"Getaway" Soundtrack Lyrics

---

"Getaway (Original Motion Picture Soundtrack)" Soundtrack Description

Overview

How do you keep 90 minutes of chase from feeling like noise? Getaway answers with a lean, percussive score by Justin Burnett that treats the camera like another instrument—short cues that lock to edits, then release. The retail album—issued by Varèse Sarabande—collects the score and one original song; the film itself drops in seasonal source music to stress the Christmas-in-Sofia backdrop. Trusted source: Film Music Reporter

The soundtrack is unflashy by design: close-mic’d drums, pulsing low strings/synths, metallic stingers for collisions, and cue titles that map the route (“Stealing the Shelby,” “Powerplant,” “Grenade Pursuit”). It’s a mechanical heartbeat under the Shelby GT500 Super Snake—always pushing, rarely pausing. Trusted source: MovieScore media reviews & album listings

Questions & Answers

Who composed the score?

Justin Burnett composed the original score.

What label released the album and when?

Varèse Sarabande released it digitally on September 3, 2013; a limited CD followed later that month.

Is there an original song?

Yes—“Sing Now,” written by Allison Beal & Justin Burnett and performed by Allison Beal; the album also includes an acoustic version.

How many tracks and how long?

17 tracks; ~41 minutes on the standard digital/streaming edition.

Are there notable source songs in the film?

Yes—holiday standards such as “Jingle Bell Rock,” “It’s the Most Wonderful Time of the Year,” “Jingle Bells,” “God Rest Ye Merry Gentlemen,” and “Silent Night,” plus an additional choral “Joy to the World.”

Any non-album songs used?

The Christmas source cues noted above appear on-screen but are not included on the Varèse score album.

Notes & Trivia

• Varèse Sarabande catalog entry appears as a limited CD (VSD-7221) alongside the digital release.
• Score track names double as plot waypoints: “Loop the Cameras,” “The Exchange,” “That’s Not My Phone.”
• The setting is Bulgaria; the cue “Sophia Bulgaria” (sic) nods directly to Sofia.
• The film’s soundtrack listings document multiple public-domain Christmas pieces arranged/performed for the production.

Genres & Themes

Pulse-score action → urgency. Short motifs, processed percussion, and low-end ostinatos keep scenes in forward motion—no lyrical detours.

Industrial accents → impact. Metallic hits and synth grit sell collisions, barriers, and the claustrophobia of urban chases.

Holiday source music → irony & setting. Cheerful Christmas standards play diegetically in plazas and public spaces, clashing with wreckage and sirens.

Tracks & Scenes

“Cameras” — Justin Burnett
Where it plays: Opening surveillance setup and task briefing beats. Non-diegetic.
Why it matters: Establishes the score’s clipped-rhythm language and the omnipresence of watchers. Source: album listings

“Stealing the Shelby” — Justin Burnett
Where it plays: Garage theft and first escape run. Non-diegetic.
Why it matters: Tighter percussion and rev-like synth swells sync with the GT500’s reveal and launch. Source: album listings

“Heavy Traffic” — Justin Burnett
Where it plays: Multi-car pursuit through downtown congestion. Non-diegetic.
Why it matters: Cross-rhythms emulate lane changes and near-misses; cue cuts on impact. Source: album listings

“Powerplant” — Justin Burnett
Where it plays: Utility-yard sequence with tighter geography and hazards. Non-diegetic.
Why it matters: Harsher timbres and high-frequency percussion sell metal-on-metal environments. Source: album listings

“Loop the Cameras” — Justin Burnett
Where it plays: The Kid’s hack-around plan with surveillance feeds. Non-diegetic.
Why it matters: Repeated two-bar figure mirrors video loops; minimal harmony keeps tension taut. Source: album listings

“The Exchange” — Justin Burnett
Where it plays: Hostage trade fake-out. Non-diegetic.
Why it matters: Drops to low-register pulse before a percussive blast—classic “is this a double-cross?” setup. Source: album listings

“Grenade Pursuit” — Justin Burnett
Where it plays: Late chase with heightened stakes and collateral damage. Non-diegetic.
Why it matters: Cymbal scrapes and tom patterns simulate shrapnel panic without overmixing. Source: album listings

