"Fast And Furious 6" Soundtrack Lyrics

"Fast & Furious 6 (Original Motion Picture Soundtrack)" Soundtrack Description

Overview

How do you score a movie that keeps jumping countries, gears, and loyalties? The answer here: lean hard on propulsive hip-hop and EDM bangers, then thread in a sleek, modern action score. The album is anchored by 2 Chainz & Wiz Khalifa’s charting single “We Own It,” while the film’s pulse is steered by Lucas Vidal’s orchestral-meets-electronic score. Def Jam Recordings released the songs set in May 2013; a separate score package circulates digitally.

The track curation mirrors the story’s route—Canary Islands to London to the tarmac—folding in Latin cuts, bass-heavy club tracks, and glossy electro. It’s functional music: scene-specific, momentum-driven, and often diegetic (you can “hear” the party, the meet, the race). Trusted reference: Apple Music album page.

Questions & Answers

Is there an official songs soundtrack album?

Yes — “Fast & Furious 6 (Original Motion Picture Soundtrack),” released by Def Jam in May 2013. Source: Apple Music.

Who composed the film’s score?

Lucas Vidal composed the score; Brian Tyler’s earlier franchise themes are referenced in places. Source: Wikipedia film entry.

What song plays over the opening credits?

“We Own It (Fast & Furious)” — 2 Chainz & Wiz Khalifa (also reprises in the end credits).

What track underscores Dom vs. Letty’s street race in London?

“Here We Go / Quasar (Hybrid Remix)” — Hard Rock Sofa & Swanky Tunes.

Which song returns for the family barbecue at 1327?

“Bandoleros” — Don Omar feat. Tego Calderón.

What’s the beat when Hobbs and Tej go shopping for cars in London?

“Failbait” — deadmau5 feat. Cypress Hill.

Is the album on streaming?

Yes — widely available (Apple Music, Spotify). Source: Apple Music / Spotify album pages.

Notes & Trivia

• Lucas Vidal replaced Brian Tyler on this entry due to Tyler’s overlapping studio commitments that year.
• “We Own It” reached UK Singles #6 and became a breakout franchise anthem.
• Two Russian EDM cuts—“Here We Go” and “Quasar”—appear via Axwell’s Axtone stable (Hybrid remix in the film).
• The Glitch Mob’s remix of The Prodigy’s “Breathe” fueled pre-release trailers; it even scored Golden Trailer Awards recognition for a Super Bowl spot title.
• Ludacris appears as Tej and also features on end-credits single “Rest of My Life” with Usher & David Guetta.

Genres & Themes

Hip-hop & trap power the crew dynamic — swagger, unity, and “ride or die” ethos (“We Own It”). EDM/electro-house marks precision and tech—London set-pieces, mech porn, and the Dom/Letty duel (Hard Rock Sofa / Swanky Tunes).

Reggaetón/Latin pop returns as the franchise’s family motif (“Bandoleros”), connecting back to earlier chapters and reaffirming the home-table vibe. Hybrid score (strings, synths, heavy percussion) escalates logistics-to-mayhem beats without drowning the engines. Trusted reference: Screen Rant overview.

Tracks & Scenes

“We Own It (Fast & Furious)” — 2 Chainz & Wiz Khalifa
Scene: Opens the film over title montage (~00:02); reprises in end credits. Non-diegetic, theme-setting.
Why it matters: Establishes bravado and team creed in one hook; later closes the emotional loop.

“Ball” — T.I. feat. Lil Wayne
Scene: On the private jet around 00:10 as Roman boasts to flight attendants; playful, diegetic-adjacent energy.
Why it matters: Character color for Roman; signals the crew’s moneyed, post-Rio status.

“Con Locura” — Sua feat. Jiggy Drama
Scene: ~00:10, Tej withdraws a comical stack of cash from an ATM beside his Ferrari; street-scene diegesis.
Why it matters: Pops the London arrival with Latin flair; quick gag, quick groove.

“HK Superstar” — MC Jin feat. Daniel Wu
Scene: ~00:11, cityscape and a quiet dinner conversation with Han & Gisele in Asia; source-like placement.
Why it matters: Nods to Han’s Hong Kong ties; gentle humanizing respite amid planning.

“Failbait” — deadmau5 feat. Cypress Hill
Scene: ~00:36, aerials over London as Hobbs and Tej go car-shopping; non-diegetic montage.
Why it matters: Grimy electro + hip-hop cadence = shopping as flex.

