"Boy Next Door, The" Soundtrack Lyrics

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"The Boy Next Door (Original Motion Picture Soundtrack)" Soundtrack Description

Questions and Answers

Is there an official soundtrack album?

Yes. The Boy Next Door (Original Motion Picture Soundtrack) features the score by Randy Edelman and Nathan Barr, released digitally January 20, 2015.

Who composed the score?

Veteran composers Randy Edelman and Nathan Barr co-wrote the thriller score, with featured vocals by Lisbeth Scott.

Which labels released it?

Digital was issued by Back Lot Music; a CD followed from Varèse Sarabande (catalog VSD-7324) in early 2015.

Are there recognizable songs in the film besides score cues?

Yes—needle-drops include Kat Dahlia’s “My Garden,” KONGOS’ “I’m Only Joking,” and Lisbeth Scott’s “Just Like Rain,” among others.

Is there a vinyl release?

No widely distributed vinyl edition is documented; the official releases are digital and CD.

Where can I hear the album?

It’s available on major platforms (Apple Music/Spotify) as The Boy Next Door (Original Motion Picture Soundtrack).

Notes & Trivia

• Back Lot Music released the album digitally on January 20, 2015 to align with the U.S. theatrical opening week (as listed on Apple Music).
• A physical CD arrived shortly after via Varèse Sarabande (catalog VSD-7324), circulating at retail in February 2015.
• Film Music Reporter noted the score is by Edelman & Barr with featured vocalist Lisbeth Scott.
• Back Lot’s press announcement highlighted the same date and credits—industry-standard confirmation (according to PR Newswire).
• Source songs in the film include Kat Dahlia’s “My Garden” and KONGOS’ “I’m Only Joking,” which fans often spot during early confrontations (WhatSong’s listings help pinpoint scenes).

Overview

Why does this suburban thriller feel like a pressure cooker even between jump scares? Because the soundtrack’s split personality keeps you off-balance. Edelman and Barr thread glassy synth pads and tremolo strings through pulse-driven percussion; then they let Lisbeth Scott’s voice bloom at the edges—warmth brushing against danger. It’s sleek, compact, and engineered for nervous momentum.

The album plays like a compressed narrative: short cues that escalate (“Running,” “Garage”), breathers that feign safety (“Pie”), and set-pieces that slam (“The Barn”). Alongside the score, a handful of contemporary songs color the drama—Kat Dahlia’s “My Garden” and KONGOS’ “I’m Only Joking” bookend charged encounters. (According to Apple Music’s listing and Film Music Reporter’s preview.)

Genres & Themes

• Hybrid thriller score → strings + synth pulses = stalking energy; the metronome of obsession.
• Vocal texture (Lisbeth Scott) → a humanizing glow that makes the danger feel personal.
• Alt-rock / pop needle-drops → mood signposts; attraction and clash telegraphed in a few bars.
• Minimal motifs → short cells repeat and tighten—like someone watching from the dark.

Key Tracks & Scenes

“Running” — Randy Edelman & Nathan Barr (feat. Lisbeth Scott)
Where it plays: Early pursuit/establishing tension; non-diegetic.
Why it matters: Lays down the pulse language—heartbeat tempo with anxious string figures.

“My Garden” — Kat Dahlia
Where it plays: Noah follows Claire home after school (~00:26); source cue in-world vibe.
Why it matters: Flirts while foreshadowing; swagger on the surface, red flags underneath.

“I’m Only Joking” — KONGOS
Where it plays: Noah drives up and confronts Claire (~00:40); diegetic stereo energy bleeding into menace.
Why it matters: The beat grins; the scene doesn’t—perfect tonal irony.

“Just Like Rain” — Lisbeth Scott
Where it plays: Reflective aftermath passage; non-diegetic song moment.
Why it matters: A rare breath—voice and piano pull the film back to grief and consequence.

“The Barn” — Randy Edelman & Nathan Barr (feat. Lisbeth Scott)
Where it plays: Climax sequence; non-diegetic, long-form set-piece cue.
Why it matters: The score’s summit: sustained dread, rising clusters, release.

Track–Moment Index (select cues)

Track	Scene / Moment	Approx. placement	Diegetic?	Notes
Running	Early chase/unease setup	Opening reel	No	Introduces the pulse motif.
My Garden (Kat Dahlia)	Noah tails Claire after school	~00:26	Source	Listed in WhatSong with scene time.
I’m Only Joking (KONGOS)	Drive-up confrontation at Claire’s	~00:40	Source	Another WhatSong-timed placement.
Just Like Rain (Lisbeth Scott)	Quiet reflection passage	Mid-late	No	Also appears on Scott’s 2015 album Bird.
The Barn	Final showdown set-piece	Final 10 min	No	Longest cue on the OST.

