"Founders Day" Soundtrack Lyrics

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"Founders Day (Original Motion Picture Soundtrack)" Soundtrack Description

Overview

What kind of score fits a small town where election season turns into a slasher hunt? Founders Day answers with a lean, hybrid palette—electronic grit, distorted guitar swells, and percussive stabs—built by composer Timothy Williams. The official album, Founders Day (Original Motion Picture Soundtrack), collects 16 score cues and lands as a compact 37-minute listen. Source: MovieScore Media; Apple Music.

The film uses a two-track strategy: Williams’ tense underscores for the investigations and kills, and curated source songs to texture classrooms, bars, and a cinema set-piece. That split lets the satire breathe without softening the menace. Several placements are diegetic (heard in-world), while the end credits button switches to a pop cut—neat, pointed, and a little cruel. Source: Soundtracki; Spotify.

Questions & Answers

Who composed the score album?

Timothy Williams. The digital soundtrack (16 tracks) was released January 19, 2024.

What label released it?

MovieScore Media (catalog MMS24002). ℗ rights note on DSPs credits Beach House Music, Inc.

How would you describe the score’s sound?

Hybrid and texture-driven: unstable electronics, heavy percussion, and guitar hits over sustained anxiety beds.

Are there needle-drops in the film beyond the score album?

Yes—several licensed songs appear in key scenes (classroom, cinema, make-out, epilogue, credits). Not all are on the OST.

What song is used in marketing?

The trailer features “Intermission” by Colin Cannon.

Is the music mostly diegetic or non-diegetic?

Score cues are non-diegetic; multiple scenes use diegetic/source tracks (e.g., a theater sequence and a restaurant/bar ambience).

Where can I verify the album and placements?

MovieScore Media (album page), Apple Music/Spotify (album details), and Soundtracki (scene timelines).

Notes & Trivia

• The OST’s cue names (“Town Hall Massacre,” “Dumpster Cadaver”) mirror on-screen set pieces for quick recall.
• Featured vocals on the score are credited to Tori Letzler; additional music by Maxwell Stone.
• The film premiered at Popcorn Frights 2023; U.S. theatrical release followed on Jan 19, 2024.
• End credits pivot from score to a punchy indie cut—tonal whiplash by design.

Genres & Themes

Hybrid horror score → dissonant synth beds and clipped guitar strikes = the killer’s presence without motif overuse. Election-season satire → sound design leans on “campaign noise” textures (TV, PA chatter) before the score swallows them. Indie/alt source songs → social spaces and teen POV (classroom, cinema, parties). Credits sting → a pop closer that reframes what we just watched as a cynical victory lap.

Tracks & Scenes

"Number One" — Robin Loxley & Smudge Mason
Where it plays: ~00:01 Allison steps from the car to Adam’s booth; small-town normalcy before the spiral. Diegetic/source.
Why it matters: Establishes teen POV and the campaign’s omnipresence.

"Miss You Missing Me" — Jane & The Boy
Where it plays: ~00:09 Classroom lecture on Founders Day. Source.
Why it matters: Irony on tap—civics lesson masked by a glossy hook.

"Intermission" — Colin Cannon
Where it plays: ~00:35 Cinema pre-show before Lilly is attacked. Diegetic in-theater; also used in marketing/trailer.
Why it matters: The film-about-a-film beat; lulls the audience, then snaps.

"We Want More" — Keep Shelly In Athens
Where it plays: ~00:54 Investigation montage after Adam’s death. Non-diegetic placement over cuts.
Why it matters: Propulsive glue between interrogations and clues.

"Farewell" — Modern Heaven
Where it plays: ~01:25 Allison and Melissa make out; bite on the lip flips the mood. Source.
Why it matters: Romance weaponized; song sugar coats a sharp turn.

"One Call" — Nom Fabrique
Where it plays: ~01:35 One-year-later epilogue; Jackson is sworn in as mayor. Source.
Why it matters: Bitter civic aftertaste; politics keeps humming.

"What You Want" — Ghost
Where it plays: ~01:38 End credits. Non-diegetic.
Why it matters: A sardonic closer—pop sheen after carnage.

Score: "Founders Day: Intro" — Timothy Williams
Where it plays: Rally/speech sequence; town vows to stop “the monster.” Non-diegetic.
Why it matters: States the sonic thesis: nervy electronics under public ritual.

Score: "Puzzlebox" — Timothy Williams
Where it plays: ~00:22 Officers comb the bridge scene. Non-diegetic.
Why it matters: Ticking textures mark investigation time.

Score: "Town Hall Massacre" — Timothy Williams
Where it plays: Town-hall attack sequence. Non-diegetic, percussion-forward.
Why it matters: The album’s most kinetic set-piece cue; precision hits, no melody.

Score: "Laid to Rest" — Timothy Williams
Where it plays: ~01:20 Revelation: a staged death; motif reprises in the end montage.
Why it matters: Cool, almost clinical electronics under a nasty twist.