“Sing Now” — Allison Beal (song)
Where it plays: End-credits placement (album includes studio and acoustic versions). Non-diegetic.
Why it matters: A melodic exhale after non-stop percussive drive; functions as the movie’s only vocal catharsis. Source: soundtrack announcement & track list

“Jingle Bell Rock” — Steve McGowan (production/performance credit)
Where it plays: Background source in public/market spaces. Diegetic.
Why it matters: Holiday cheer over mayhem; pins the action to the season. Source: film soundtrack credits

“It’s the Most Wonderful Time of the Year” — Andy Williams
Where it plays: Ambient diegetic needle-drop in a public area.
Why it matters: Bright strings and chorus as counterpoint to wrecked streets; irony dialed up. Source: film soundtrack credits

Also documented on film song lists: “Jingle Bells,” “God Rest Ye Merry Gentlemen,” “Silent Night,” and “Joy to the World” (production/library performances and arrangements, used as on-location ambience). These are not part of the Varèse score album. Source: film soundtrack credits & consolidated song databases

Music–Story Links

The score is pure function: beats as turn signals. When Brent and The Kid start “Loop the Cameras,” the cue becomes a metronome for problem-solving; when the route squeezes through industrial infrastructure, “Powerplant” swaps in sharper timbres that feel like scaffolding and chain-link. The holiday source tracks never comment on plot, but they paint a world where normal life keeps playing around catastrophe—cheer piped through speakers while cars fold like tin.

How It Was Made

Album & release. Varèse Sarabande handled the release as a 17-track digital album (Sept 3, 2013) with a limited CD pressing later that month; the program is predominantly Burnett’s score plus “Sing Now.”

Composer approach. Burnett builds cues from repeatable rhythmic cells; most run 1–3 minutes, designed to stitch continuous vehicular action without exhausting the ear. Trusted source: review and album timings

Reception & Quotes

“A functional, percussive action score that does the job.” Movie Wave (album review)

“Commercial album focuses on Burnett’s cues; holiday source tracks are in-film only.” Album notes & listings

The movie drew harsh reviews, but the score was recognized as effective action craft—focused, propulsive, and cohesive. Trusted sources: review & database listings

Additional Info

• Album composition: Score-dominant; one original vocal track (“Sing Now”) plus its acoustic version.
• Physical edition: Varèse limited CD (catalog VSD-7221) confirmed by discographies.
• Streaming: 17-track edition available on major services (runtime ~40–41 minutes).
• Non-album usage: Multiple Christmas standards appear in-film as diegetic ambience; they’re not on the score album.
• Setting note: The score cue “Sophia Bulgaria” flags the production location (Sofia), despite the film’s U.S. branding.

Technical Info

• Title: Getaway (Original Motion Picture Soundtrack)
• Year: 2013 (digital release Sept 3; limited CD late Sept)
• Type: Original score album with one original song
• Composer: Justin Burnett
• Label: Varèse Sarabande
• Selected notable placements (film): “Cameras”; “Stealing the Shelby”; “Heavy Traffic”; “Powerplant”; “Loop the Cameras”; “The Exchange”; “Grenade Pursuit”; “Sing Now” (end credits); seasonal source songs incl. “Jingle Bell Rock,” “It’s the Most Wonderful Time of the Year.”

Canonical Entities & Relations

Subject	Relation	Object
Justin Burnett	composed	Getaway (original score)
Allison Beal	wrote & performed	“Sing Now” (song)
Varèse Sarabande	released	Getaway (Original Motion Picture Soundtrack)
Warner Bros. Pictures	distributed	Getaway (film)
Dark Castle Entertainment	produced	Getaway (film)

Sources: Film Music Reporter; Discogs; Spotify; Movie Wave (review); Wikipedia (film & credits); Soundtrakd (song list); IMDb Soundtracks.

November, 09th 2025

'Getaway' is a 2013 American action thriller film starring Ethan Hawke, Selena Gomez and Jon Voight: Learn more on Wikipedia and Internet Movie Database

---

A-Z Lyrics Universe

---