Soundtracks:  A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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American Mall Album Cover

"American Mall" Lyrics

TV • Soundtrack • 2008

Track Listing



"American Mall" Soundtrack Description

American Mall lyrics, 2008 Trailer
American Mall lyrics, 2008 Trailer

What this soundtrack actually gives you

A TV movie that lives like a mall playlist—bright, impulsive, a little shameless in its hooks. “American Mall” (2008) belongs to MTV’s made-for-TV era, where pop songs doubled as plot engines and the food court could turn into a stage with one drum fill. The album captures that flash: cast-led vocals, radio-ready choruses, and a few sweet power-ballad moments that wear their hearts outside the hoodie.
American Mall Soundtrack Trailer. Lyrics
American Mall TV movie soundtrack trailer artwork, 2008

Production & Release

MTV didn’t just air the film—it pressed the music into its own little time capsule. The official soundtrack dropped in August 2008 as a CD and digital release through MTV Networks (you’ll see that imprint on the spine). It’s credited to The American Mall Cast and clocks in around the half-hour mark—lean, no filler. The song camp blended TV-musical veterans and pop craftsmen, which is why so many cuts feel built for choruses that stick on first contact.
  • Recorded alongside the TV production to match on-screen vocals and choreography.
  • Release window: week of the premiere, so viewers could leave the broadcast and find the songs immediately.
  • Rights & credits: ℗ 2008 MTV Networks and T&C Media Content II, LTD; album artist billed as “The American Mall Cast.”
American Mall Soundtrack Trailer. Lyrics
American Mall soundtrack imagery, 2008

Where the songs came from

Writers tied to youth musicals and guitar-pop scenes fed the project—names you’ll spot in the liner notes include Keely Hawkes, Jamie Houston, Faye Greenberg, Martin Briley, and more. Performers are the cast themselves: Nina Dobrev, Rob Mayes, Autumn Reeser, Bianca Collins, Neil Haskell, Bresha Webb, Rodney To—voices you just watched on screen, now coming out of your car speakers. One extra bit of 2008 synergy: the single “Get Your Rock On” turned up as a Rock Band download the week after premiere. Of course it did.

Musical Styles & Themes

Call the palette teen-pop with scuffed sneakers. There’s glossy dance-pop for mall-floor choreography, power-pop guitars for after-hours janitor jams, and a villain-number that struts like a runway show with sharp elbows. Melodically, it leans major-key optimism; rhythmically, it lives in clap patterns and kick-snare you can find in your bones. Lyrically, it’s work-love-art in a three-way tug of war—how do you chase a dream when the rent’s due and your mom’s shop is on life support?

Track Highlights (not a full tracklist)

  • “Dreaming Wide Awake” — The heart-on-sleeve cut that belongs to late-night aisles and closed gates, when nobody’s watching and the melody can afford to be honest.
  • “Get Your Rock On” — The janitor-crew anthem. Buckets become drums, echo turns into reverb, and suddenly the empty mall sounds like a garage.
  • “At the Mall” — Ensemble energy, pure sugar. It’s the movie’s thesis in three minutes: this is where we work, flirt, fail, try again.
  • “The New You” — The villain song with lip-gloss fangs—Madison sells reinvention, but the price tag’s hidden in fine print.
  • “Every 10 Seconds” — A kinetic, chorus-forward burner that plays like teenage time: everything urgent, everything now.

Plot & Characters

Set inside a real shopping mall, the film follows Ally Shepherd (Nina Dobrev), who works at her mother’s struggling music store, and Joey (Rob Mayes), a guitarist holding down a night custodial job with his bandmates. Their chemistry is instant; the obstacles, louder: rent hikes, rival singers, the tug between safe choices and the risky thing that feels like breathing.
Core ensemble (who’s who)
  • Ally Shepherd — voice like a diary entry set to melody; loyal to family, allergic to giving up.
  • Joey — mop by day, riffs by night; believes songs can fix what talking can’t.
  • Madison — glossy antagonist; runs the makeover empire and weaponizes spotlight time.
  • Mia — ally with a grin and a harmony line ready.
  • Drew — dancer’s precision, comic timing; the friend who steals the cutaway.
  • Max — mall management with a calculator where the pulse should be.
Where the music lands in the story
  • Open-floor numbers broadcast teen logic: make it a song and the plan feels possible.
  • Ballads arrive when the security gates rattle shut—fear gets a verse, hope gets the chorus.
  • Antagonist cuts dazzle; it’s lipstick and leverage disguised as empowerment.

