"Escape from Planet Earth" Soundtrack Lyrics

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"Escape from Planet Earth (Original Motion Picture Soundtrack)" Soundtrack Description

Overview

What happens when a kid-friendly sci-fi comedy leans on both bouncy radio-pop and a 100-piece orchestra? Escape from Planet Earth answers with a sugar-rush of needle-drops (Owl City, The Ready Set, Sam & The Womp) wrapped around Aaron Zigman’s cinematic action-adventure score. The songs sell exuberance; the score does the heavy lifting—peril, rescue beats, and a surprisingly warm family theme.

The film issued two official releases: a songs compilation and a full original score. The compilation corrals upbeat placements like “Shooting Star” and “Bom Bom,” while the score album showcases Zigman conducting brisk space-capers, brass fanfares, and choir for Area 51 showdowns. Verified by Apple Music and Spotify. Trusted source: Film Music Reporter.

Questions & Answers

Is there an official soundtrack album?

Yes—two: a 13-track songs compilation and a 24-track original score album.

Who composed the score?

Aaron Zigman composed the score; the albums credit Brussels Philharmonic as performing orchestra on released tracks.

Where was the score recorded?

Score sessions were recorded at Abbey Road Studios with roughly a 100-piece orchestra and choir.

Which pop song is used more than once?

“Shooting Star” (Owl City) appears twice in the film; it anchors late-film feel-good momentum.

What song introduces Scorch’s heroic vibe early?

Cody Simpson’s “Shine Supernova” is heard during the early family playtime sequence, setting a bright, heroic tone.

What plays during the wedding on Baab?

A processional of Wagner’s “Bridal Chorus (Organ Version)”—arranged/performed by Andrew Patrick Oye—underscores the finale ceremony.

Is there a dedicated music supervisor?

Yes. Dana Sano is credited as Music Supervisor.

Notes & Trivia

• Two official releases exist: the songs compilation (13 tracks) and the score album (24 tracks).
• “Shooting Star” (Owl City) is used twice in the film—unusual for a feature needle-drop.
• “Bom Bom” (Sam & The Womp) also appears twice; both uses back high-energy, comedic chaos.
• Ludovic Bource’s “George Valentin” (from The Artist) appears on the songs compilation—an intertext nod to old-Hollywood flourish.
• Score sessions were staged at Abbey Road; choral overlays boost Area 51 set-pieces. Trusted source: Film Music Reporter.

Genres & Themes

Synth-pop uplift (Owl City) = uncomplicated optimism for family beats and victory montages.

Electro-swing/brass party (“Bom Bom”) = slapstick propulsion for cafeteria melees and chases.

Pop-punk/teen pop (The Ready Set, Zeazy Z) = momentum cues that keep exposition light, often as scene-change glue.

Orchestral sci-fi adventure (Zigman) = thematic spine: a noble family motif for Gary/Scorch, “danger” ostinatos for Shanker, and triumphant brass for rescues. Verified on Apple Music and Spotify.

Tracks & Scenes

“Shine Supernova” – Cody Simpson
Scene: Early family playtime at home—Kip pilots a toy ship as Gary plays along. Non-diegetic pop sheen sells Scorch’s “hero” aura to kids at home. Placement is explicit in the film’s transcript. Why it matters: plants the movie’s aspirational tone before the plot spins into Area 51.

“Shooting Star” – Owl City
Scene: Late-film celebration on Baab and reprise during the wrap-up/credits in some versions; appears twice overall. Non-diegetic. Why it matters: a feel-good catharsis cut that telegraphs “mission accomplished” and family reunion energy.

“Bom Bom” (Radio Edit) – Sam & The Womp
Scene: Used twice to juice broad comic action; widely associated by viewers with the Area 51 cafeteria chaos. Non-diegetic. Why it matters: its brass bounce and chant hooks match the film’s slapstick kinetic peaks. (Exact timestamps vary by edition; cue sheets aren’t publicly posted.)

“Give Me Your Hand (Best Song Ever)” – The Ready Set
Scene: Upbeat montage/transition cue in the first half, bridging media coverage and Baab-world bustle. Non-diegetic. Why it matters: keeps narrative pace buoyant between mission beats; this track is part of the official songs album even when on-screen placement is brief.

“Watch Your Back” – Zeazy Z
Scene: Cut in an early-mid action/transition stretch, punctuating sibling rivalry subtext. Non-diegetic. Why it matters: lyrically aligned with Gary/Scorch’s dynamic—one brains, one brawn—before they recalibrate as a team.

