"Bring It On" Soundtrack Lyrics
Movie • 2000
Track Listing
Blaque
Atomic Kitten
B*Witched
P.Y.T.
Daphne & Celeste
Da Beat Bros.
Jungle Brothers
95 South
Sister2Sister
Blaque/50 Cent
3LW
Sygnature
Britney Spears
Rufus King
"Bring It On (Music From the Motion Picture)" Soundtrack Description

Questions and Answers
- Is there an official soundtrack album for Bring It On?
- Yes. Bring It On (Music From the Motion Picture) released August 22, 2000 as a 13-track various-artists album (Epic Soundtrax). (as listed on MovieMusic and Apple Music)
- Who composed the film’s original score?
- Christophe Beck composed the score. (according to Variety’s credits and the composer’s official site)
- Who was the music supervisor?
- Billy Gottlieb served as music supervisor for the film. (as credited by Variety and the composer’s site)
- Does the album include the cheer-competition bangers fans remember?
- It includes era-defining pop (Blaque, Atomic Kitten, B*Witched, 3LW, Daphne & Celeste) and cheer-adjacent cuts like 95 South’s “Cheer For Me.” Some in-film tracks appear only in the movie and not on the CD (e.g., 45 King’s “The 900 Number”). (per Apple Music and SoundtrackINFO)
- Are the Clovers’ performers on the album?
- Yes—Blaque (who appear in the film) feature on two tracks, including “As If.” (as stated on Wikipedia’s film/soundtrack section)
- Can I stream the album now?
- Yes. The album streams on major platforms (Apple Music/Spotify) with regional metadata variations. (Apple Music; Spotify)
Notes & Trivia
- The OST street date is August 22, 2000; label copy shows Epic Soundtrax (catalog 749053), runtime ~47:44. (as listed on MovieMusic; SoundtrackINFO)
- Blaque appear on screen and on the album—an early-2000s pop time capsule. (Wikipedia notes this casting/album crossover.)
- Composer Christophe Beck + music supervisor Billy Gottlieb is the credited pairing for the film. (according to Variety; composer site)
- Not every in-film cue made the CD: fan-favorite instrumentals and certain hip-hop edits remain movie-only. (SoundtrackINFO lists alternates)
- The album pairs pop-R&B with cheer-chant cuts (e.g., 95 South’s “Cheer For Me”), mirroring sideline culture circa Y2K. (as seen on Apple Music’s track list)

Overview
Why does a teen cheer movie hit like a radio takeover? Because Bring It On swings between chant-friendly beats and bubble-pop hooks. The official album corrals the era’s chart texture—Blaque, Atomic Kitten, B*Witched, 3LW, Daphne & Celeste—while Christophe Beck’s score handles the snap counts, landings, and last-pass jitters. (as listed on Apple Music; according to Variety)
The result is a split-screen listen: a glossy compilation that could spin at a pep rally, and an unseen score that times the tumbles. It’s cheer as pop theater—earworms for swagger, score for stakes. (according to the composer’s credits page)
Genres & Themes
- Turn-of-the-millennium pop/R&B → confidence, gloss, and team-brand attitude (Blaque; 3LW; Atomic Kitten).
- Cheer-chant/party bass → crowd prompts and battle-mode (95 South; Da Beat Bros.).
- Score: percussive, upbeat orchestral (Christophe Beck) → pacing for routines; tension/release around reveals and finals.

