"Burlesque" Soundtrack Lyrics

"Burlesque" Soundtrack Description

Questions and Answers

Is there an official soundtrack album?

Yes. Burlesque: Original Motion Picture Soundtrack was released November 19, 2010 by Screen Gems/RCA; it features 10 songs performed by Christina Aguilera (8) and Cher (2).

Who composed the film’s instrumental score?

Christophe Beck composed the score; the album release focuses on songs by Aguilera and Cher.

Which songs did Cher perform?

“Welcome to Burlesque” and “You Haven’t Seen the Last of Me.” The latter won the Golden Globe for Best Original Song.

Are there classic covers in the film?

Yes—Aguilera covers Etta James staples like “Something’s Got a Hold on Me” and “Tough Lover,” plus vintage numbers such as “Guy What Takes His Time.”

Is the soundtrack on streaming services?

Yes, it’s widely available on Apple Music and Spotify as the 10-track album.

What singles were promoted?

“You Haven’t Seen the Last of Me,” “Express,” and “Show Me How You Burlesque” were promoted as singles in various territories.

Notes & Trivia

• The 10-track album features Aguilera on eight songs and Cher on two—an intentional diva double-bill (as noted in the album credits and press).
• “You Haven’t Seen the Last of Me” (written by Diane Warren) won the 2011 Golden Globe for Best Original Song and later earned a Grammy nomination. (according to the Los Angeles Times)
• Two major Aguilera singles from the film—“Express” and “Show Me How You Burlesque”—paired new originals with the film’s stage visuals. (as summarized by Apple Music’s notes)
• The film includes Etta James covers (“Something’s Got a Hold on Me,” “Tough Lover”), aligning with Aguilera’s retro-soul palette from Back to Basics. (as discussed by Billboard)
• The soundtrack was certified Gold by the RIAA and named Soundtrack Album of the Year at Japan’s Gold Disc Awards.

Overview

Why does a club musical feel like a mixtape of Hollywood glamour and retro R&B? Because Burlesque treats the stage as a time machine. Christina Aguilera’s vocals move from Etta James grit to new originals (“Express,” “Show Me How You Burlesque”), while Cher anchors the story with a torch-ballad spine (“You Haven’t Seen the Last of Me”). The album plays like the show inside the film—tight, theatrical, built for spotlight moments. (according to Billboard’s review)

Onscreen, those songs function as plot: auditions, coups, and save-the-club showstoppers. Offscreen, the record stands up as a compact 31-minute set that blends big-band brass with 2010 pop sheen. It’s unabashedly showbiz—sequins, cymbal hits, and belts you can feel from the mezzanine. (as AllMusic-style credits and Apple Music’s write-up suggest)

Genres & Themes

• Retro-soul & jazz-pop: Etta James covers and brassy arrangements telegraph Ali’s classic-star fantasy.
• New musical originals: “Express” and “Show Me How You Burlesque” are built for montage and finale energy—sleek rhythm sections with horn stabs.
• Power-ballad catharsis: Cher’s “You Haven’t Seen the Last of Me” and Aguilera’s “Bound to You” deliver the emotional cruxes.
• Cabaret pastiche: “But I Am a Good Girl” and “Guy What Takes His Time” wink at golden-age show tunes with crisp, comic phrasing.

Tracks & Scenes

“Welcome to Burlesque” — Cher
Where it plays: Tess opens the club’s evening, introducing the room and its rules.
Why it matters: A Cabaret-style curtain-raiser that frames the club as a character and Tess as ringmaster.

“Something’s Got a Hold on Me” — Christina Aguilera
Where it plays: Early performance clip-turned-set piece as Ali proves she’s more than a waitress.
Why it matters: A classic Etta James burner that lets Aguilera stake the film’s vocal claim from the jump.

“Tough Lover” — Christina Aguilera
Where it plays: A fast-cut stage routine underscoring Ali’s rise through the lineup.
Why it matters: Brass and backbeat sell velocity—this is the training-montage of swagger.

“But I Am a Good Girl” — Christina Aguilera
Where it plays: A sly, patter-driven interlude in rehearsals/club performance mode.
Why it matters: Character comedy in 2:29—flirtation, timing, and pristine articulation.

