"Endless Love" Soundtrack Lyrics

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“Endless Love (Original Motion Picture Soundtrack)” Soundtrack Description

Overview

What if a swoony teen romance dodges the obvious needle-drop—that 1981 ballad—and builds a fresh pop/R&B/indie mix instead? Endless Love (2014) does exactly that. The compilation album (Warner Records) leans on bright alt-pop and indie bands; the film’s original score is by Christophe Beck, who keeps the drama buoyant with lyrical strings and gentle pulse cues.

End credits land on Tegan and Sara’s “Don’t Find Another Love,” a sleek new ballad written by Julie Frost, while marketing used Skylar Grey’s cover of “Addicted to Love” and Ellie Goulding’s “Explosions.” The result: radio-friendly sparkle for parties and montages, score for tenderness, and no nostalgia crutch. (IMDb; Pitchfork)

Questions & Answers

Is there an official soundtrack album?

Yes. Endless Love (Original Motion Picture Soundtrack) released February 11, 2014 on Warner Records (14 tracks, comp). Apple Music and Film Music Reporter confirm details.

Who composed the score?

Christophe Beck composed the original score.

What plays over the end credits?

Tegan and Sara — “Don’t Find Another Love” (written by Julie Frost) is the end-title song.

What song scores the graduation-party dance contest?

Drop City Yacht Club — “Crickets” (album version appears; on-screen a version with Jeremih is associated with the sequence, ~00:21).

What song is used for their first kiss?

In The Valley Below — “Peaches.”

Which tracks open the house party?

The Tallest Man on Earth — “Leading Me Now” (~00:11), then Franz Ferdinand — “Right Action” (~00:15) and Cults — “Go Outside” (~00:17).

Is the 1981 Lionel Richie/Diana Ross theme used?

No. The director considered it, then opted out; the remake uses new selections.

Notes & Trivia

• Music supervision is credited to Randall Poster on production listings.
• Marketing leaned on Skylar Grey’s “Addicted to Love” cover and Ellie Goulding’s “Explosions.”
• The album features Matt Berninger (The National) guesting with The Bird and the Bee on “All Our Endless Love.”
• The film is a remake; the iconic Ross/Richie duet is not reused.
• Score personnel (public credits) include conductor/orchestrator Tim Davies; a “Suite” is officially released under Beck’s name.

Genres & Themes

Palette: bright alt-pop and indie (Franz Ferdinand, Cults, Guards) for party momentum; modern pop-R&B/duet ballads (Tegan and Sara; The Bird and the Bee + Matt Berninger) for confession; folk-tinged and dream-pop cues (The Tallest Man on Earth; In The Valley Below) for tenderness.

Function: songs sketch social ease and new-love rush; Beck’s score supplies hush—piano, light strings, and soft pads that keep conflict intimate rather than operatic.

Tracks & Scenes

Timestamps approximate (hh:mm). Diegetic = within the scene world.

“Leading Me Now” — The Tallest Man on Earth
Where it plays: ~00:11, Jade’s graduation party as guests trickle in (diegetic/house).
Why it matters: Sets a warm, acoustic baseline before the night accelerates.

“Right Action” — Franz Ferdinand
Where it plays: ~00:15, the party fills out; energy lifts (diegetic/house).
Why it matters: Tight, syncopated guitar pushes the social tempo upward.

“Go Outside” — Cults
Where it plays: ~00:17, party chatter and flirt energy; diegetic.
Why it matters: Sun-dappled indie pop for first sparks.

“Crickets” — Drop City Yacht Club
Where it plays: ~00:21, Jade & David’s dance-contest bit; diegetic centerpiece.
Why it matters: Turns attraction into a public beat—story and crowd fuse.

“Peaches” — In The Valley Below
Where it plays: After the party, their first kiss; non-diegetic overlay.
Why it matters: Breath-heavy duet mirrors the scene’s charged quiet.

“Surround You” — Echosmith
Where it plays: First-time lovemaking; largely non-diegetic, intimate mix.
Why it matters: A tender, contemporary pop frame for a decisive turn.

“I Know It’s You” — Guards
Where it plays: Valet/Maserati escapade; non-diegetic drive cue.
Why it matters: Effervescent indie sheen for impulsive rebellion.

“All of Me” — Tanlines
Where it plays: Party “couple game” gag; diegetic.
Why it matters: Bouncy synth-pop underscores teen theater.

“Ends of the Earth” — Lord Huron
Where it plays: Later-film travel/space-to-think beat; non-diegetic.
Why it matters: Wanderlust registers the pull between home and escape.

“Pumpin Blood (The Jane Doze Remix)” — NONONO
Where it plays: Two-weeks montage before the internship clock; non-diegetic.
Why it matters: Whistled hook = youth in a bottle; montage fuel.