“Dollaz (Gotta Get It) (Bad Ass Remix)” – The Fresh Force Four
Scene: Brief needle-drop to accent a comic hustle/gadget beat inside Area 51. Non-diegetic. Why it matters: gives modern, beat-driven texture among orchestral cues.

“Bridal Chorus (Organ Version)” – arranged/performed by Andrew Patrick Oye
Scene: Finale wedding ceremony on Baab. Diegetic processional. Why it matters: classic ceremony cue translated into the film’s bright, comic register; credited arrangement appears in the official listings.

“George Valentin” – Brussels Philharmonic & Jay-Alan Miller (Ludovic Bource)
Scene: Album appearance; used in-film as an old-Hollywood flourish per credits. Non-diegetic/source. Why it matters: a winking nod to silent-era glam in a modern CG comedy.

Music–Story Links

Gary and Scorch’s arc moves from friction to unity. “Watch Your Back” plays cheekily against their early bickering, while Zigman’s family theme answers with warmth as they sync up to outwit Shanker. “Shooting Star” caps the catharsis, functioning like fireworks over the reunited family. “Shine Supernova” bookends the heroic image—first as kid-imagination, later realized in action. The electro-swing punch of “Bom Bom” keeps danger safely comic, preventing the Area 51 set-pieces from turning too dark for younger viewers.

How It Was Made

Aaron Zigman’s score was tracked at Abbey Road with a ~100-piece orchestra and choir. The commercial releases credit Brussels Philharmonic on multiple cues; the published score album runs 74 minutes across 24 tracks. Music supervision is credited to Dana Sano. Trusted source: Apple Music; Film Music Reporter.

Editorially, the film alternates short needle-drops with Zigman’s set-pieces—e.g., “Tornado / Shanker Battles the Aliens.” The balance keeps comedy buoyant while giving the rescues real scale.

Reception & Quotes

“Zigman indulges in Bond-ian excitement, big-band swing, and gleeful ’50s sci-fi pastiche.” AssignmentX (soundtrack review)

“Bright pop and heroic score bring pep to the set-pieces even when the plot is thin.” Summary of trade reviews

Availability is stable on major platforms (Apple Music/Spotify) for both albums. Trusted source: Wikipedia.

Additional Info

• Score album length ~74 minutes (24 tracks); Songs album 13 tracks.
• Labeling nuances: the songs album is ℗ The Weinstein Company under exclusive license to Sony Music Entertainment; the score album is issued on Sony Classical.
• Release dates vary by listing: score posted Feb 8, 2013; songs compilation commonly listed mid-Feb 2013; regional pages differ.
• Two pop cues—“Shooting Star” and “Bom Bom”—are each used twice on screen.
• Wagner’s “Bridal Chorus (Organ Version)” is credited to arranger/organist Andrew Patrick Oye in the film’s listings.

Technical Info

• Title: Escape from Planet Earth — Original Motion Picture Soundtrack / Original Score
• Year: 2013
• Type: Compilation (various artists) + Original Score
• Composer: Aaron Zigman
• Performers: Brussels Philharmonic credited on released score tracks; large orchestra & choir recorded at Abbey Road Studios
• Music Supervision: Dana Sano
• Selected notable placements: “Shine Supernova” (opening family playtime); “Shooting Star” (twice, including finale momentum); “Bom Bom” (twice, action chaos); “Bridal Chorus” (wedding finale)
• Release context: US theatrical Feb 15, 2013; albums released mid-Feb 2013
• Labels: Sony Classical (score); Sony Music Entertainment licensing for songs album (via The Weinstein Company)
• Availability: Apple Music, Spotify; retail CD/MP3 listings archived by Discogs/Amazon

Canonical Entities & Relations

Entity	Type	Relation
Aaron Zigman	Person	Composed score for Escape from Planet Earth
Brussels Philharmonic	Organization	Performed on released score recordings
Dana Sano	Person	Music Supervisor for the film
Sony Classical	Organization	Record label for the score album
The Weinstein Company	Organization	Film distributor; soundtrack rights holder
Abbey Road Studios	Venue	Score recording location (orchestra & choir)
Owl City — “Shooting Star”	MusicRecording	Needle-drop used twice in the film
Sam & The Womp — “Bom Bom”	MusicRecording	Needle-drop used twice; comic action backing
Cody Simpson — “Shine Supernova”	MusicRecording	Early sequence hero-color cue

Sources: Apple Music; Spotify; Wikipedia; Film Music Reporter; AssignmentX; Discogs; ArkivMusic; Soundtrakd; IMDb; The Weinstein Company production notes.

November, 09th 2025

'Escape from Planet Earth' is a Canadian-American 3D computer animated science fiction-comedy film. Learn more on Wikipedia and Internet Movie Database

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