"Beautiful Wedding" Soundtrack Lyrics

"Beautiful Wedding" Soundtrack Description

Questions and Answers

Who composed the original score for Beautiful Wedding?

Sam Ewing composed the score. (according to Film Music Reporter)

Is there an official score album?

No official score album has been released as of now; listings note the OST as “not yet released.” (as noted by Soundtracki)

What songs are actually heard in the film?

Licensed cues include “I’m Your Man” by Wham!, “Two Time” by Syd Dale, “I Know That You Know” by Richard Myhill, “Una Noche en Cali” by StudioMax, “La Cucaracha” (mariachi), the “Wedding March” (Mendelssohn), and “Dame” by Pacho Buscadoro feat. Bertiel & Will Dreina. (according to IMDb’s soundtrack page)

Where does “Dame” show up?

It plays over a dance moment at the wedding (~1:27:00) and continues into the end credits. (as summarized by Soundtracki)

Does the movie use diegetic (on-screen) music?

Yes — several cues are diegetic: mariachi at the Mexico resort, wedding band motifs, and source tracks in party scenes. (supported by scene listings on IMDb)

Is this soundtrack related to Beautiful Disaster (2023)?

Yes; it’s the sequel, with Ewing returning after scoring the first film. (as stated by Film Music Reporter)

Notes & Trivia

• The score is by Sam Ewing, whose prior credit includes Beautiful Disaster — a nice bit of continuity across the two films. (according to Film Music Reporter)
• Several cues are production-library or vintage tracks (e.g., Syd Dale, Richard Myhill), a common money-smart move for rom-coms. (as listed on IMDb)
• “Dame” (Pacho Buscadoro feat. Bertiel & Will Dreina) lands late and rides the end credits — a modern Latin touch amid the throwbacks. (as noted by Soundtracki)
• There’s no widely issued OST album yet; fans have assembled unofficial playlists to fill the gap. (per public playlist roundups)
• The film’s music is split between Vegas chaos, Mexico-resort diegetics, and tender reconciliation beats — three distinct lanes that the cues shuffle between.

Overview

What does a whirlwind Vegas-to-Mexico sequel sound like? A jukebox on shuffle — by design. Beautiful Wedding leans on bright pop, catalog grooves, and mariachi flair to mark the story’s three gears: impulsive vows, messy fallout, and a “maybe we can make this real” landing. The original score by Sam Ewing stitches these zones with warm, modern rom-com textures rather than big themes. (according to Film Music Reporter)

Licensed choices do specific jobs: Wham! telegraphs cheeky confidence; KPM-style library cuts (Syd Dale, Richard Myhill) oil the comic machinery; Latin cues nail the resort setting; and Mendelssohn’s “Wedding March” winks from the sidelines. Where the first film chased young-chaos adrenaline, this one calibrates for screwball-honeymoon farce — lighter on stakes, heavier on vibe. (as listed on IMDb)

Genres & Themes

• 80s pop & radio classics ↔ Swagger & denial: Big hooks paper over cold feet and bad timing.
• Library pop/swing ↔ Comic pacing: Production-music cues give editors crisp entrances/exits for banter and sight gags.
• Mariachi/Latin pop ↔ Place & community: Diegetic band moments root the chaos in a setting that actually feels lived-in.
• Rom-com score cues ↔ Reconciliation: Ewing’s writing smooths the tonal turns from snark to sincerity without yanking the wheel.

Key Tracks & Scenes

“I’m Your Man” — Wham!
Where it plays: Needle-drop to punch up a cheeky, swaggering beat (non-diegetic).
Why it matters: Pop bravado stands in for emotional certainty the characters don’t actually have. (according to IMDb)

“Two Time” — Syd Dale
Where it plays: Montage/transition cut (non-diegetic).
Why it matters: A classic KPM-flavored strut; the smiley beat keeps the farce buoyant. (IMDb)

“I Know That You Know” — Richard Myhill
Where it plays: Light comic interlude (non-diegetic).
Why it matters: Vintage-pop polish frames the “we’re fine, right?” denial phase. (IMDb)

“La Cucaracha” — Mariachi
Where it plays: Resort band cue (diegetic).
Why it matters: Location texture and a wink at cultural cliché; the film plays it for lightness. (IMDb)

“Una Noche en Cali” — StudioMax
Where it plays: Party scene with dance-floor cutaways (diegetic).
Why it matters: A glossy Latin groove that sells the getaway mood. (IMDb)

“Dame (feat. Bertiel & Will Dreina)” — Pacho Buscadoro
Where it plays: Dance moment at the wedding (~1:27) into end credits. (diegetic → non-diegetic).
Why it matters: The contemporary Latin pop vibe is the film’s closing exhale — energy without drama. (as noted by Soundtracki)

Track–Moment Index (compact)

Music–Story Links (characters & plot beats as connected to songs)

• When swagger outruns honesty, 80s pop does the talking — “I’m Your Man” is bravado in chorus form.
• Library cuts (Dale/Myhill) act like laugh-track timing: quick entrances, tidy buttons, no lingering guilt.
• Diegetic mariachi flips the tone from panic to play; the choice says “this mess is still a celebration.”
• The final Latin-pop cue (“Dame”) reframes their chaos as momentum — two people dancing first, deciding later.

How It Was Made (supervision, score, behind-the-scenes)

Composer Sam Ewing boarded the project ahead of release, with trades flagging he’d return after Beautiful Disaster. His sequel brief: stay light, move fast, and let licensed tracks carry setting and era flavor. (according to Film Music Reporter)

On the needle-drop side, the team mixed catalog pop (Wham!) with library cues and Latin selections to support location shifts and keep costs sensible. The end-credits hand-off to “Dame” underlines the film’s party-first coda. (as listed on IMDb and Soundtracki)

Reception & Quotes

The music hasn’t driven awards chatter, but viewers clocked how the cues keep the sequel brisk and playful — fewer big swells, more wink-and-move-on pop. Trade coverage largely focused on the composer continuity and release windows. (according to Film Music Reporter)

“Sam Ewing [is] scoring Roger Kumble’s Beautiful Wedding… two-night theatrical run before its digital debut.” Film Music Reporter

“All the songs featured in Beautiful Wedding… from Wham! to mariachi to Latin pop.” Bolavip (soundtrack roundup)

Technical Info

• Title: Beautiful Wedding — Original Motion Picture Soundtrack (film music & songs used in film)
• Year: 2024
• Type: Movie
• Composer: Sam Ewing
• Music supervision: Not publicly singled out in major listings; film credits emphasize licensed/library cues.
• Notable placements: “I’m Your Man” (Wham!); “Two Time” (Syd Dale); “I Know That You Know” (Richard Myhill); “Una Noche en Cali” (StudioMax); “La Cucaracha” (mariachi); “Wedding March” (Mendelssohn); “Dame” (Pacho Buscadoro feat. Bertiel & Will Dreina).
• Album status: No official OST album released to date; fan playlists exist. (as noted by Soundtracki)
• Release context (film): U.S. two-night theatrical event Jan 24–25, 2024; digital release followed. (as stated on Wikipedia)
• Availability: Songs available individually on streaming platforms; score unreleased.

Canonical Entities & Relations

Sources: Film Music Reporter; IMDb Soundtracks; Soundtracki; Wikipedia; Prime Video / Voltage trailers.

October, 23rd 2025