"Connected" Soundtrack Lyrics

"Connected (Original Motion Picture Soundtrack for ‘The Mitchells vs. the Machines’)" Soundtrack Description

Questions & Answers

Is “Connected” the same film as The Mitchells vs. the Machines?

Yes. “Connected” was the working/release-title for marketing; the movie ultimately premiered as The Mitchells vs. the Machines in 2021.

Who composed the score and who released the album?

Mark Mothersbaugh composed the original score. Sony Classical released the official 2021 score album, which also includes Alex Lahey’s original song “On My Way.”

Are there licensed songs in the film beyond the score?

Yes. Needle-drops include tracks by Los Campesinos!, The Mae Shi, Grimes, Sigur Rós, Talking Heads, Madeon, T.I. (feat. Rihanna) and more.

Is there a separate “songs” compilation?

No. The commercial album is primarily the score plus the end-credits single. The rest of the songs are documented in credits and soundtrack guides.

Who handled music supervision?

Kier Lehman is credited with music supervision on the film.

Where can I stream the soundtrack?

Major platforms carry The Mitchells vs The Machines (Original Motion Picture Soundtrack) by Mark Mothersbaugh (Sony Classical, 2021).

Overview

How do you turn a family road trip into a robo-apocalypse dance party? By fusing a hyperactive score with a crate of smart needle-drops. Under its early marketing title “Connected,” the film’s soundtrack blueprint married Mark Mothersbaugh’s modular action motifs to indie-pop spikes, internet-era memes, and a sing-out end-credits anthem.

The official album (Sony Classical) lands with a sleek, propulsive score and Alex Lahey’s “On My Way,” while the movie itself layers in Los Campesinos!, The Mae Shi, Grimes, Sigur Rós, Talking Heads, Madeon—and yes, even T.I. & Rihanna at just the right wink. Variety, Wikipedia, and ScreenRant collectively map the cues; Spotify and MusicBrainz confirm the score release. It’s a high-octane mixtape that still leaves room for heart.

Additional Info

• Album focus: Score by Mark Mothersbaugh; commercial release aligns with the Netflix premiere (2021).
• Original song: “On My Way” by Alex Lahey rolls over the end credits.
• Trailer sound: The “Connected” trailer campaign notably used BTS’s “Mic Drop” (Steve Aoki remix).
• Music supervision: Kier Lehman coordinated clearances and helped shape the film’s eclectic needle-drops.
• Chart note: The soundtrack appeared on U.S. and U.K. soundtrack charts in 2021.
• Alternate/working title: “Connected” materials circulated in 2020; the film finally released as The Mitchells vs. the Machines.

Notes & Trivia

• Each family member’s palette inspired distinct instrument colors in the score (e.g., Rick’s acoustic/folk textures vs. Katie’s woodwind/bright synth touches).
• The end-credits single “On My Way” was commissioned to echo Katie’s “leaving home, but grateful” arc.
• Two Sigur Rós selections appear in-film, but not on the commercial album.
• Talking Heads’ “(Nothing But) Flowers” fits the movie’s tech-vs-nature irony like a glove.
• “Mic Drop” appears in campaign materials, not in the final commercial album.

Genres & Themes

Electro-orchestral score = velocity & invention. Mothersbaugh’s quick-cut cues track gags and action beats without losing thematic warmth.

Indie pop & blog-era bangers = internet-kid POV. Los Campesinos!, The Mae Shi, and Madeon mirror Katie’s taste and meme culture vibe.

Alt/ambient = awe & reset. Sigur Rós and Talking Heads moments provide breath, wonder, and sly commentary.

Tracks & Scenes

“On My Way” — Alex Lahey
Where it plays: End credits (non-diegetic).
Why it matters: A clean thematic bow on Katie’s leap into adulthood—gratitude, momentum, and a smile-through-tears send-off.

“Lamb and the Lion” — The Mae Shi
Where it plays: Early collage of Katie’s DIY filmmaking life (non-diegetic).
Why it matters: Lo-fi adrenaline that matches her chaotic, creative brain.

“Death to Los Campesinos!” — Los Campesinos!
Where it plays: Over kinetic montage beats (non-diegetic).
Why it matters: Shouts and rushes that sell the family’s messy charm.

“Live Your Life” — T.I. feat. Rihanna
Where it plays: Comic contrast in a big crowd-pleasing moment (non-diegetic).
Why it matters: Pop-culture flex that lands a joke and spikes energy.

“California” — Grimes
Where it plays: Transitional travel/aspiration moment (non-diegetic).
Why it matters: Dream-pop lift for Katie’s West-coast filmmaking fantasies.

“Hoppípolla” — Sigur Rós
Where it plays: Awe-struck beats when scale or emotion blooms (non-diegetic).
Why it matters: Instant goosebumps—childlike wonder in widescreen.

“(Nothing But) Flowers” — Talking Heads
Where it plays: Ironically over tech-gone-wrong imagery (non-diegetic).
Why it matters: Wry commentary: future shock meets eco-nostalgia.

“Icarus” — Madeon
Where it plays: Fast-cut action with neon spectacle (non-diegetic).
Why it matters: EDM lift for the story’s biggest kinetic swings.

Music–Story Links

The soundtrack flips between Katie’s playlist and Rick’s timbre. When Katie leads, indie and internet anthems run the show; when Dad’s worldview intrudes, plucked strings and porch-friendly textures peek through the mix. The robot uprising snaps everything into synth-percussion overdrive—so every tender reprise (often with ambient/alt cues) feels earned.

How It Was Made

Mark Mothersbaugh—longtime Lord & Miller collaborator—built character-coded instrument palettes (Rick’s acoustic blend; Katie’s brighter timbres; synth language for the robots). Producers Phil Lord and Christopher Miller, director Mike Rianda, and music supervisor Kier Lehman shaped the songs list to match Katie’s taste and the film’s meme-savvy tone. The score album dropped day-and-date with the Netflix release.

Reception & Quotes

Reviewers singled out the soundtrack’s eclecticism and the score’s agility, noting how quickly it pivots from heartfelt family beats to robo-mayhem without whiplash. The album reached U.S. and U.K. soundtrack charts.

“Inside the music… Lord, Miller and Mothersbaugh break down the eclectic mix.” Variety

“A great soundtrack—indie gems, big feelings, and a Devo-born pulse.” BrooklynVegan

“Score album by Mark Mothersbaugh; end-credits original by Alex Lahey.” Wikipedia / Spotify

Technical Info

• Title: Connected (later released as The Mitchells vs. the Machines) — Original Motion Picture Soundtrack
• Year: 2021
• Type: Movie
• Composer: Mark Mothersbaugh
• Music Supervision: Kier Lehman
• Label/Album: Sony Classical — The Mitchells vs The Machines (Original Motion Picture Soundtrack)
• Original Song: “On My Way” — Alex Lahey (end credits)
• Selected licensed placements (in-film): The Mae Shi “Lamb and the Lion”; Los Campesinos! “Death to Los Campesinos!”; T.I. feat. Rihanna “Live Your Life”; Grimes “California”; Sigur Rós “Hoppípolla” & “Inní mér syngur vitleysingur”; Talking Heads “(Nothing But) Flowers”; Madeon “Icarus”
• Campaign note: BTS “Mic Drop” (Steve Aoki Remix) used in trailer marketing
• Availability: Score album streaming on major platforms; songs documented via credits/guides; charted on Billboard/Soundtrack and OCC lists

Canonical Entities & Relations

Sources: Variety; Wikipedia; ScreenRant; IMDb; Spotify; MusicBrainz; BrooklynVegan.

October, 29th 2025