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Alpha Dog Album Cover

"Alpha Dog" Soundtrack Lyrics

Movie • 2007

Track Listing



"Alpha Dog" Soundtrack Description

Alpha Dog soundtrack lyrics, 2007
Alpha Dog soundtrack — 2007 trailer thumbnail

Background & First Listen

Smells like chlorine and cologne — a teenagers’ kingdom with no adults in sight. The “Alpha Dog (Original Motion Picture Soundtrack)” plays like a house party that won’t admit it’s over. Hip-hop body shots, indie grit, and little score cues with their nerves showing. Released alongside the U.S. rollout in early 2007, the album stretches across twenty-two cuts and roughly an hour, pivoting from Eva Cassidy’s quiet ache to Tech N9ne’s bottle-rocket hooks. It doesn’t glorify the night so much as document it — receipts, red flags, and that 4 a.m. silence when bravado finally runs out of batteries.

Musical Styles & Themes

Two lanes, same road. On one side, source cuts: club-leaning rap (three Tech N9ne moments), a sleepy-simmer from Citizen Cope, and low-lit vignettes by Mic Holden and Paul Bushnell that feel like the air right before a bad decision. On the other, composer Aaron Zigman slips in tension cues — “Elvis Arrested,” the ominous “At the Site/Driving to the Site” (co-credited with director Nick Cassavetes) — stitching consequence between all that swagger. The engine is contrast: party thrust colliding with the chill that follows, cotton candy next to cold steel.
Alpha Dog Soundtrack Trailer. Lyrics
Snapback nights, desert mornings — the playlist toggles both

Track Highlights

Scene-adjacent moments

Alpha Dog Soundtrack Trailer. Lyrics
The record in a frame: gloss, grit, subwoofer hum
  • “Over the Rainbow” — Eva Cassidy. A soft hand on a hard story; it undercuts the cocky posturing with something unguarded and human.
  • “Caribou Lou” — Tech N9ne. Party physics in one chorus; you can practically hear the floor getting sticky and the edits getting faster.
  • “La La Land” — Tech N9ne feat. Gina Cassavetes. Hollywood looking in the mirror — meta, messy, addictive.
  • “Bullet & a Target” — Citizen Cope. A low flame that reads like fate tapping the glass; menace in lowercase is somehow colder.
  • “At the Site/Driving to the Site” — Aaron Zigman & Nick Cassavetes. The dread cue; you feel the road narrowing long before the plot admits it.
  • “Night and Day” — Tech N9ne. Last-call menace; the dream curdles on the way out, and the room suddenly remembers the time.

Film Plot & Characters

Based on a true case, you watch bravado harden into tragedy. Johnny Truelove fronts as a local kingpin until ego and rage push his crew into kidnapping Zack Mazursky. Frankie plays friendly guard, Jake is a live wire, parents hover at the edges — helpless, human. The film premiered at Sundance in 2006 and hit U.S. theaters in January 2007. Runtime: a taut 117 minutes, with a hangover that lasts longer.
Cast — the core orbit
  • Emile Hirsch — Johnny Truelove
  • Justin Timberlake — Frankie Ballenbacher
  • Anton Yelchin — Zack Mazursky
  • Ben Foster — Jake Mazursky
  • Sharon Stone — Olivia Mazursky; Bruce Willis — Sonny Truelove
Supporting — the world that makes it plausible
  • Shawn Hatosy (Elvis), Chris Marquette (Keith), Olivia Wilde, Amanda Seyfried, Harry Dean Stanton — faces that texture the spiral.

Production Notes

  • Composer: Aaron Zigman — his cues sit alongside the source tracks without grandstanding, tightening screws in the margins.
  • Label & release: Milan Records issued the set in early January 2007; physical and digital editions share the same twenty-two-cut sequence.
  • Album shape: About sixty minutes, swinging from Eva Cassidy’s hush to Tech N9ne’s thump, with micro-cues from Mic Holden and Paul Bushnell.
  • Festival & theatrical: Sundance 2006 premiere, U.S. release January 2007.

Reception & Social Proof

  • Critics vs. crowds: Midline critical scores, warmer audience response — a classic split between vibe and verdict.
  • CinemaScore: B− energy: “tough watch, can’t look away.”
  • Performance chatter: Justin Timberlake surprised skeptics; Anton Yelchin drew steady praise for carrying the ache.
Alpha Dog movie Soundtrack Trailer. Songs Lyrics
Neon nights, desert quiet — the album toggles both without apology

FAQ

Who composed the score for Alpha Dog?
Aaron Zigman, with select cues threaded between the needle-drops.
Who released the soundtrack album?
Milan Records, in step with the 2007 theatrical rollout.
How many tracks are on the album?
Twenty-two, running right around an hour.
Is the music mostly songs or score?
Mostly songs — hip-hop and alt-soul — with targeted tension cues from Zigman.
What’s the film’s runtime and release timing?
117 minutes; premiered 2006 (festival), opened wide January 2007.
Any notable features?
Multiple Tech N9ne appearances; “La La Land” folds in Gina Cassavetes.

Technical Info

  • Title: Alpha Dog (Original Motion Picture Soundtrack)
  • Year: 2007
  • Type: Movie soundtrack
  • Label: Milan Records
  • Release date: January 2007
  • Total length: ~60 minutes
  • Composer (score): Aaron Zigman
  • Film runtime: 117 minutes
  • Premiere: Sundance Film Festival — 2006
  • Principal cast: Emile Hirsch, Justin Timberlake, Anton Yelchin, Ben Foster, Sharon Stone, Bruce Willis

Full Track List

  1. Over the Rainbow — Eva Cassidy (4:27)
  2. Enemy and I — Lazarus (2:52)
  3. Bullet & a Target — Citizen Cope (4:24)
  4. Jake Breaks In — Paul Bushnell (2:28)
  5. Caribou Lou — Tech N9ne (4:35)
  6. Revolving — Paul Bushnell (2:39)
  7. Slither — Tech N9ne (3:58)
  8. Liar — Miredys Peguero & Paul Graham (1:10)
  9. Winner — Paul Bushnell (1:55)
  10. Let’s Chill — Mic Holden, Maya & Reneé Rogers (2:50)
  11. Dragonfly — Miredys Peguero & Paul Bushnell (1:14)
  12. La La Land — Tech N9ne feat. Gina Cassavetes (1:54)
  13. Pool Party — Mic Holden (2:51)
  14. Never Give Up — Mic Holden (2:11)
  15. At the Site/Driving to the Site — Aaron Zigman & Nick Cassavetes (4:01)
  16. We Are the Lost — Lawrence Faljean (1:03)
  17. Basketball — Lowd (3:38)
  18. Cookie Monster — Paul Graham & Paul Bushnell (1:01)
  19. Elvis Arrested — Aaron Zigman (1:57)
  20. Weightlifting — Lowd (2:45)
  21. Marco Polo — Lowd & Cassie Simone (3:00)
  22. Night and Day — Tech N9ne (3:29)

Why it plays better than a “crime” playlist

  • Contrast as weapon. Cassidy’s hush next to Tech’s thump makes both cut deeper.
  • Score as spine. Zigman’s cues keep the tension taut without stealing oxygen.
  • Context baked in. These songs smell like the film’s rooms — chlorine, desert air, bad ideas — and that scent sticks.

September, 23rd 2025


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