"Alpha Dog" Soundtrack Lyrics
Movie • 2007
Track Listing
›Over the Rainbow
Eva Cassidy
›Enemy and I
Lazarus
›Bullet & a Target
Citizen Cope
›Jake Breaks In (Instrumental)
Paul Bushnell
›Caribou Lou
Tech N9ne
›Revolving
Paul Bushnell
›Slither
Tech N9ne
›Liar
Miredys Peguero & Paul Graham
›Winner
Paul Bushnell
›Let's Chill
Mic Holden, Maya & Renee' Rogers
›Dragonfly
Miredys Peguero & Paul Bushnell
›LA LA Land
Tech N9ne feat. Gina Cassavetes
›Pool Party
Mic Holden
›Never Give Up
Mic Holden
›At the Site/Driving to the Site
Aaron Zigman & Nick Cassavetes
›We Are The Lost
Lawrence Faljean
›Basketball
Lowd
›Cookie Monster
Paul Graham & Paul Bushnell
›Elvis Arrested
Aaron Zigman
›Weightlifting
Lowd
›Marco Polo
Lowd & Cassie Simone
›Night and Day
Tech N9ne
"Alpha Dog" Soundtrack Description
Background & First Listen
Smells like chlorine and cologne — a teenagers’ kingdom with no adults in sight. The “Alpha Dog (Original Motion Picture Soundtrack)” plays like a house party that won’t admit it’s over. Hip-hop body shots, indie grit, and little score cues with their nerves showing. Released alongside the U.S. rollout in early 2007, the album stretches across twenty-two cuts and roughly an hour, pivoting from Eva Cassidy’s quiet ache to Tech N9ne’s bottle-rocket hooks. It doesn’t glorify the night so much as document it — receipts, red flags, and that 4 a.m. silence when bravado finally runs out of batteries.Musical Styles & Themes
Two lanes, same road. On one side, source cuts: club-leaning rap (three Tech N9ne moments), a sleepy-simmer from Citizen Cope, and low-lit vignettes by Mic Holden and Paul Bushnell that feel like the air right before a bad decision. On the other, composer Aaron Zigman slips in tension cues — “Elvis Arrested,” the ominous “At the Site/Driving to the Site” (co-credited with director Nick Cassavetes) — stitching consequence between all that swagger. The engine is contrast: party thrust colliding with the chill that follows, cotton candy next to cold steel.
Track Highlights
Scene-adjacent moments
- “Over the Rainbow” — Eva Cassidy. A soft hand on a hard story; it undercuts the cocky posturing with something unguarded and human.
- “Caribou Lou” — Tech N9ne. Party physics in one chorus; you can practically hear the floor getting sticky and the edits getting faster.
- “La La Land” — Tech N9ne feat. Gina Cassavetes. Hollywood looking in the mirror — meta, messy, addictive.
- “Bullet & a Target” — Citizen Cope. A low flame that reads like fate tapping the glass; menace in lowercase is somehow colder.
- “At the Site/Driving to the Site” — Aaron Zigman & Nick Cassavetes. The dread cue; you feel the road narrowing long before the plot admits it.
- “Night and Day” — Tech N9ne. Last-call menace; the dream curdles on the way out, and the room suddenly remembers the time.
Film Plot & Characters
Based on a true case, you watch bravado harden into tragedy. Johnny Truelove fronts as a local kingpin until ego and rage push his crew into kidnapping Zack Mazursky. Frankie plays friendly guard, Jake is a live wire, parents hover at the edges — helpless, human. The film premiered at Sundance in 2006 and hit U.S. theaters in January 2007. Runtime: a taut 117 minutes, with a hangover that lasts longer.Cast — the core orbit
- Emile Hirsch — Johnny Truelove
- Justin Timberlake — Frankie Ballenbacher
- Anton Yelchin — Zack Mazursky
- Ben Foster — Jake Mazursky
- Sharon Stone — Olivia Mazursky; Bruce Willis — Sonny Truelove
Supporting — the world that makes it plausible
- Shawn Hatosy (Elvis), Chris Marquette (Keith), Olivia Wilde, Amanda Seyfried, Harry Dean Stanton — faces that texture the spiral.