Behind the Scenes

Filmed on location at the Provo Towne Centre in Utah, the production used a working mall as its giant soundstage—escalators, food court, shuttered storefronts, all part of the choreography. The creative team overlapped with the folks who’d just surfed a certain high-school musical wave, so the muscle memory shows: tight song structures, clean vocal stacks, and staging that reads from the cheap seats. The soundtrack release was timed to air week, letting the broadcast act as a listening party.
  • Producers (film): Bill Borden & Barry Rosenbush among others—names you’ve seen in youth-musical credits.
  • Songwriters in the mix: Keely Hawkes, Jamie Houston, Faye Greenberg, Martin Briley, and collaborators tuned to singable hooks.
  • Cross-media tie-in: “Get Your Rock On” arriving as Rock Band DLC days later—very 2008, very effective.

Critic & Fan Reactions

Critics compared it—inevitably—to the big franchise of the moment, sometimes with a smirk, often with a shrug, occasionally with genuine affection for the scrappy charm. Fans kept the album alive the way fanbases always do: YouTube rips, dorm-room singalongs, used CDs tucked in glove boxes, then nostalgia cycles pulling it back out every few years. The consensus today? It’s lighter than air and unapologetically catchy… which is exactly the assignment.

Quotes

“It treats a mall like a stage and a job like a dream with rent.” — rewatch notes, 2025
“Villain songs are always the most fun; ‘The New You’ struts like it knows.” — rewatch notes, 2025
“Cast vocals sell the story—no studio wall between the scene you saw and the voice you hear.” — rewatch notes, 2025

FAQ

American Mall Soundtrack Trailer. Songs Lyrics
American Mall TV soundtrack trailer stills, 2008
Is “American Mall” a TV or theatrical soundtrack?
TV. It’s tied to MTV’s 2008 original movie The American Mall, which premiered on broadcast and cable, then hit DVD/digital.
Who performs the songs on the album?
The film’s cast—led by Nina Dobrev, Rob Mayes, Autumn Reeser, Bianca Collins, Neil Haskell, and others. The album credit reads “The American Mall Cast.”
When did the soundtrack release?
Mid-August 2008, aligned with the TV premiere window. Physical CD and digital download were available day-and-date.
Is the full tracklist included here?
No. Keeping with your request, only highlights are discussed; the full tracklist stays offstage.
Any tie-ins beyond the album?
Yes—“Get Your Rock On” appeared as a Rock Band download the week after premiere, a neat cross-platform nudge.
Where was the movie filmed?
On location at Provo Towne Centre in Utah, which gave the choreography real escalators and after-hours echoes.

Technical Info

  • Title: American Mall — Original TV Soundtrack
  • Year: 2008
  • Type: tv
  • Release date: August 12, 2008
  • Label / ℗: MTV Networks / T&C Media Content II, LTD
  • Format: CD, Digital
  • Approx. length: ~34 minutes
  • UPC (CD): 89431630012
  • Notable tie-in: “Get Your Rock On” as Rock Band DLC (August 2008)
  • Chart footprint: Niche TV tie-in; minimal mainstream charting noted.
  • Core styles: Teen pop, power-pop, dance-pop, musical theater pop
  • Filming location (context): Provo Towne Centre, Provo, Utah

Additional Info

  • SYTYCD crossover: Dancer Neil Haskell turns up—eagle-eyed choreography fans noticed immediately.
  • Cast-to-mic pipeline: Several performers appear both on-screen and in the liner credits, tightening the story-to-song connection.
  • Lineage: Producers had just helped steer another teen-musical phenomenon; you can feel the structural confidence here.
  • Why it still works: It captures a very specific era—flip phones, chain stores, MySpace hair—and lets pop songs argue for possibility anyway.

September, 23rd 2025


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