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Cinderella Story: If the Shoe Fits Album Cover

"Cinderella Story: If the Shoe Fits" Lyrics

Movie • Soundtrack • 2016

Track Listing



"A Cinderella Story: If the Shoe Fits" Soundtrack Description

Official trailer frame of Sofia Carson as Tessa/Bella from A Cinderella Story: If the Shoe Fits (2016)
2016 trailer imagery associated with the film’s original soundtrack

Questions & Answers

Is there an official soundtrack album?
Yes—A Cinderella Story: If the Shoe Fits (Original Motion Picture Soundtrack) was released on August 2, 2016 by WaterTower Music (12 tracks). :contentReference[oaicite:0]{index=0}
Who composed the film’s score and who performs most songs?
Jake Monaco is credited as composer; featured vocal performances include Sofia Carson and Thomas Law, alongside several other artists. :contentReference[oaicite:1]{index=1}
Is the music mostly diegetic (performed on screen)?
Yes—because the plot revolves around mounting a stage musical, many numbers are sung and danced in rehearsals or performances within the story. :contentReference[oaicite:2]{index=2}
Where can I stream the album?
It’s available on major platforms including Apple Music and Spotify. :contentReference[oaicite:3]{index=3}
What label released it?
WaterTower Music (as licensee for Warner Bros. Entertainment Inc.). :contentReference[oaicite:4]{index=4}
What’s the release context of the movie?
The film debuted digitally on August 2, 2016; it’s the fourth entry in the A Cinderella Story series. :contentReference[oaicite:5]{index=5}

Overview

How do you do a Cinderella story where the ball is actually a musical? By letting the songs carry plot beats. A Cinderella Story: If the Shoe Fits treats pop numbers as dialogue and decision points—auditions, rehearsals, and show-night cues double as character confessions. :contentReference[oaicite:6]{index=6}

The album leans upbeat and sparkly: radio-ready originals sung by Sofia Carson and Thomas Law, plus contributor tracks like CJ Ryan’s “Game On.” It released day-and-date with the film in August 2016, via WaterTower Music, and it’s widely available to stream. :contentReference[oaicite:7]{index=7}

Additional Info

  • Album spec: 12 tracks, ~37 minutes; credited as a Various Artists compilation. :contentReference[oaicite:8]{index=8}
  • Core vocal features: Sofia Carson (“Full Throttle,” “Why Don’t I,” “Stuck on the Outside”) and Thomas Law (“Get Loose,” “If the Shoe Fits”). :contentReference[oaicite:9]{index=9}
  • Studio context: Released by WaterTower Music, the in-house label for Warner Bros. :contentReference[oaicite:10]{index=10}
  • Story-musical blend: Many album cuts correspond to on-screen rehearsal/performance sequences, not just background montage. :contentReference[oaicite:11]{index=11}
Trailer close-up of the stage lights, echoing the film’s performance-driven soundtrack
Performance-first design: numbers are staged inside the story

Notes & Trivia

  • It’s the series’ fourth entry and the first led by Sofia Carson; Freeform and Disney Channel later aired the movie on TV. :contentReference[oaicite:12]{index=12}
  • Composer Jake Monaco also receives the franchise’s composer credit for this installment. :contentReference[oaicite:13]{index=13}
  • WaterTower Music lists “Why Don’t I (Duet)”—a key plot payoff—alongside solo versions on the official track page. :contentReference[oaicite:14]{index=14}
  • Official clips of “Full Throttle,” “Get Loose,” and “Game On” circulate from Warner Bros. channels, handy for ID’ing scene context. :contentReference[oaicite:15]{index=15}

Genres & Themes

Contemporary teen pop → aspirational energy and rehearsal-montage momentum (“Full Throttle,” “Get Loose”). :contentReference[oaicite:16]{index=16}

Duet balladry → revelation and romance beats (“Why Don’t I” solo → duet). :contentReference[oaicite:17]{index=17}

Electro-pop dance → show-night sparkle and chemistry in motion (“Game On”). :contentReference[oaicite:18]{index=18}

Trailer frame of stage choreography, tying to the album’s dance-pop cues
Dance-pop cues map directly onto staged numbers

Tracks & Scenes

“Full Throttle” — Sofia Carson
Where it plays: Early in the film as a performance-forward clip; the official scene release shows Tessa’s bravado clicking in. Diegetic performance.
Why it matters: A mission-statement cut—speed, confidence, and the hint that Bella/Tessa can own a stage. :contentReference[oaicite:19]{index=19}

“Get Loose” — Thomas Law
Where it plays: Reed sings it during rehearsal; the moment doubles as a near-kiss beat with Tessa. Diegetic on-stage practice.
Why it matters: It’s the charming-prince reveal as working pop star; the lyric eases Tessa out of hiding. :contentReference[oaicite:20]{index=20}

“Stuck on the Outside” — Thomas Law / Sofia Carson
Where it plays: Reed first performs it in rehearsal; later, Tessa’s intimate solo version surfaces. Both are staged in-story.
Why it matters: Two angles on the same feeling—his spotlight swagger vs. her confessional interior. :contentReference[oaicite:21]{index=21}