“All Our Endless Love” — The Bird and the Bee feat. Matt Berninger
Where it plays: Post-separation reflection; non-diegetic.
Why it matters: A duet that admits doubt without breaking the spell.

“Don’t Find Another Love” — Tegan and Sara
Where it plays: End titles; non-diegetic.
Why it matters: The last word: a simple, modern plea over polished production.

Music–Story Links

Party cues (“Leading Me Now,” “Right Action,” “Go Outside”) map social courage: Jade’s insulated world loosens in real time. The dance-floor spotlight (“Crickets”) turns private chemistry public. After the lake-house rupture, songs narrow to confession and consequence—“Peaches,” “Surround You,” and the Bird and the Bee/Berninger duet stack intimacy, doubt, and distance. The end-title cut by Tegan and Sara reframes “forever” as a request, not a guarantee.

How It Was Made

Score & recording: Christophe Beck scored the film; a released “Endless Love Suite” credits Tim Davies as conductor/orchestrator and Thomas Vicari as mixer/recordist. The suite packages the score’s lyrical spine—piano and strings with restrained electronics.

Supervision & curation: Randall Poster handled music supervision according to industry credit listings. The compilation balances recognizable names (Franz Ferdinand, Tegan and Sara) with lighter-profile acts (Guards, In The Valley Below) to keep the film contemporary without leaning on the 1981 hit.

Reception & Quotes

Coverage centered on the new songs rather than nostalgia. Press singled out the Tegan and Sara closer and the Berninger/ Bird and the Bee duet.

“A lovelorn piano ballad… on the soundtrack for the romantic drama Endless Love.” Pitchfork

“Soundtrack features Tegan and Sara, Cults, Franz Ferdinand & more.” IndieWire

Album and track details are documented on Apple Music and IMDb.

Additional Info

• Official album release: February 11, 2014 (Warner Records); film release: February 14, 2014 (Universal).
• End-title “Don’t Find Another Love” is written by Julie Frost.
• Trailer music included Skylar Grey’s “Addicted to Love” cover and Ellie Goulding’s “Explosions.”
• “Crickets” appears in two forms: album version on the OST; the on-screen dance contest is associated with a version featuring Jeremih.
• Score suite is available on major DSPs under Christophe Beck’s artist page.

Technical Info

• Title: Endless Love (Original Motion Picture Soundtrack)
• Year: 2014
• Type: Various-artists soundtrack + original score (no separate full score album at retail beyond suite)
• Composer: Christophe Beck
• Music Supervision: Randall Poster
• Labels: Warner Records (compilation); score rights © Universal Studios
• Selected placements: Tegan and Sara — “Don’t Find Another Love” (end credits); The Bird and the Bee feat. Matt Berninger — “All Our Endless Love”; In The Valley Below — “Peaches”; Drop City Yacht Club — “Crickets”; NONONO — “Pumpin Blood (Remix)”
• Availability: Streaming (Apple Music/Spotify); digital retail

Canonical Entities & Relations

Subject	Relation	Object
Christophe Beck	composed	Endless Love (2014) original score
Randall Poster	music supervised	Endless Love (2014)
Warner Records	released	Endless Love (Original Motion Picture Soundtrack)
Tegan and Sara	performed	“Don’t Find Another Love” (end title)
Julie Frost	wrote	“Don’t Find Another Love”
The Bird and the Bee	performed	“All Our Endless Love” (feat. Matt Berninger)
Universal Pictures	distributed	Endless Love (2014 film)

Sources: IMDb; Apple Music; Film Music Reporter; Pitchfork; IndieWire; The Numbers; Universal Pictures trailer.

What should romantic movie be, which premiered on Valentine's Day? However, this product is far, far away from clean comedy genre, just as an ant – to the top of the tree. There are a mix of drama, crime and the fight that ultimately show the deep feelings of the characters. The film is a remake of an older film of 1981’s. Perhaps soundtrack was wanted to be kept the same or very similar in spirit to the music of that times. That's why we can find in the collection half–forgotten artists such as Franz Ferdinand with his Right Action . In general, the collection makes a good impression. All melodies organically touch each other and the film, emphasizing not only the storyline moments, but also creating a certain mood. If you listen to the entire songs list, one song after another, you'll find that you are looking wistfully into the distance, chewing a straw and thinking that the sky is so blue and boundless, and you want very much to love and to be loved. Lovely works, the most inspired from which are Leading Me Now by The Tallest Man On Earth and Pumpin Blood – lift you above the ordinary, give a sense of freedom and, of course, eventually cheers you up. Definitely, the collection receives an A grade and is worthy to take place in your collection of soundtracks.

November, 09th 2025

Find more info on IMDb, Wikipedia

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