"Dr. Dolittle 2" Soundtrack Lyrics

“Dr. Dolittle 2 (Original Soundtrack)” Soundtrack Description

Questions & Answers

Is there an official soundtrack album?

Yes. “Dr. Dolittle 2 (Original Soundtrack)” was released June 5, 2001 by J Records and runs ~53 minutes.

Who composed the film’s original score?

David Newman composed the score.

Which singles were pushed from the album?

“Do U Wanna Roll (Dolittle Theme)” (R.L., Snoop Dogg & Lil’ Kim), “Cluck Cluck” (The Product G&B with Wyclef Jean), “Absolutely Not” (Deborah Cox), “We Fit Together” (O-Town), and “Life Is Good” (LFO with M.O.P.).

Did every album track appear in the movie?

No. “Life Is Good” (LFO with M.O.P.) is documented as album-only (not heard in the film).

How did the album perform on the charts?

It peaked around #76 on the Billboard 200, top 30 on Top R&B/Hip-Hop Albums, and top 10 on Top Soundtracks.

Who handled music supervision?

Spring Aspers (music supervisor) with Danielle Diego and Geoff Bywater credited on the studio side.

What label released it digitally today?

It’s available on major platforms under J Records/Sony catalogue management (availability varies by region).

Overview

How do you sell a forest-set family comedy to radio in 2001? With a sleek R&B/hip-hop companion packed with marquee names and a gleaming pop single. The Dr. Dolittle 2 album leans into turn-of-the-millennium sheen—boy-band hooks and club-ready beats—while the film itself keeps the music mostly non-diegetic, riding montages, transitions and end-credit real estate.

Several tracks were worked as singles, mirroring the commercial strategy of the first film. According to AllMusic, the set earned strong marks for consistency, while Billboard charts (as summarized by public documentation) show respectable placement for a multi-artist tie-in. The combination of David Newman’s orchestral score and label cuts (J Records) gives the movie a pop surface that contrasts the earthy bear-meets-bear plot—polish on the outside, chaos and slapstick within.

Genres & Themes

• Contemporary R&B / Neo-Soul: smooth mid-tempo confidence for family romance beats; it signals warmth and easy charm rather than edge.
• Pop-Rap & Hip-Hop: upbeat, radio-first singles that brand the film; hooks over hard grit, placing fun ahead of menace.
• Adult R&B balladry: polished love-song textures (e.g., Luther Vandross) used as emotional softeners around family reconciliations.
• Orchestral score (David Newman): comedic punctuation, quick motif turns for slapstick and animal chatter; it stitches scenes the songs only badge.

Tracks & Scenes

Note: placements below are compiled from credited song lists, official album notes and industry databases. Exact on-screen timestamps aren’t published in liner notes; edits can vary by release.

“Do U Wanna Roll (Dolittle Theme)” — R.L., Snoop Dogg & Lil’ Kim
Scene: Non-diegetic feature in the film and primary tie-in single; used over transitional/party energy rather than a single dialogue scene (credit-listed in film).
Why it matters: A bright, hook-forward “theme” that brands the sequel; it interpolates Zapp’s “Doo Wa Ditty (Blow That Thing).”

“Cluck Cluck” — The Product G&B with Wyclef Jean
Scene: Non-diegetic placement; the track’s official video appears among the home-video bonuses, underscoring its role in marketing tie-ins.
Why it matters: Wyclef-helmed crossover single—catchy, kid-safe swagger that fits the film’s comic rhythm.

“Absolutely Not” — Deborah Cox
Scene: Non-diegetic club-energy insert (credit-listed), typically used to lift montage momentum.
Why it matters: Became a dance-chart staple via remixes; its self-assertion tone matches the film’s “find your voice” beats.

“We Fit Together” — O-Town
Scene: Heard in-film and widely used in promotion; associated with late-film closing vibes/credits in some releases (credit-listed).
Why it matters: Boy-band sugar as a feel-good capstone; the lyric sentiment mirrors the movie’s bear-pairing arc.

“Rear View Mirror” — Alicia Keys
Scene: Credit-listed non-diegetic source; used as smooth R&B bed between comedic cues.
Why it matters: Early-era Alicia Keys appearance that adds contemporary cachet without stealing focus from the comedy.

“What It Is (Part II)” — Flipmode Squad feat. Busta Rhymes with Kelis
Scene: Credit-listed non-diegetic burst for action/comic hustle beats.
Why it matters: Street-flavored edge to offset the family tone; also notable for a Slick Rick “Children’s Story” element in its construction.

“If I Was the One” — Luther Vandross
Scene: Credit-listed romantic R&B placement; softens family reconciliation spaces.
Why it matters: Classic Vandross polish—signals sincerity inside the gags.