“Bada Bing” — Benny Banks
Scene: ~00:43, Dom & Brian walk into a gun shop to chase a bullet lead; underscoring London grit.
Why it matters: UK street voice for a UK lead; grounds the investigation.

“Burst! (Bart B More Remix)” — Peaches
Scene: ~00:52, aerial cutaway after Letty storms out of Shaw’s garage; clubby, aggressive texture.
Why it matters: Signals Letty’s volatility and Shaw’s corrosive leadership.

“Roll It Up” — The Crystal Method
Scene: When Dom arrives at Race Central; heavy, looping synths as diegetic race culture bed.
Why it matters: Franchise-classic move: let the location DJ set the rules.

“Here We Go / Quasar (Hybrid Remix)” — Hard Rock Sofa & Swanky Tunes
Scene: Dom vs. Letty’s London street race; non-diegetic banger cut to drifting, gear slams, brief slow-mo.
Why it matters: Turns a reunion into a duel; beats hit the gear changes.

“Bandoleros” — Don Omar feat. Tego Calderón
Scene: ~01:56 and end-barbecue at 1327; warmth over the return-to-family tableau; partially diegetic feel.
Why it matters: The series’ emotional throughline; heritage and home.

“Rest of My Life” — Ludacris feat. Usher & David Guetta
Scene: End credits prior to the mid-credits sting; arena-sized uplift.
Why it matters: Brand-level crossover: cast member on the soundtrack sealing the win-energy.

Music–Story Links

Letty’s amnesia arc pivots on adrenaline, not pathos; the Here We Go / Quasar sequence frames identity as muscle memory. Han & Gisele’s brief calm over HK Superstar underlines what’s at stake before the runway chaos. Bandoleros re-centers the franchise thesis—familia—after the tarmac’s excess. And We Own It bookends the chapter, recasting the crew’s Rio spoils into purpose.

How It Was Made

Score: Lucas Vidal delivered a hybrid palette—tight ostinatos, pounding percussion, modern synth beds—while legacy Brian Tyler motifs peek through to keep franchise DNA intact.

Song placements & licensing: Def Jam compiled the commercial album; Axtone cleared Hard Rock Sofa material for the picture. The trailer campaign leaned on The Prodigy’s “Breathe” (The Glitch Mob Remix) for big-game ads. Trusted sources: Wikipedia (film & soundtrack), Discogs credits.

Reception & Quotes

“Faithful fans and passersby alike should be more than pleased.” Variety

“The score by Lucas Vidal is terrific… intense strings and tones add so much to the action.” InSession Film

Album availability: widely streaming; “We Own It” charted strongly in the UK. Critical chatter often calls out the music’s “turn-it-to-11” utility. Source: Rotten Tomatoes critics page.

Additional Info

• Release: digital (May 17, 2013), CD (May 21, 2013).
• “We Own It” became a WWE Royal Rumble 2014 theme and a multi-platinum single in the U.S.
• Rita Ora makes a cameo as the London race starter—music blares diegetically at Race Central.
• The songs album skews Latin/hip-hop/EDM; the score album is orchestral-hybrid.
• “Breathe” (Glitch Mob Remix) appears in trailers, not on the retail album.
• Regional store metadata lists Rachel Levy as album music supervisor.
• Some earlier Brian Tyler cues reappear in-film for continuity.

Technical Info

• Title: Fast & Furious 6 (Original Motion Picture Soundtrack)
• Year: 2013
• Type: Various-artists songs album; separate original score by Lucas Vidal
• Composers (score): Lucas Vidal (with legacy thematic material by Brian Tyler referenced)
• Label (songs): Def Jam Recordings
• Key placements: “We Own It” (main titles/end credits), “Here We Go / Quasar (Hybrid Remix)” (Dom vs. Letty), “Bandoleros” (1327 barbecue), “Failbait” (London car shopping)
• Release context: Theatrical May 2013; soundtrack aligned with opening window
• Album status: Available on major streamers; physical CD issued
• Chart note: “We Own It” peaked at UK #6

Canonical Entities & Relations

Sources: Screen Rant; Wikipedia; IMDb; Apple Music; Spotify; Discogs; WhatSong; Variety; Rotten Tomatoes; Soundtrack Collector.

November, 09th 2025