For timestamps and cue IDs, WhatSong’s page and Apple Music’s track sheet are useful cross-checks.

Music–Story Links (characters & plot beats as connected to songs)

• Infatuation → intrusion: The swagger of “My Garden” papers over boundary-crossing—exactly the film’s arc.
• Charm curdles: “I’m Only Joking” starts as a cruise-track flex; under it, the score’s pulse says “trap.”
• Aftershock: “Just Like Rain” absorbs the cost of the spiral; the voice feels like someone trying to steady a room.
• Point of no return: In “The Barn,” repeating figures feel like doors locking; the plot clicks shut with the music.

How It Was Made (supervision, score, behind-the-scenes)

Edelman and Barr wrote a compact, cue-driven score designed for tight cutting—short cells that editors can loop or slam. Lisbeth Scott’s vocal layers were recorded as color—sometimes foregrounded, often blended into the synth-string fabric (as Film Music Reporter previewed). Back Lot’s rollout favored digital first, a common strategy for studio thrillers in 2015.

On the release side, Back Lot Music issued the digital album on January 20, 2015; Varèse Sarabande handled the CD (VSD-7324) shortly after. The combined credits and dates line up cleanly across Apple Music, PR announcements, and discographic listings (according to PR Newswire and Discogs).

Reception & Quotes

The film polarized critics, but the soundtrack earned steady playlist life for its sleek, anxiety-first design and the Kat Dahlia/KONGOS drops anchoring early confrontations.

“Back Lot Music releases the soundtrack… featuring score by Randy Edelman & Nathan Barr.” —Back Lot Music (press statement)

“A taut set of cues, with Lisbeth Scott’s voice threading warmth through the chill.” —(capsule paraphrase across score outlets)

Technical Info

• Title: The Boy Next Door (Original Motion Picture Soundtrack)
• Year: 2015
• Type: Movie soundtrack (thriller score + select songs)
• Composers: Randy Edelman; Nathan Barr
• Featured vocalist: Lisbeth Scott
• Labels: Back Lot Music (digital); Varèse Sarabande (CD VSD-7324)
• Digital release: January 20, 2015
• Formats: Digital (worldwide); CD (U.S. retail)
• Selected notable placements: “My Garden” (Kat Dahlia); “I’m Only Joking” (KONGOS); “Just Like Rain” (Lisbeth Scott); “The Barn” (Edelman/Barr feat. Lisbeth Scott)
• Availability: Streaming on Apple Music/Spotify; CD via specialty/retail outlets.

Canonical Entities & Relations

Subject	Relation	Object
The Boy Next Door (2015 film)	directed by	Rob Cohen
The Boy Next Door (Original Motion Picture Soundtrack)	music by	Randy Edelman; Nathan Barr
The Boy Next Door (Original Motion Picture Soundtrack)	released by	Back Lot Music (digital); Varèse Sarabande (CD)
Lisbeth Scott	features on	multiple cues; also performer of “Just Like Rain”
Kat Dahlia — “My Garden”	appears in	film source sequence
KONGOS — “I’m Only Joking”	appears in	film source sequence

Sources: Apple Music; Spotify; Film Music Reporter; PR Newswire; Discogs; MovieMusic/FilmMusic.com; WhatSong; IMDb Soundtracks; Wikipedia (film & composer entries); Valley Entertainment (Lisbeth Scott).

The movie, trailer to which reveals the whole story completely, leaving no room for any thinking and conjecturing, not to a flight of fancy. A story is about that quite nice-looking people can be wild owners, jealous and do terrible things even till the destruction of someone's life, just to be with this person. Such artificial tie cannot be anything good – to both participants in this unhealthy tandem, it will bring only pain, misery and suffering until the connection stops in any possible way. On the basis of this film, there can be two ways – to go to the other end of the country or to kill this person. You will learn from the film, how it all ends. The very slow music is chosen, because there are not so much events in the film, and those that occur, fairly episodic. There is blues in the collection (As Long As You Are Mine), pop (Just Like Rain), cha-cha-cha (The Hong Kong Cha-Cha). We also have got rock (performer Dinosaur Murals) and trance (performer Phosphorescent) here. The collection consists of nine compositions, but more you don’t have to have – they are self-sufficient and create, in a whole, very slack and relaxed mood. Songs, despite the difference in genres, quite similar to each other in the spirit, which born in the listener’s soul. Such collections are suitable for sleeping, yoga or for a very leisurely pastime, for example, on a park bench looking as the grass grow. As for total duration, this collection is only half an hour, therefore, to listen to it from start to finish, you do not need a significant time investment, as in the case with the collection, which, for example, have 30 tracks (like the “DUFF, the” film).

October, 25th 2025

Learn more about "The Boy Next Door", an American erotic thriller film directed by Rob Cohen and written by Barbara Curry: IMDb, Wikipedia

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