“Guy What Takes His Time” — Christina Aguilera
Where it plays: A Mae West throwback number staged as a sultry showcase number for Ali.
Why it matters: Vintage phrasing and muted horns bend the film toward classic Hollywood.

“Express” — Christina Aguilera
Where it plays: The signature mid-film production number as Ali headlines with a full troupe and staircase staging.
Why it matters: The movie’s chic mission statement—neo-soul swagger with a runway strut.

“Bound to You” — Christina Aguilera
Where it plays: Spotlight ballad after Ali’s personal turning point; the club goes quiet around her.
Why it matters: A modern torch song that momentarily swaps spectacle for confession.

“You Haven’t Seen the Last of Me” — Cher
Where it plays: Tess alone on the empty stage, deciding to fight for the club’s future.
Why it matters: Power-ballad resolve—story stakes distilled into one sustained line.

“Show Me How You Burlesque” — Christina Aguilera
Where it plays: Finale—Ali leads the troupe in the renovated show as the club’s fate flips.
Why it matters: Brass hits, modulations, confetti—credits-ready catharsis.

Music–Story Links (characters & plot beats)

• Ali’s ascent is written in numbers: gritty covers (“Hold on Me,” “Tough Lover”) evolve into headliner originals (“Express,” “Show Me…”).
• When Tess sings “You Haven’t Seen the Last of Me,” it’s not filler—it’s the owner’s manifesto before the third-act solve.
• “Bound to You” pauses the hustle so character truth can surface, a necessary breath before the finale sprint.
• Retro pastiche tracks (“Good Girl,” “Guy…”) keep the club’s identity rooted in burlesque tradition while the plot modernizes it.

How It Was Made (supervision, score, behind-the-scenes)

The film’s songs were overseen and produced by a team including Ron Fair, Matt Serletic, Linda Perry, Tricky Stewart, Mark Taylor and others, with Christina Aguilera also credited as a vocal producer. Spring Aspers served as executive in charge of music. The orchestral/underscore work came from Christophe Beck, whose cues glue the set pieces together. (according to album personnel and film credits)

Single strategy balanced star power and story: Cher’s Diane Warren ballad targeted awards season, while Aguilera’s “Express” and “Show Me How You Burlesque” fueled TV performances and trailer beats. (as noted by Apple Music and campaign coverage)

Reception & Quotes

The album drew warm notices for diva scale and throwback flair; the film’s music earned multiple nominations, with Cher’s song taking the Golden Globe. (according to Billboard and awards records)

“A campy celebration of diva-dom… over-the-top, triple-threat performance.” Billboard

“Aguilera’s retro detour suits the material—brassy, jazzy, unabashed.” Entertainment Weekly

Technical Info

• Title: Burlesque — Original Motion Picture Soundtrack
• Year / Type: 2010 / Musical (movie)
• Primary Artists: Christina Aguilera (8 tracks), Cher (2 tracks)
• Score Composer: Christophe Beck
• Song Producers (select): Ron Fair, Matt Serletic, Linda Perry, Tricky Stewart, Mark Taylor, Samuel Dixon
• Label / Release: Screen Gems & RCA — Nov 19, 2010
• Awards: Golden Globe — Best Original Song (“You Haven’t Seen the Last of Me”); Grammy nominations incl. Best Compilation Soundtrack
• Availability: 10-track album on major streaming platforms; physical CD/vinyl via label partners
• Key placements: Opening—“Welcome to Burlesque”; Breakout—“Something’s Got a Hold on Me”; Montage—“Tough Lover”; Pastiche—“But I Am a Good Girl” / “Guy What Takes His Time”; Headliner—“Express”; Ballad—“Bound to You”; Soliloquy—“You Haven’t Seen the Last of Me”; Finale—“Show Me How You Burlesque”.

Canonical Entities & Relations

Sources: Billboard; Entertainment Weekly; Apple Music; RIAA; Japan Gold Disc Awards; Wikipedia (film & soundtrack entries); IMDb soundtrack and credits.

October, 26th 2025