"Bridge to Terabithia" Soundtrack Lyrics
Movie • 2007
Track Listing
Miley Cyrus, Billy Ray Cyrus
Hayden Panettiere
AnnaSophia Robb
Leigh Nash And Tyler James
Jon McLaughlin
The Skies Of America
Everlife
Jeremy Camp
Bethany Dillon
Aaron Zigman
Aaron Zigman
Aaron Zigman
Aaron Zigman
"Bridge to Terabithia" Soundtrack Description
Questions and Answers
- Is there an official soundtrack album?
- Yes. Bridge to Terabithia: Music from and Inspired By was released February 13, 2007 by Hollywood Records; it mixes pop songs with a handful of score cues. (according to AllMusic)
- Who composed the score?
- Aaron Zigman composed and conducted the original score after replacing Alison Krauss during pre-production; his orchestral themes anchor the film. (as noted on the film’s soundtrack page)
- Is there a separate score release?
- Yes—a dedicated score album (Zigman) followed later in 2007, while the main commercial album is the songs-driven compilation. (as summarized by the soundtrack overview)
- What’s the end-credits song sung by AnnaSophia Robb?
- “Keep Your Mind Wide Open,” performed by Robb; it charted on the Billboard Hot 100 in March 2007. (per Wikipedia and Billboard references)
- Do all album songs appear in the movie?
- No. The compilation includes “music from and inspired by”—some tracks are not heard on screen, while several in-film pieces (e.g., school-choir numbers) aren’t on the album. (per AllMusic and the film’s soundtrack notes)
- Where can I stream it?
- Apple Music and Spotify carry the 13-track compilation under Hollywood Records; availability varies by region. (as shown on platform listings)
Notes & Trivia
- The album’s headline artists include Miley Cyrus (“I Learned from You”), Hayden Panettiere (“Try”), Jon McLaughlin, Leigh Nash & Tyler James, and AnnaSophia Robb (“Keep Your Mind Wide Open”). (according to Apple Music)
- Not every compilation song is heard in the film; conversely, some diegetic school-choir pieces—“O-o-h Child,” “Someday,” and “Why Can’t We Be Friends?”—are in the movie but not on the retail album. (per IMDb soundtrack notes and the soundtrack page)
- Zigman’s orchestral score was expanded into a separate album later in 2007 after the compilation’s release. (as noted in the soundtrack overview)
- For the Japanese release, MISIA’s “To Be in Love” served as an image theme, a regional addition outside the U.S. album. (as stated on the film/soundtrack page)
- Robb’s end-credits single reached No. 90 on the Hot 100, a rare charting performance by a film’s young lead. (as reported in Wikipedia’s chart note)
Overview
Why does a quiet friendship film swing between radio hooks and rafter-raising strings? Because Bridge to Terabithia treats imagination like oxygen. The official album—marketed as “music from and inspired by”—frontloads approachable pop from Disney-era names, then sneaks in a few of Aaron Zigman’s themes to hint at the world beyond the creek. (according to AllMusic)
On screen, Zigman’s orchestral writing does the heavy lifting: tender woodwinds for friendship, brass surges for the forest’s creatures, and a central theme that lifts like breath. Around that, the movie uses classroom performances and end-credits pop to ground the wonder in a recognizable 2007 radio moment. (as summarized by contemporary reviews and the film’s soundtrack notes)
Genres & Themes
- Radio-friendly pop & CCM crossovers ↔ accessibility and hope; the compilation’s sing-along backbone mirrors the film’s optimism.
- Orchestral fantasy ↔ wonder and release; Zigman’s leitmotif opens the door to Terabithia’s creatures without leaving reality.
- Diegetic choir/folk covers ↔ school as community; Ms. Edmunds’ class turns pop standards into shared courage.
Key Tracks & Scenes
“Keep Your Mind Wide Open” — AnnaSophia Robb
Where it plays: End credits (non-diegetic), following the final montage.
Why it matters: A tender benediction sung by the co-lead herself; it became a modest Hot 100 hit.
“I Learned from You” — Miley Cyrus
Where it plays: Album feature; used in marketing tie-ins rather than a distinct on-screen placement.
Why it matters: Gives the compilation a marquee radio anchor for 2007 listeners.
“Try” — Hayden Panettiere
Where it plays: Album track; inspirational angle matches the film’s themes more than a specific scene.
Why it matters: Extends the “inspired by” brief—pop uplift outside the narrative.
