"Cowgirl's Story " Soundtrack Lyrics

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"A Cowgirl’s Story (Original Soundtrack)" Soundtrack Description

Questions & Answers

Is there an official soundtrack album?

Yes. A Cowgirl’s Story (Original Soundtrack) released digitally on April 18, 2017 as a 10-song, 34-minute album.

Who performs the songs?

Various artists led by Maggie McClure, with contributions from Amber Hayes, Templeton Thompson, Sisterbrother, Will Cookson, and the English Session Orchestra.

Is this a score album or a “songs” compilation?

It’s primarily a songs compilation tied to on-screen performances and montages; a brief orchestral piece closes the album.

Where can I stream it?

Apple Music and Spotify carry the album under the title above.

Does the movie itself use these songs diegetically?

Mostly yes—several cues are heard as performance or parade/rodeo source music, with others placed over montage and end credits.

What’s the film connection?

The music underlines Dusty’s high-school drill-team story and military-family themes; the film premiered on home video in 2017.

Overview

How do you give a small, heart-on-sleeve rodeo drama a musical backbone? A Cowgirl’s Story leans into bright, radio-friendly country-pop and gentle Americana, then threads those songs through parades, drill-team practices, and family milestones. Instead of an orchestral wall, the movie stays close to guitars, handclaps, and harmony—music that could believably spill from a fairground PA or a school gym.

The official compilation collects 10 cues—largely new songs performed by independent country artists—with Maggie McClure anchoring the set. Apple Music and Spotify list the album at 34 minutes; Film Music Reporter announced the digital release date and the contributing performers. Wikipedia and IMDb confirm the film’s home-video rollout and cast, useful context for why the soundtrack plays so “local”: most cues live inside the story world rather than floating above it.

Additional Info

• Digital release: April 18, 2017, aligned with the film’s U.S. home-video window.
• Album makeup: Nine vocal tracks plus a brief orchestral closer credited to English Session Orchestra.
• Lead artist: Maggie McClure appears on multiple tracks and co-wrote the opener with writer/director Timothy Armstrong.
• Country bench: Additional cuts by Amber Hayes and Templeton Thompson add Nashville bona fides.
• Label credit: Retail metadata lists CMC Film Fund 1 as label/imprint for the digital release.
• Placement style: Cues are used as diegetic performance, rodeo/parade source, uplifting montage glue, and end-credits wind-down.

Notes & Trivia

• The film is the third entry linked to the Cowgirls ’n Angels family brand, and the soundtrack keeps a similar country-forward vibe.
• “Cowgirl Stomp” became the album’s calling card on streaming platforms shortly after release.
• Templeton Thompson’s contribution nods to rodeo songwriting tradition—title and tempo are tailor-made for arena speakers.
• The closer, “Parting Words,” is the set’s only orchestral cue and functions as a gentle coda.
• Spotify and Apple Music list a consistent 10-track sequence across regions; Amazon MP3 mirrors it.

Genres & Themes

Country-pop uplift = team pride. Handclaps, tambourine, and catchy chorus hooks fit pep-rally scenes and parade beats.

Acoustic Americana = home & hope. Fingerpicked guitars and soft harmonies score letters from overseas and family check-ins.

Light orchestral = reflection. The end cue offers a breath after the last performance, like exhaling in an empty arena.

Tracks & Scenes

“Cowgirl Stomp” — Maggie McClure
Where it plays: Up-tempo montage/performance energy during drill-team practice or rodeo sequences (diegetic/source).
Why it matters: A statement-of-intent opener—stomp-and-clap propulsion that brands the team and the film’s tone.

“Coming Home” — Maggie McClure
Where it plays: Over a reunion or reflective montage (non-diegetic).
Why it matters: The title does heavy lifting with the military-family plot, giving the story a hopeful refrain.

“Be Right Here for You” — Maggie McClure
Where it plays: Friendship bonding beats, likely at school or barn hangouts (non-diegetic/soft source).
Why it matters: Turns character support into melody—an audible promise among the girls.

“Hero’s Heart” — Amber Hayes
Where it plays: Ceremony or tribute scenes—assembly, parade stand, or benefit (diegetic/source).
Why it matters: A flag-high vocal that honors service members while keeping the story grounded in community ritual.

“Closer Than Before” — Maggie McClure
Where it plays: Mid-movie montage as the team gels (non-diegetic).
Why it matters: Upbeat pop-country to mark growth, trust, and tighter formations.

“You’re Beautiful” — Maggie McClure
Where it plays: Quieter character moments (non-diegetic), e.g., Dusty and Savannah’s confidences.
Why it matters: A gentle self-worth cue that softens the story’s tougher edges.

“Be of Good Faith” — Sisterbrother
Where it plays: Church/community scene or family gathering (diegetic).
Why it matters: Spiritual pop as small-town glue—music that sounds like neighbors singing along.