Also heard in-film (selected): “Bloom” — Roniit; “I’m On Your Side” — dazeychain & IamDayLight. Trailer song: “Intermission” — Colin Cannon.

Music–Story Links

Scene-specific source cuts mark social spaces (classroom/arcade/cinema), while Williams’ cues carry plot weight. The cinema drop (“Intermission”) disarms before a clean kill—meta play that fits a post-Scream slasher. “One Call” over the epilogue reframes the whodunit as politics-as-usual. In the town-hall set piece, the Town Hall Massacre cue’s drum architecture mirrors the Judge’s methodical choreography; it feels procedural, not chaotic.

How It Was Made

Score & release: Music by Timothy Williams; digital album released January 19, 2024 by MovieScore Media (MMS24002). DSPs list 16 tracks / ~37 minutes; ℗ Beach House Music, Inc. Source: MovieScore Media; Apple Music; Spotify.

Editorial choices: The score emphasizes texture over theme—non-melodic beds, distorted guitar punches, aggressive percussion. Featured vocals: Tori Letzler; additional music: Maxwell Stone. Source: Synchrotones; IMDb credits.

Reception & Quotes

“Slicker than most such slashers, though the satire doesn’t quite gel.” Variety

“A clever, brutal little movie… slasher movie blast.” The A.V. Club

“Toothless satire… timid horror drama.” RogerEbert.com

Critics were split on the film; the soundtrack drew notice for its tight runtime and modern hybrid sound. Source: Variety; The A.V. Club; RogerEbert.com.

Additional Info

• Official runtime (film): ~104 minutes; U.S. release by Dark Sky Films.
• Album sequencing mirrors the film’s escalation—investigation, town-hall assault, denouement.
• Trailer music ID: “Intermission” (Colin Cannon).
• Not all licensed songs appear on the OST; several remain film-only.
• Premiere: Popcorn Frights (Aug 2023); wider theatrical Jan 2024.
• Composer’s stated intent: “hybrid electronic, guitar and orchestral” energy to match the violence.

Technical Info

• Title: Founders Day (Original Motion Picture Soundtrack)
• Year: 2024 (digital)
• Type: Original score
• Composer: Timothy Williams
• Label: MovieScore Media (MMS24002); ℗ Beach House Music, Inc.
• Length / Tracks: ~37 minutes; 16 cues (OST)
• Selected placements: “Town Hall Massacre,” “Dumpster Cadaver,” “Laid to Rest” aligned to on-screen sequences
• Film release: Theatrical Jan 19, 2024 (USA); Distributor: Dark Sky Films; Production: Mainframe Pictures

Canonical Entities & Relations

Subject	Relation	Object
Timothy Williams	composed	Founders Day (Original Motion Picture Soundtrack)
MovieScore Media	released	Founders Day (Original Motion Picture Soundtrack) (digital)
Beach House Music, Inc.	holds ℗	Founders Day (Original Motion Picture Soundtrack) on DSPs
Erik Bloomquist	directed	Founders Day (feature film)
Mainframe Pictures	produced	Founders Day (feature film)
Dark Sky Films	distributed	Founders Day (USA)
Tori Letzler	featured vocals on	score cues
Maxwell Stone	provided	additional music

Sources: MovieScore Media; Apple Music; Spotify; Soundtracki; Wikipedia; Variety; The A.V. Club; RogerEbert.com; IndieWire.

"Found Day," the 2024 political-horror movie's soundtrack, is an absorbing auditory adventure, perfectly mirroring the film's anxiety-inducing storyline. The music, created by Timothy Williams, celebrated for his contributions on films such as "Pearl" and "Brightburn," presents his knack for generating an ambiance that is equally uncanny and engaging. On January 19, 2024, the soundtrack was digitally launched by MovieScore Media, making the album available for streaming and download on the majority of leading digital music platforms. "Founders Day" narrates the tale of a petite town thrown into chaos due to menacing murders prior to an intense mayoral race. This premise is reflected by the music's brooding and forceful compositions. Pieces like "Founders Day: Intro," "Knife in School," and "Town Hall Massacre" articulate the sinister undertones of the movie and the ongoing suspense. With a total duration of 36:55, Williams carries the listeners on a sound journey that echoes the film's dramatic tension. Alternatively, the movie in question, directed by Erik Bloomquist and starring Naomi Grace and Devin Druid among others, is a mix of elements from the mystery and horror genres set against a politically turbulent background. The music score delivered by Timothy Williams further augments this blend by providing a score that is both bone-chilling and indicative of the story's layered complexity. Those with an interest in film music, or ones who appreciates a well-executed score that can convey a film’s ambiance simply by listening to it, will find the "Founders Day" soundtrack a significant addition to their repertoire. Timothy Williams' arrangement functions not only as ancillary music but as a fundamental component of the narrative, enhancing the cinematic experience of "Founders Day" to encompass not just the visual but also the deeply involving and emotional.

November, 09th 2025

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