“O-o-h Child” — Performed in-film by Zooey Deschanel & school choir
Where it plays: Classroom performance (diegetic) with Ms. Edmunds leading students.
Why it matters: Turns a soul classic into a courage ritual for Jess and Leslie.
“Someday” — Performed in-film by Zooey Deschanel & school choir
Where it plays: Another class performance (diegetic), echoing small-town texture.
Why it matters: Roots the story’s dreams in real voices and instruments.
Track–Moment Index (selected)
| Song / Cue | Approx. Placement | Diegesis | Scene description |
|---|---|---|---|
| Keep Your Mind Wide Open — AnnaSophia Robb | End credits | Non-diegetic | Plays over post-story images; a hopeful close. |
| O-o-h Child — classroom performance | Mid-film | Diegetic | Ms. Edmunds leads the choir; Jess and Leslie share a look of resolve. |
| Someday — classroom performance | Mid-film | Diegetic | Acoustic, communal performance that foreshadows Jess’s growth. |
| Main Theme (score) — Aaron Zigman | Throughout | Score | Leitmotif accompanies creek crossings and Terabithia reveals. |
Music–Story Links (characters & plot beats)
- Zigman’s theme rises with every crossing, teaching Jess that imagination isn’t escape; it’s practice for courage.
- Ms. Edmunds’ in-class songs model safe vulnerability; those scenes give Jess permission to be seen.
- Robb’s credits song reframes loss as legacy: open-mindedness becomes the film’s last instruction.
How It Was Made (supervision, score, behind-the-scenes)
The commercial album is a Hollywood Records compilation with producers Mitchell Leib, Kaylin Frank, and Lindsay Fellows on the studio side; Aaron Zigman provides four cues here and a fuller standalone score release later in 2007. (according to the soundtrack credits and overview)
Zigman—brought in after Alison Krauss exited—leaned into lyrical, John Williams-inflected orchestration while keeping a modern sheen. Recording featured the Hollywood Studio Symphony, with Dennis Sands among the key engineers. (as stated in the soundtrack’s credits and review write-ups)
Reception & Quotes
“Sweet, earnest, acoustic-guitar-driven songs… Zigman’s score is pleasant and appropriately magical-sounding.” — AllMusic review
“A wonderfully imaginative and enjoyable piece of orchestral escapism.” — MovieMusicUK (Jonathan Broxton)
Critics treated the compilation as agreeable kid-friendly AAA, while praising the score’s warmth and thematic clarity. The end-credits single’s chart appearance helped the album travel beyond the film’s core audience. (as stated in AllMusic and review archives)
Technical Info
- Title: Bridge to Terabithia: Music from and Inspired By
- Year: 2007
- Type: movie
- Director: Gábor Csupó
- Composer: Aaron Zigman
- Label: Hollywood Records (Buena Vista/Walden Media)
- Album makeup: 13 tracks; various artists + four Zigman cues on the compilation
- Music Supervision / Exec music: George Acogny (music supervision, album credits); Mitchell Leib & Lindsay Fellows (executives)
- Notable songs: “Keep Your Mind Wide Open” (AnnaSophia Robb); “I Learned from You” (Miley Cyrus); “Try” (Hayden Panettiere); “A Place for Us” (Tyler James & Leigh Nash)
- In-film pieces not on album: “O-o-h Child,” “Someday,” “Why Can’t We Be Friends?” (school choir, led by Zooey Deschanel)
- Availability: Streaming on Apple Music and Spotify; separate score album issued later in 2007.
Canonical Entities & Relations
| Subject | Relation | Object |
|---|---|---|
| Gábor Csupó | directed | Bridge to Terabithia (2007 film) |
| Aaron Zigman | composed score for | Bridge to Terabithia |
| Hollywood Records | released | Bridge to Terabithia: Music from and Inspired By (2007) |
| AnnaSophia Robb | performed | “Keep Your Mind Wide Open” |
| Miley Cyrus | performed | “I Learned from You” |
| Hayden Panettiere | performed | “Try” |
| Leigh Nash & Tyler James | performed | “A Place for Us” |
| Zooey Deschanel & students | performed (diegetic) | “O-o-h Child,” “Someday,” “Why Can’t We Be Friends?” |
Sources: AllMusic; Apple Music; Spotify; Wikipedia (film & soundtrack entries); IMDb Soundtrack; MovieMusicUK review.
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