“When I Get That Pony Rode” — Templeton Thompson
Where it plays: Rodeo arena or practice yard (diegetic/source).
Why it matters: A toe-tapper with rodeo-authentic language—the most “arena-ready” cut on the set.

“Summer Lullaby” — Will Cookson
Where it plays: Dusk sequences or reflective interludes (non-diegetic).
Why it matters: A porch-swing breather that lets the plot slow down and the characters think.

“Parting Words” — English Session Orchestra
Where it plays: End credits or post-finale reflection (non-diegetic).
Why it matters: A brief, tender wrap—strings as a curtain call.

Music–Story Links

The movie asks the songs to do double duty: keep boots tapping during practice and speak for characters who aren’t big talkers. Up-tempo cues track the team’s progress; mid-tempo confessionals track the girls’ private doubts. When the plot touches military service, the soundtrack answers with tribute-leaning lyrics and steady, reassuring rhythms. It’s character empathy you can hum.

How It Was Made

Writer/director Timothy Armstrong’s background with family horse films shows in the music brief: gather credible country voices, keep tempos practical for drill patterns, and foreground lyrics that echo service and community. The soundtrack rollout was announced in the trades with artists named up front—Maggie McClure appears as the de facto lead, flanked by Nashville-connected contributors like Amber Hayes and Templeton Thompson.

Reception & Quotes

Reviews of the film were mixed, but family outlets consistently noted its wholesome, music-driven approach. The album itself is a compact companion that streams widely.

“Soundtrack album will be released digitally on April 18, 2017.” Film Music Reporter

“POP · 2017 — 10 songs, 34 minutes.” Apple Music listing

“Various Artists — including Maggie McClure and Templeton Thompson.” Spotify album page

Technical Info

• Title: A Cowgirl’s Story (Original Soundtrack)
• Year: 2017
• Type: Movie (family drama) — various-artists songs compilation
• Primary artists: Maggie McClure; Amber Hayes; Templeton Thompson; Sisterbrother; Will Cookson; English Session Orchestra
• Notable placements: Drill-team/rodeo performances; school/community ceremonies; friendship and homecoming montages; end credits coda
• Label / imprint: CMC Film Fund 1 (digital release)
• Release date: April 18, 2017 (digital)
• Availability: Apple Music, Spotify, Amazon MP3
• Film context: Home-video release; part of the broader Cowgirls ’n Angels family brand

Canonical Entities & Relations

Entity	Relation	Entity
A Cowgirl’s Story (2017, Movie)	features	A Cowgirl’s Story (Original Soundtrack) (MusicAlbum)
Maggie McClure	performs	“Cowgirl Stomp”, “Coming Home”, “Be Right Here for You”, “Closer Than Before”, “You’re Beautiful”
Amber Hayes	performs	“Hero’s Heart”
Templeton Thompson	performs	“When I Get That Pony Rode”
Sisterbrother	performs	“Be of Good Faith”
Will Cookson	performs	“Summer Lullaby”
English Session Orchestra	performs	“Parting Words”
CMC Film Fund 1	released	Digital soundtrack (label credit)
Sony Pictures Home Entertainment	distributed	Film (home video)

Sources: Apple Music; Spotify; Film Music Reporter; IMDb; Wikipedia; Amazon MP3; SoundtrackTracklist.

Very simple film. The exclusively unsophisticated film, indeed: there is a new girl in the city and in a school, and she is pretty. Good looking, we mean. And her mom is in the army troops, so she raises some money to help her mother and the army. She comes to the idea – she will make an equestrian local team and will build around her equestrian talent something like a local club on interests. She receives an approval from the school’s principal pretty easily and, with her super-charming face of 15-years-old-girl, she overcomes all obstacles on her way, which are not obstacles indeed, just organizational issues that seem too aggravated in her age. Doing that, she meets others – a boy (several, actually) and makes some new good friends amongst local girls. No wonder everyone was cast in a way to fit her height and body parameters. Just like her new acquaintances – girls, having the similar makeup (though, somewhat gothic and a bit aggressive, as it stresses up eyes too much – in a case with her new best friend). You won’t meet neither familiar names among actors nor their faces. Even the ‘old dude’ that supposes to be the very-knowing-everything guy, is really unknown – who the hell is he? Among the songs, there are a few present in the public access. ‘Be of Good Faith’ is the first, by Sisterbrother. Listen, seriously – a girl from this duo should start her own independent singing career! She has a marvelous voice and sings lyrics absolutely fascinating. The guy only drags her down. The second one is a girlish pop ‘Closer Than Before’ by Maggie McClure. She is something incomprehensible. Lyrics are charming and inspiring, though. ‘When I Get That Pony Rode’ should also be mentioned because it is about life, only said in the other way, but still inculcating.

October, 29th 2025

'A Cowgirl's Story' on IMDb and MovieWeb

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