"Bright" Soundtrack Lyrics

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"Bright" Soundtrack Description

Questions and Answers

Is there an official soundtrack album?

Yes — Bright: The Album was released December 15, 2017 by Atlantic Records, collecting 13 new collaborations made for the film. (according to Apple Music)

Who composed the original score?

David Sardy wrote the film’s score, separate from the pop/hip-hop compilation. The score cues circulate digitally but the commercial focus was the songs set. (as listed in film credits)

Which singles led the rollout?

Bastille’s “World Gone Mad,” Machine Gun Kelly/X Ambassadors/Bebe Rexha’s “Home” (used over the end credits), Marshmello & Migos’ “Danger,” Ty Dolla $ign & Future feat. Kiiara’s “Darkside,” and Camila Cabello & Grey’s “Crown.”

When did the movie premiere?

Bright debuted worldwide on December 22, 2017 on Netflix. (as stated by Netflix)

Is the album streaming now?

Yes — the full compilation streams on major services worldwide. (according to Apple Music and Spotify)

Does the album feature only rap?

No — it blends pop-rap, EDM, alt-rock, and R&B to mirror the film’s hybrid, urban-fantasy tone. (as noted in Pitchfork’s review)

Notes & Trivia

• Release day: The album dropped Dec 15, 2017, one week before the film’s Dec 22 launch. (according to Apple Music)
• Label credit: Atlantic Records/WEA handled the global release. (Apple Music listing)
• End-credits song: “Home” (Machine Gun Kelly, X Ambassadors & Bebe Rexha) plays over the film’s credits. (as stated on the single’s page)
• Video blitz: Major tracks arrived with official videos in November–December 2017 (e.g., Bastille’s “World Gone Mad,” Migos & Marshmello’s “Danger”). (according to YouTube and Billboard coverage)
• Cross-genre design: The set pairs pop/EDM with rap and alt-rock — a deliberate “everyone’s in the city” palette. (as discussed in contemporary reviews)

Overview

What does an urban-fantasy cop thriller sound like? Bright answers with a star-stacked compilation that treats Los Angeles like a crowded playlist. Atlantic Records’ Bright: The Album arrives with big-tent singles — Bastille’s brooding “World Gone Mad,” Camila Cabello & Grey’s neon-snap “Crown,” and a radio-ready closer, “Home,” from Machine Gun Kelly, X Ambassadors & Bebe Rexha. (according to Apple Music)

Meanwhile, composer David Sardy threads a darker, percussive score beneath the needle-drops. The result isn’t subtle — it’s cinematic packaging for a chaotic city: pop-rap bravado for chases, EDM adrenaline for wand fights, and alt-rock melancholy for fallout. (as noted in reviews and the film’s credits)

Genres & Themes

• Pop-rap & trap — swagger cues for pursuit and standoff beats (“Danger,” “Broken People”).
• EDM & electro-pop — high-gloss energy for the film’s fantasy-action spikes (“Crown,” “Darkside”).
• Alt-rock mood — reflective tracks that underline aftermath scenes (“World Gone Mad”).
• Hybrid score — Sardy’s tense pulses and low-end textures glue scenes between songs.

Key Tracks & Scenes

“Home” — Machine Gun Kelly, X Ambassadors & Bebe Rexha
Where it plays: End credits (non-diegetic).
Why it matters: The franchise’s signature closer; the lyric reframes survival and belonging after the dust settles. (as stated on the single’s page)

“World Gone Mad” — Bastille
Where it plays: Featured in trailers/spotlight sequences and on the album as a tone piece.
Why it matters: A weary, widescreen lament that fits the film’s “history happening at street level.” (according to band and label notices)

“Danger” — Migos & Marshmello
Where it plays: Prominent in campaign materials and club-energy scenes; released with an in-universe video.
Why it matters: Rap x EDM collab built for modern action pacing; it also charted on the Hot 100. (as reported by Billboard)

“Darkside” — Ty Dolla $ign & Future feat. Kiiara
Where it plays: Mid-film momentum and promo spots.
Why it matters: Velvet hooks over looming bass — the “temptation” theme in three and a half minutes. (per rollout coverage)

“Crown” — Camila Cabello & Grey
Where it plays: Featured in trailers/marketing; lands on the album the day before release.
Why it matters: A sleek, percussive statement track giving the fantasy iconography a pop edge. (as reported in music press)

“Broken People” — Logic & Rag’n’Bone Man
Where it plays: Album opener and thematic overture.
Why it matters: Sets the moral compass: bruised but stubbornly hopeful.

