropped day-and-date: a Various Artists soundtrack and a Göransson score set (Sony Masterworks / Sony Classical).
• Rod Wave’s title track released as the lead single ahead of the film and surges during the credits.
• Hailee Steinfeld contributed the original song “Dangerous,” marking a return to music (according to Billboard).
• Several cues and songs were captured live on set to match the sweat and spill of a 1932 juke joint.
• Royal Studios’ blues lineage shaped the sessions, with Boo Mitchell corralling Delta heavyweights.
• Lars Ulrich is credited on drums for select tracks—an unexpected rock thread in a Delta tapestry.
• The album blends field-hand gospel, North Mississippi fife-and-drum, Irish folk, and electric blues without modern gloss.
• The soundtrack peaked high on the U.S. soundtrack chart and cracked the Billboard 200.
• Cast members (Miles Caton, Jack O’Connell, Lola Kirke, Jayme Lawson) perform on several numbers.

Overview

Why does a rowdy juke joint suddenly hum with Irish fiddle, church choir, and doom-tinged guitar? Because Coogler’s vampires crash the party—and the film insists music is both the weapon and the wound. The soundtrack bottles that idea: a period-authentic blues core threaded with folk, gospel, fife-and-drum, and modern textures that needle the skin. Across the night, tunes aren’t background—they’re plot. Sammie’s guitar calls things to him, for better and worse; invading musicians twist a Black folk song into something off-kilter; and an original ballad closes the circle with bruised tenderness. It’s a lived-in, wood-and-wire sound that refuses slickness (as noted in Time magazine).

Genres & Themes

• Delta blues → spiritual conduit: Slide resonator and call-and-response frame Sammie’s gift as channeling ancestors, not just licks.
• Gospel & choir → community armor: Hymns and youth choir cues mark spaces of belonging the vampires can’t easily breach.
• Irish folk → seductive trespass: Fiddle reels and ballads signal Remmick’s “we’re just like you” pitch and the cultural appropriation bait-and-switch.
• Fife-and-drum & field rhythms → earthbound pulse: North Mississippi cadences grind the film back to dirt and breath.
• Modern production threads → time collapse: Sub-bass swells and processed vocals flare when the past collides with the present.

Key Tracks & Scenes

• “This Little Light of Mine” — Miles Caton with DC6 Singers & Pleasant Valley Youth Choir
  Where it plays: Opening church sequence; diegetic hymn that re-centers Sammie.
  Why it matters: Establishes faith as a counter-spell and introduces the communal voice.
• “I Lied to You” — Miles Caton
  Where it plays: ~00:55:00, Sammie’s breakout juke-joint performance; diegetic onstage.
  Why it matters: His voice “pierces the veil,” drawing Remmick to the door and turning music into a magnet (as covered by Screen Rant).
• “Pick Poor Robin Clean” — Jack O’Connell, Lola Kirke & Peter Dreimanis
  Where it plays: ~01:03:00 at the doorway as the trio introduces themselves; reprises near the third act; diegetic.
  Why it matters: A queasy appropriation—an old Black folk song repackaged as charm that tips toward menace; the movie underlines who’s borrowing from whom (Time’s review calls the moment out).
• “Dangerous” — Hailee Steinfeld
  Where it plays: Needle-drop underscoring Mary’s pull toward the night; non-diegetic spotlight that shades her choices.
  Why it matters: Her only original here threads character POV with a contemporary pop-soul ache (according to Billboard).
• “Will Ye Go, Lassie, Go?” — Lola Kirke, Peter Dreimanis, Brian Dunphy, Darren Holden & Jack O’Connell
  Where it plays: Parlor-style serenade when Mary approaches the visitors; diegetic.
  Why it matters: A soft-sell recruitment tool; Irish balladry as vampire honey-trap.
• “Rocky Road to Dublin” — Jack O’Connell, Brian Dunphy & Darren Holden
  Where it plays: After Remmick corrupts patrons; diegetic, frenzied reel inside Club Juke.
  Why it matters: The reel turns riot—music weaponized to stampede the room.
• “Last Time (I Seen The Sun)” — Alice Smith & Miles Caton
  Where it plays: Swan-song scene before the credits; non-diegetic with reflective lyrics avoided on-screen.
  Why it matters: A bruised coda that reframes the night’s cost, then hands to the credits.
• “Sinners” — Rod Wave
  Where it plays: Main credits; non-diegetic single.
  Why it matters: Modern voice over period images—closing the film’s past-meets-present loop.