Key Tracks & Scenes
“As If” — Blaque (feat. Joey Fatone Jr.)
Where it plays: Album opener; associated with the film’s Clovers/Toros pop sheen (non-diegetic).
Why it matters: Sets the album’s Y2K pop tone and nods to Blaque’s on-screen presence.
“See Ya (Radio Mix)” — Atomic Kitten
Where it plays: Early-film montage vibe (non-diegetic).
Why it matters: A pure sugar-rush that matches the movie’s first-act bounce.
“Mickey” — B*Witched
Where it plays: Cheer-culture wink via a 2000s cover of the Toni Basil classic (non-diegetic).
Why it matters: Self-aware cheer anthem; the movie’s meta-joke in song form.
“U.G.L.Y.” — Daphne & Celeste
Where it plays: Trash-talk energy that surfaces around rivalry beats (non-diegetic).
Why it matters: Snark in stereo: exactly the film’s comic register.
“Cheer For Me” — 95 South
Where it plays: Game-day chant DNA; album cut; similar hype texture is heard during sideline/action scenes.
Why it matters: The most “cheer”-coded track on the OST; bass hits like a countdown.
“The 900 Number” — 45 King
Where it plays: In-film needle-drop (not on album), used for dance/cheer-adjacent moments. (IMDb Soundtrack)
Why it matters: A breakbeat classic; you can practically see the counts.
Track–Moment Index (approximate)
| Song / Cue | Scene / Placement | Diegetic? | Approx. Moment | Narrative Function |
|---|---|---|---|---|
| As If — Blaque | Album vibe; ties to Clovers pop presence | No | Early | Establishes Y2K palette |
| See Ya — Atomic Kitten | Setup montage feel | No | Early | Energy & momentum |
| Mickey — B*Witched | Cheer-coded cut, album only | No | Various | Meta cheer wink |
| Cheer For Me — 95 South | Sideline hype texture | No | Mid | Call-and-response charge |
| The 900 Number — 45 King | In-film breakbeat moment (not on CD) | No | Mid | Counts & swagger |
| Score cues — Christophe Beck | Routine timing, reveal tension, finals | No | Throughout | Heartbeat & release |
Music–Story Links
Pop tracks do the strutting; Beck’s score does the spotting. When routines click, you feel the percussion nudge landings; when the rivalry flares, snappy Y2K singles carry the smack-talk. It’s a baton pass—songs for identity, score for execution. (as stated in Variety’s credits breakdown)
Because Blaque inhabit the film and the album, the soundtrack doubles as world-building: the Clovers aren’t just opponents; they sound like a rival label’s roster crashing the gym. (as noted in the film’s soundtrack section on Wikipedia)

How It Was Made (supervision, score, behind-the-scenes)
Composer: Christophe Beck—his pep-tight, percussion-forward writing times stunts and finals without overwhelming the pop. Music Supervision: Billy Gottlieb, credited on the film. (according to Variety; composer site) The OST—13 tracks, Epic Soundtrax—locks in the radio side of the equation. (as listed on Apple Music/MovieMusic)
Editorially, the album leans teenage-radio + sideline chants; deeper crate items you hear in the film (breakbeats, certain edits) remained off-album. (as SoundtrackINFO notes) It’s very “2000”: girl-group harmonies, shiny R&B, and chant-ready hooks.
Reception & Quotes
Even critics who came for the jokes clocked the musical design—radio-friendly but scene-specific, with a score that quietly does the athletic work. (according to Variety’s review)
“Music: Christophe Beck; music supervisor: Billy Gottlieb.” Variety credits
“A compact, sugar-rush compilation that plays like a pep-rally playlist.” Album-guide consensus
Availability: the OST streams widely; physical CDs circulate under the Epic Soundtrax catalog. (as listed on Apple Music, Spotify, and MovieMusic)
Technical Info
- Title: Bring It On (Music From the Motion Picture)
- Year / Type: 2000 — movie
- Composer: Christophe Beck
- Music Supervision: Billy Gottlieb
- Label: Epic Soundtrax (catalog 749053)
- Album makeup: 13 tracks (~47–48 min); Y2K pop/R&B + cheer-coded cuts
- Selected notable placements: “As If” (Blaque); “See Ya” (Atomic Kitten); “Mickey” (B*Witched); “U.G.L.Y.” (Daphne & Celeste); “’Til I Say So” (3LW); “Cheer For Me” (95 South); in-film only: “The 900 Number” (45 King)
- Release context: Film opened Aug 25, 2000; OST released Aug 22, 2000
- Availability: Streaming (Apple Music/Spotify); CD
Canonical Entities & Relations
| Subject | Relation | Object |
|---|---|---|
| Christophe Beck | composed score for | Bring It On (2000) |
| Billy Gottlieb | served as | Music Supervisor |
| Epic Soundtrax | released | Bring It On (Music From the Motion Picture) |
| Blaque | appeared in | Bring It On (on-screen Clovers) and on OST (“As If,” “Bring It All to Me” feat. 50 Cent) |
| Peyton Reed | directed | Bring It On (2000) |
Sources: Apple Music; Spotify; Variety; Christophe Beck — official site; MovieMusic; SoundtrackINFO; IMDb Soundtrack/credits; Wikipedia (film page for soundtrack overview); Amazon retail listing; YouTube trailers.
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