“Life Is Good” — LFO with M.O.P.
Scene: Album-only; explicitly not used in the film itself.
Why it matters: Illustrates the era’s common practice: soundtrack as both in-film music and label sampler.

“Eye of the Tiger” — Survivor
Scene: Brief, credited needle-drop/gag reference aligning with the film’s comedic sports-movie nods.
Why it matters: A wink to pop-culture toughness that contrasts the cuddly bear storyline.

“Truly” — Lionel Richie
Scene: Credited slow-jam color—short background usage.
Why it matters: A legacy adult-contemporary touch that widens the soundtrack’s generational reach.

Extra (not on the album): “Take You Out” — Luther Vandross; “World Looking In” — Morcheeba
Scene: Reported as used in the film outside the retail album track list.
Why it matters: Shows how clearances sometimes extend beyond the commercial CD/streaming compilation.

Music–Story Links

• Theme branding vs. animal chaos: The pop-rap “Dolittle Theme” sells energy and confidence while David Newman’s cues hit the pratfalls—a deliberate split between marketing identity and narrative glue.
• Romance cues: O-Town’s “We Fit Together” and Vandross’s cuts parallel the film’s twin reconnections: Archie–Ava and John–Lisa. The softness reinforces “second chances.”
• Momentum inserts: Cox and Flipmode tracks turbo-charge scene transitions where dialogue pauses and animal reaction shots dominate.

How It Was Made

Score: David Newman returned to family-comedy footing with tight comic stingers and warm string pads. Supervision: Spring Aspers served as music supervisor; Danielle Diego and Geoff Bywater are credited on the studio side. Label & roll-out: J Records issued the album (13 tracks), then worked multiple singles to radio and video. Sample/interpolation notes appear in album documentation: Zapp’s “Doo Wa Ditty (Blow That Thing)” informs the official “Dolittle Theme,” and “What It Is (Part II)” leans on “Children’s Story.”

Reception & Quotes

Critical temperature: AllMusic logged a positive four-star assessment for the album, noting its cohesive summer-movie gloss. HipHopDX reviewed the set contemporaneously with a more mixed stance.

“Verdict: Average.” HipHopDX review

“A pop-leaning tie-in that does what it needs to do—keep the energy up.” Summary of mainstream album guides

Chart note: On Billboard tallies (as commonly reported), the album reached the Top Soundtracks top 10, with additional showings on the Billboard 200 and Top R&B/Hip-Hop Albums.

Availability: The album streams on major platforms; regional catalog ownership places it under Sony/J Records.

Notes & Trivia

• “Life Is Good” (LFO with M.O.P.) appears on the album but not in the film.
• Home-video extras include the “Cluck Cluck” music video—clear sign of a single-first campaign.
• O-Town’s “We Fit Together” doubled as a single on the band’s self-titled album later in 2001.
• Alicia Keys’ “Rear View Mirror” also appears in other early-2000s soundtrack contexts, giving it extra exposure beyond the film.
• Score credit: David Newman—longtime studio comedy specialist.

Additional Info

• Album runtime: ~53 minutes; 13 tracks (multi-artist).
• Label catalogue shows J Records number variants across CD/cassette pressings.
• Several tracks were worked to radio with remix packages, especially Deborah Cox’s “Absolutely Not.”
• Survivor’s “Eye of the Tiger” is credited in the film’s song list—used briefly as a pop-culture gag.
• Non-album film cues reported by databases (e.g., Morcheeba) indicate broader clearances than the retail compilation.
• Billboard chart peaks: roughly #76 (Billboard 200) / #26 (Top R&B/Hip-Hop) / #10 (Top Soundtracks).
• “Do U Wanna Roll (Dolittle Theme)” lists an interpolation credit to Zapp’s 1982 “Doo Wa Ditty.”

Technical Info

• Title: Dr. Dolittle 2 (Original Soundtrack)
• Year: 2001
• Type: Various-artists soundtrack + original score
• Composers: David Newman (score)
• Music supervision: Spring Aspers; studio supervisors Danielle Diego, Geoff Bywater
• Label: J Records (US release June 5, 2001)
• Standout singles: “Do U Wanna Roll (Dolittle Theme)”; “Cluck Cluck”; “Absolutely Not”; “We Fit Together”
• Notable placements: “We Fit Together,” “Absolutely Not,” “Do U Wanna Roll,” “Rear View Mirror,” “Eye of the Tiger” (credit-listed); “Life Is Good” album-only
• Chart/availability: Charted on Billboard (Soundtracks/R&B/200); widely available on major streaming platforms

Canonical Entities & Relations

Sources: AllMusic; Billboard; IMDb; Discogs; MusicBrainz; Apple Music; HipHopDX; 20th Century Studios Wiki; Wikipedia; Spotify.

November, 09th 2025