"Feel the Noise" Soundtrack Lyrics

"Feel the Noise (Music from the Motion Picture)" Soundtrack Description

Overview

Reggaetón meets coming-of-age: the film leans on a compact, club-ready compilation to move scenes from Harlem to San Juan and back again. Instead of a traditional orchestral score, the album stacks marquee singles and street staples—Voltio, Alexis y Fido, Calle 13—around new cuts tied to the lead character (Omarion). The result is less background, more propulsion.

The official album (Feel the Noise: Music from the Motion Picture) is a 10-track digital/CD release dated September 25, 2007 with Sony BMG/US Latin credits. Runtime varies by edition (roughly 28–37 minutes). Trusted source: Apple Music.

Questions & Answers

Is there a single official soundtrack?

Yes. A 10-track compilation titled Feel the Noise (Music from the Motion Picture)—album date September 25, 2007. Source: Apple Music.

Who provides original music for the film?

Andrés Levin is credited for original music on the feature; the album focuses on licensed songs and tie-in tracks.

What labels are associated with the release?

Sony BMG Music Entertainment and Sony BMG Music Entertainment (US Latin) are credited on the commercial album.

What’s the lead single?

Omarion feat. Kat DeLuna — “Cut Off Time,” released September 11, 2007; its video rolled out alongside the film’s marketing.

Does the movie feature reggaetón stars beyond the album?

Yes—press and credits highlight placements/artists like Voltio, Alexis y Fido, Tego Calderón; some tracks appear on screen but not all are on the album.

Where can I verify the track lineup?

Apple Music and AllMusic list the album program; MovieMusic/SoundtrackINFO document CD details and catalog numbers.

Notes & Trivia

• The soundtrack is label-integrated: Sony BMG Film produced the movie; Sony BMG/US Latin issued the album.
• “Cut Off Time” dropped 09/11/2007 as the tie-in single and appears with an official video.
• Press coverage at release explicitly name-checks reggaetón stars (Voltio, Alexis y Fido, Tego Calderón) as part of the film’s pitch.
• Runtime is edition-dependent: Apple Music shows ~28 minutes for 10 tracks; AllMusic lists ~36:51.

Genres & Themes

Reggaetón & Latin rap → identity, hustle, and place. Dem bow rhythms mark Puerto Rico scenes; verses carry rivalry and ambition.

Pop-rap crossovers → radio-friendly hooks for montage and promo tie-ins (“Cut Off Time”).

Club & street textures → diegetic dance-floor energy in San Juan; non-diegetic pulses for transitions back in New York.

Tracks & Scenes

“Cut Off Time” — Omarion feat. Kat DeLuna
Where it plays: Used prominently in marketing and over a city-movement sequence in the film; non-diegetic.
Why it matters: Bridges the movie’s English-language POV with Latin club aesthetics; hook-forward single that brands the project.

“Atrévete-te-te” — Calle 13
Where it plays: Puerto Rico street/club montage; largely diegetic or diegetic-adjacent in crowd scenes.
Why it matters: Canon reggaetón attitude track; signals that Rob is stepping into an established culture, not inventing it.

“Eso Ehh..!!!” — Alexis y Fido
Where it plays: Dance-floor sequence that intercuts rehearsals with nightlife; diegetic in venue audio.
Why it matters: High-tempo dem bow drives choreography beats; matches the film’s training-to-stage arc.

“Pa La Calle” — Vico C & Cucu Diamantes feat. Pras
Where it plays: Daytime San Juan movement and studio-prep montage; non-diegetic.
Why it matters: Old-guard lyricist (Vico C) plus crossover guests underline industry bridges the protagonists try to cross.

“Coquí” — Omarion feat. Wyclef Jean
Where it plays: Studio-session/recording context; non-diegetic over intercutting of rehearsal and street shots.
Why it matters: The title nods to Puerto Rico; collaboration frames Rob’s evolving sound as he embraces reggaetón’s cadence.

“Chulín, Chulín Chunfly” — Voltio (feat. Residente)
Where it plays: Night-drive/club entrance sequence; mostly diegetic spill from systems and venue speakers.
Why it matters: Establishes local bona fides and the competitive scene Rob steps into.

“No Quiere Novio” — Ñejo
Where it plays: Party setting with flirt-and-brag subplots; diegetic.
Why it matters: Character business rides on the lyric premise—commitment vs. freedom—mirroring Rob and C.C.’s push-pull.

“Get Down” — W7
Where it plays: Early Bronx segment and gym/boxing-style warmup; non-diegetic.
Why it matters: Pre-Puerto Rico texture—English-leaning, hip-hop-first cues that underline where Rob starts.

Also heard (film but not necessarily on album): “Hard Body” (Omarion); “Go Down” (Jerome Jones); “Get Away with That” (Calibre). These appear in the film’s soundtrack credits and listings.

Note: Specific minute-marks vary by edition; placements above reflect film-sequence context verified against album credits and public soundtrack lists.

Music–Story Links

Dem bow patterns mark shifts in belonging: when Rob lands in Puerto Rico, club cues switch the film’s gait from boom-bap to perreo. The first rehearsal/stage tries are cut to uptempo anthems (“Eso Ehh..!!!”), while studio-leaning montages lean on crossover productions (“Coquí,” “Pa La Calle”). Back in New York, the parade/performance arc resolves with mainstream-aimed hooks—music as proof of synthesis rather than a total swap.

How It Was Made

Original music by Andrés Levin; the film itself was produced within Sony’s ecosystem (TriStar/Sony BMG Film/Nuyorican), and the album came out via Sony BMG/US Latin. The compilation structure—big reggaetón names plus new Omarion tie-ins—served a marketing brief and matched the movie’s Harlem-to-San Juan narrative arc. Trusted sources: Variety; Sony Pictures page.

Reception & Quotes

Critical response focused on authenticity vs. formula. The music was noted as a selling point even when reviews were mixed.

“The soundtrack features many stars of the genre, including Voltio, Alexis y Fido and Tego Calderón.” The Hollywood Reporter

“Co-produced by Jennifer Lopez for Sony BMG’s film arm, it bears the stamp of the marketing department.” Los Angeles Times

Additional Info

• Album street date: September 25, 2007; CD catalog often listed as Sony 716869.
• Label line on Apple Music: © 2005, 2007 Sony BMG Music Entertainment; and Sony BMG Music Entertainment (US Latin) LLC.
• Lead single “Cut Off Time” released 09/11/2007; official video available.
• Some regional/streaming editions show different runtimes (10 tracks ~28–37 min).
• Not every on-screen song appears on the commercial album.

Technical Info

• Title: Feel the Noise (Music from the Motion Picture)
• Year: 2007
• Type: Various-artists compilation (no separate full score album)
• Original Music: Andrés Levin
• Music Supervision: Not singled out in album packaging; film music department credits include executive music producers and editors.
• Label: Sony BMG Music Entertainment / Sony BMG Music Entertainment (US Latin)
• Select placements (album): Omarion & Kat DeLuna “Cut Off Time”; Calle 13 “Atrévete-te-te”; Alexis y Fido “Eso Ehh..!!!”; Vico C “Pa La Calle”; Voltio “Chulín, Chulín Chunfly”.
• Release context: U.S. theatrical October 5, 2007; album released ~10 days earlier.
• Availability: Streaming (major services) and original CD.

Canonical Entities & Relations

Sources: Apple Music; AllMusic; MovieMusic; SoundtrackINFO; IMDb; Sony Pictures; Variety; The Hollywood Reporter; Los Angeles Times; Wikipedia.

November, 09th 2025