Music–Story Links (characters & plot beats as connected to songs)

• When Sammie steps onstage for “I Lied to You,” the camera lingers on hands and strings; Göransson’s underscoring later echoes the song’s motif, cueing that the supernatural responds to timbre as much as melody.
• Remmick’s trio using “Pick Poor Robin Clean” is a thesis in miniature: perform hospitality, borrow culture, then devour it. The jaunty rhythm soft-pedals the threat until the room realizes it’s bait.
• Mary’s arc catches a flash of pop in “Dangerous”—her desires aren’t antique; the production’s sheen marks her as the story’s hinge between the juke’s analog world and the night’s seduction.
• The Irish reels (“Will Ye Go…,” “Rocky Road…”) mirror Stack’s slide toward Remmick; the faster the tune, the quicker his loyalties slip.
• “This Little Light of Mine” bookends Sammie’s compass—community first, even as the guitar keeps calling him back to the stage.

How It Was Made (supervision, score, behind-the-scenes)

• Executive music production: Serena Göransson, shaping the album’s flow and collaborations.
• Composer/score: Ludwig Göransson built the score around a 1932 Dobro Cyclops resonator—the same instrument Sammie carries—so source songs and underscore share DNA.
• Studios & process: Song sessions at Royal Studios (Memphis) with Boo Mitchell; rehearsals and additional work in New Orleans; orchestral and mix work in Burbank.
• Performers: Cast performed onscreen with blues heavyweights; credits include Buddy Guy, Bobby Rush, Cedric Burnside, Rhiannon Giddens, and more.
• Cross-genre touches: Irish traditional players and even Lars Ulrich on drums thread unexpected colors through the Delta palette.
• Label & release: Sony Masterworks issued the soundtrack; Sony Classical handled the score; both dropped April 18, 2025 (NME magazine highlighted the all-star lineup ahead of release).

Reception & Quotes

“A bloody, bluesy, and throbbingly fun vampire saga with music baked into its bones.” David Ehrlich, IndieWire

“Typically inventive work from Göransson—fiddles over blues that shouldn’t fit, yet do.” Kambole Campbell, Little White Lies

“The music alone takes the film to another level.” Mae Abdulbaki, Screen Rant

Sources: Apple Music; Sony Masterworks; Screen Rant; Radio Times; Film Music Reporter; Time magazine; IndieWire; Little White Lies; The Hollywood Reporter; Memphis Commercial Appeal; Vanity Fair; The Wrap; NME magazine.

Technical Info

• Title: Sinners (Original Motion Picture Soundtrack)
• Year: 2025
• Type: Various Artists soundtrack (companion to Sinners (Original Motion Picture Score))
• Composer (score album): Ludwig Göransson
• Executive Music Producer: Serena Göransson
• Music Consultants: Boo Mitchell, Rhiannon Giddens, Iarla Ó Lionáird, and others
• Recorded at: Royal Studios (Memphis); Esplanade Studio (New Orleans); Eastwood Scoring Stage (Burbank)
• Label(s): Sony Masterworks (soundtrack); Sony Classical (score)
• Release: April 18, 2025 (same day as theatrical)
• Selected notable placements: “I Lied to You” (Sammie’s big set); “Pick Poor Robin Clean” (trio’s entrance); “Last Time (I Seen The Sun)” (final scene); “Sinners” (end credits)
• Availability: Digital streaming/download; physical editions vary by region
• Chart notes: Peaked near the top of U.S. soundtrack chart; appeared on the Billboard 200

Canonical Entities & Relations

Entity	Relation	Target
Ryan Coogler	directed	Sinners (film)
Ludwig Göransson	composed	Sinners (Original Motion Picture Score)
Serena Göransson	executive-produced (music)	Sinners soundtrack
Sony Masterworks	released	Sinners (Original Motion Picture Soundtrack)
Sony Classical	released	Sinners (Original Motion Picture Score)
Royal Studios (Memphis)	hosted sessions for	soundtrack recordings
Boo Mitchell	consulted/produced with	recording artists on soundtrack
Rod Wave	performed	“Sinners” (end-credits single)
Hailee Steinfeld	performed	“Dangerous” (original song)
Miles Caton	performed (as Sammie)	“I Lied to You,” others
Jack O’Connell / Lola Kirke	performed	“Pick Poor Robin Clean” and Irish songs

October, 15th 2025

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