Production Notes
- Composer: Aaron Zigman — his cues sit alongside the source tracks without grandstanding, tightening screws in the margins.
- Label & release: Milan Records issued the set in early January 2007; physical and digital editions share the same twenty-two-cut sequence.
- Album shape: About sixty minutes, swinging from Eva Cassidy’s hush to Tech N9ne’s thump, with micro-cues from Mic Holden and Paul Bushnell.
- Festival & theatrical: Sundance 2006 premiere, U.S. release January 2007.
Reception & Social Proof
- Critics vs. crowds: Midline critical scores, warmer audience response — a classic split between vibe and verdict.
- CinemaScore: B− energy: “tough watch, can’t look away.”
- Performance chatter: Justin Timberlake surprised skeptics; Anton Yelchin drew steady praise for carrying the ache.
FAQ
- Who composed the score for Alpha Dog?
- Aaron Zigman, with select cues threaded between the needle-drops.
- Who released the soundtrack album?
- Milan Records, in step with the 2007 theatrical rollout.
- How many tracks are on the album?
- Twenty-two, running right around an hour.
- Is the music mostly songs or score?
- Mostly songs — hip-hop and alt-soul — with targeted tension cues from Zigman.
- What’s the film’s runtime and release timing?
- 117 minutes; premiered 2006 (festival), opened wide January 2007.
- Any notable features?
- Multiple Tech N9ne appearances; “La La Land” folds in Gina Cassavetes.
Technical Info
- Title: Alpha Dog (Original Motion Picture Soundtrack)
- Year: 2007
- Type: Movie soundtrack
- Label: Milan Records
- Release date: January 2007
- Total length: ~60 minutes
- Composer (score): Aaron Zigman
- Film runtime: 117 minutes
- Premiere: Sundance Film Festival — 2006
- Principal cast: Emile Hirsch, Justin Timberlake, Anton Yelchin, Ben Foster, Sharon Stone, Bruce Willis
Full Track List
- Over the Rainbow — Eva Cassidy (4:27)
- Enemy and I — Lazarus (2:52)
- Bullet & a Target — Citizen Cope (4:24)
- Jake Breaks In — Paul Bushnell (2:28)
- Caribou Lou — Tech N9ne (4:35)
- Revolving — Paul Bushnell (2:39)
- Slither — Tech N9ne (3:58)
- Liar — Miredys Peguero & Paul Graham (1:10)
- Winner — Paul Bushnell (1:55)
- Let’s Chill — Mic Holden, Maya & Reneé Rogers (2:50)
- Dragonfly — Miredys Peguero & Paul Bushnell (1:14)
- La La Land — Tech N9ne feat. Gina Cassavetes (1:54)
- Pool Party — Mic Holden (2:51)
- Never Give Up — Mic Holden (2:11)
- At the Site/Driving to the Site — Aaron Zigman & Nick Cassavetes (4:01)
- We Are the Lost — Lawrence Faljean (1:03)
- Basketball — Lowd (3:38)
- Cookie Monster — Paul Graham & Paul Bushnell (1:01)
- Elvis Arrested — Aaron Zigman (1:57)
- Weightlifting — Lowd (2:45)
- Marco Polo — Lowd & Cassie Simone (3:00)
- Night and Day — Tech N9ne (3:29)
Why it plays better than a “crime” playlist
- Contrast as weapon. Cassidy’s hush next to Tech’s thump makes both cut deeper.
- Score as spine. Zigman’s cues keep the tension taut without stealing oxygen.
- Context baked in. These songs smell like the film’s rooms — chlorine, desert air, bad ideas — and that scent sticks.
September, 23rd 2025
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