“Game On” — CJ Ryan
Where it plays: The dance sequence where Bella and Reed lock into flirty, precise choreography on stage. Diegetic.
Why it matters: Choreography-as-flirtation; the number sells their chemistry without dialogue. :contentReference[oaicite:22]{index=22}

“Why Don’t I” — Sofia Carson (Solo → Duet with Thomas Law)
Where it plays: Performed as the climactic on-stage confession, culminating in a duet/kiss in the finale performance. Diegetic.
Why it matters: The film’s emotional payoff. The duet version functions like a modern “tenor-soprano” reconciliation. :contentReference[oaicite:23]{index=23}

“If the Shoe Fits” — Thomas Law
Where it plays: Reed’s in-musical showcase during the production of “Cinderella” the characters are staging. Diegetic performance number.
Why it matters: Title-echo as motif; the song literalizes the fairy-tale test inside a pop theater frame. :contentReference[oaicite:24]{index=24}

Music–Story Links

Because performances happen inside the plot, each cue doubles as a narrative gear shift. “Get Loose” coaxes Tessa toward risk; “Stuck on the Outside” mirrors two perspectives on belonging; “Game On” turns rehearsal into a safe space for chemistry; and “Why Don’t I” seals identity and romance in one breath on opening night. :contentReference[oaicite:25]{index=25}

Trailer shot of stage lights and audience silhouettes, echoing the finale duet energy
Finale logic: the duet clinches both the role—and the relationship

How It Was Made

Director Michelle Johnston frames the whole movie as a production-in-the-making; that’s why so many songs are diegetic. Composer Jake Monaco is credited for the film, while the album focuses on the performed pop numbers released by WaterTower Music. Official label pages and studio clips document the key tracks and vocalists. :contentReference[oaicite:26]{index=26}

Reception & Quotes

“Carson’s screen presence and slick song-and-dance numbers keep the fairy dust afloat.” Mr. Movie Film Blog

Fans gravitated to the finale duet (“Why Don’t I”) and the flirty rehearsal dance set to “Game On,” which circulate widely via official clips. :contentReference[oaicite:27]{index=27}

Availability: The movie is available on streaming in various regions (e.g., Netflix listings have carried it); the soundtrack streams on Apple Music/Spotify. :contentReference[oaicite:28]{index=28}

Technical Info

  • Title: A Cinderella Story: If the Shoe Fits — Original Motion Picture Soundtrack
  • Year: 2016 (film & album)
  • Type: Movie soundtrack (musical/teen pop)
  • Composer: Jake Monaco (film)
  • Primary vocal features: Sofia Carson; Thomas Law (plus CJ Ryan, Nicole Fortuin and others)
  • Label: WaterTower Music (Warner Bros. Music) — digital release August 2, 2016
  • Selected placements: “Full Throttle” (early performance), “Get Loose” (rehearsal/near-kiss), “Stuck on the Outside” (rehearsal; later solo), “Game On” (show dance), “Why Don’t I” (finale duet), “If the Shoe Fits” (Reed’s showcase)

Canonical Entities & Relations

SubjectRelationObject
A Cinderella Story: If the Shoe Fits (2016 film)music by (composer)Jake Monaco
WaterTower MusicreleasedA Cinderella Story: If the Shoe Fits (Original Motion Picture Soundtrack)
Sofia Carsonperformed“Full Throttle”; “Why Don’t I”; “Stuck on the Outside” (solo)
Thomas Lawperformed“Get Loose”; “If the Shoe Fits”; “Stuck on the Outside” (version)
Warner Home VideodistributedA Cinderella Story: If the Shoe Fits (film)

Sources: WaterTower Music; Apple Music; IMDb; Wikipedia.

This is another musical movie, retelling the Cinderella story in a format of 2016: a Prince Charming now is an uprising pop star boy of 16 of 18 y.o. Cinderella is a girl of 15 or something like that, who is a stepdaughter, engaged in carrying bags, doing the laundry and having gorgeous but slim as far as possible body. Only the wicked stepmother remained a wicked stepmother. The magical shoe here is a new look with fancy attires and – most of all – a new hair color that should perfectly hide her real appearance from this young pop star. Of course, the guy chooses her for a clip shooting and in parallel he falls in love with a real Cinderella, with dark hair, not even knowing that she is the princess. Along the movie, there’ll be a lot of songs in the pop genre (as it is made for the adolescents’ auditory on YouTube (basically, this film was shot by YouTube, you know)), sung by Sofia Carson and Thomas Law – main two protagonists. What do they sing about? Of course, love. Pure, as young people have. But passionate, as only they can hold. Do You and Full Throttle are two examples how big energy young hearts can generate and the remarkable salt of the movie is Stuck on the Outside, sang and respised by both protagonists in the short time, revealing in lyrics their identical emotions that should bring up on the thought that they think the same and so meant to be together. This motion picture was released at August 2 online and August 16 on DVD. Thus, we will never know what the box office will be. Actually, if they wouldn’t stick to Cinderella in the name, it would be yet another adolescent movie with dancing and first kiss and so on. So it is for you to decide – whether you love such pink snots in every lyric enough to pay for them or will it be reasonable to wait a couple years to see this movie online elsewhere.

October, 28th 2025

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