Track–Moment Index (selected)

Song	Scene / Moment	Diegetic?	Approx. Timing	Notes
Home — MGK, X Ambassadors & Bebe Rexha	End credits	No	Final minutes	Official single; video directed by David Ayer
World Gone Mad — Bastille	Trailer/spotlight sequences	No	Promo/album	Lead song issued ahead of release
Danger — Migos & Marshmello	Nightclub/marketing tie-ins	No	Mid	Music video uses film footage
Darkside — Ty Dolla $ign & Future feat. Kiiara	Promo/mid-film energy	No	Mid	Press-announced during rollout
Crown — Camila Cabello & Grey	Trailer/album feature	No	Pre-release	Dropped day-before album

Music–Story Links (characters & plot beats as connected to songs)

• Heist stakes vs. public story: “Danger” sells the heat of wand-chasing nightlife while the plot threads through shootouts and betrayals.
• Aftermath voice: “World Gone Mad” reads like Ward’s exhausted conscience — the track’s scale matches the city’s mess.
• Belonging theme: “Home” literalizes what the characters are fighting for: a place in a hostile LA.
• Temptation & power: “Darkside” and “Crown” shadow scenes about using (or refusing) power for survival.

How It Was Made (supervision, score, behind-the-scenes)

Atlantic’s playbook leaned on early singles, marquee features, and video rollouts — including Bastille’s “World Gone Mad,” Migos & Marshmello’s “Danger,” and Camila Cabello & Grey’s “Crown.” The strategy positioned the album as an event of its own while David Sardy’s score underlined tension between set-pieces. (according to Apple Music listings and contemporary press)

Several singles dropped weeks before the film, seeding hooks into trailers and social clips; the “Home” video (shot in South LA) even came from director David Ayer, tying the promo to the movie’s visual world. (as reported by music outlets)

Reception & Quotes

Critics were mixed on the film and skeptical of the album’s “all-stars in a blender” approach, even as singles racked up views/streams. (as noted by Pitchfork)

“A star-packed, over-serious set where the best moments feel least calculated.” Pitchfork on Bright: The Album

“‘Danger’ lands with club-level impact.” Billboard on the single rollout

Availability: The album streams worldwide; official videos live on artist/label channels. (according to Apple Music/YouTube)

Technical Info

• Title: Bright: The Album (songs) — separate Bright score by David Sardy
• Year: 2017
• Type: Movie soundtrack (various artists) + original score
• Label (songs): Atlantic Records (WEA)
• Release date (album): December 15, 2017
• Selected singles: “World Gone Mad” (Bastille); “Home” (Machine Gun Kelly, X Ambassadors & Bebe Rexha); “Danger” (Migos & Marshmello); “Darkside” (Ty Dolla $ign & Future feat. Kiiara); “Crown” (Camila Cabello & Grey); “Broken People” (Logic & Rag’n’Bone Man)
• Composer (score): David Sardy
• Film release: Netflix, December 22, 2017
• Album availability: Streaming (Apple Music/Spotify)

Canonical Entities & Relations

Subject	Relation	Object
Atlantic Records	released	Bright: The Album (2017)
David Sardy	composed	Bright original score
Machine Gun Kelly; X Ambassadors; Bebe Rexha	performed	“Home” (end-credits song)
Bastille	performed	“World Gone Mad”
Migos & Marshmello	performed	“Danger”
Ty Dolla $ign & Future feat. Kiiara	performed	“Darkside”
Camila Cabello & Grey	performed	“Crown”
Logic & Rag’n’Bone Man	performed	“Broken People”

Sources: Apple Music; Spotify; Netflix (trailers); Billboard; Pitchfork; Wikipedia (film & singles); official artist YouTube channels.

From the beginning, you experience déjà-vu: you’ve already been immersed in exactly this atmosphere in ‘Suicide Squad’, starring Will Smith, the discreet protagonist in both films. Lucy Fry is soooo much similar to Margot Robbie’s character of Harley Quinn in the Squad and, looking through the film, you still have this long-standing impression that never fades. Mr. Smith here depicts all the same character he has been showing us through decades: a tough guy who knows stuff and shoots to kill, always super cool when it comes to talking, fighting, and stunting. It seems like even the most of decorations (especially in the gloomy hoods) were taken from Squad. The film presents modern and dismal fairytale, which has several races living on Earth together: People, Orcs, Elves, Centaurs, and smaller creatures like Fairies (they are not like Disney’s – they are small, winged, green, with huge mouth like a toad only filled with hundreds of coined sharp teeth and ready to attack you to drink your blood if you dare to possess their territory or what they believe is their territory). Orcs, of course, are visually similar to African Americans. Elves are always fair-skinned and thin, pretty people with blond eyes that seem to be oppressed by all supreme races of this alternative universe. It is a thriller with lots of shooting and a fantasy with ironic Will Smith that glues the entire film together (‘hit the pedal as if you drive a stolen car’ – his hit here). All trailers always feature ‘Darkside’ song but only its first part, which has a female voice and that is why doesn’t sound like rap like others do with their lyrics: ‘Danger’, ‘Home’ and others. Steve Aoki and A$AP Rocky are the stars of the sound collection and the most stupid lyrics are in ‘My Nigga’ song.

October, 25th 2025

Read more about 'Bright' is an American urban fantasy crime film on Wikipedia and Internet Movie Database

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