"Gimme Danger" Soundtrack Lyrics

---

"Gimme Danger: Music From the Motion Picture" Soundtrack Description

Overview

How do you score a band that already sounds like an alarm? Jim Jarmusch keeps the fuse short: the soundtrack is a lean, history-forward set anchored by The Stooges’ own masters, outtakes, and kindred pre-history cuts from Iggy’s earlier groups. It functions less like a “greatest hits” and more like a guided tour through the band’s evolution—Detroit club grind, studio volatility, and the shock of invention.

The film itself premiered in 2016; the commercial album arrived in 2017 via Rhino, pulling from The Stooges, Fun House, and Raw Power (plus the MC5, The Iguanas, and The Prime Movers). You get canonical statements (“No Fun,” “I Wanna Be Your Dog”), key offcuts (“I Got a Right,” “I’m Sick of You”), and scene-setting roots tracks. Discogs and Apple Music corroborate the release makeup, while the film’s page confirms the 2016 theatrical date. The Guardian praised the doc’s affectionate clarity; the music curation mirrors that stance—direct, unvarnished, loud.

Genres & Themes

• Proto-punk & garage rock — distortion as testimony; repetition as revolt.
• Psychedelic abrasion — sax blurts, hypnotic vamps; chaos as method (Fun House era).
• Hard-edged glam — the Raw Power sheen/strain; nihilism dressed in glitter.
• Mid-’60s R&B roots — The Iguanas/Prime Movers tracks map Iggy’s apprenticeship before the detonation.

Tracks & Scenes

"Gimme Danger (Bowie Mix)" — Iggy & The Stooges
Where it plays: Used across chapters that introduce the Raw Power years; non-diegetic archival montage.
Why it matters: Title track as thesis—romance and menace in the same breath; it frames the doc’s tone.

"No Fun" — The Stooges
Where it plays: Over early Detroit-era sequences and interview cutaways; non-diegetic.
Why it matters: The rhythmic mantra that became punk’s bedrock; the film leans on its drone to explain the minimalism.

"I Wanna Be Your Dog" — The Stooges
Where it plays: Concert footage segments; non-diegetic sync to live clips.
Why it matters: The most famous riff in the catalog; the hammer that nails influence across decades.

"1969" — The Stooges
Where it plays: Period montage of flyers, street shots, and band interviews; non-diegetic.
Why it matters: Calendar-as-countdown; the song’s lurch becomes the story’s metronome.

"Loose" — The Stooges
Where it plays: High-energy gig passages; non-diegetic/live source intercut.
Why it matters: Captures the stage violence the talking heads describe—sound and image finally collide.

"I Got a Right (outtake)" — Iggy & The Stooges
Where it plays: Studio-session discussion sections; non-diegetic.
Why it matters: A cult favorite; the documentary uses outtakes to show how “accidents” harden into language.

"I’m Sick of You" — Iggy & The Stooges
Where it plays: Late-career turbulence beats; non-diegetic.
Why it matters: Sarcasm sharpened to a point—matches the band’s survival narrative.

"Ramblin’ Rose" — MC5
Where it plays: Detroit rock ecosystem context; non-diegetic historical montage.
Why it matters: Community frame—placing The Stooges among peers who amplified the same fuse-box.

"Again and Again" — The Iguanas
Where it plays: Pre-Stooges biographical chapter; non-diegetic/source.
Why it matters: Teen-band roots; the film uses it to bridge from covers to invention.

"I’m a Man" — The Prime Movers Blues Band
Where it plays: Early apprenticeship and name-change stories; non-diegetic.
Why it matters: Chicago-blues grammar that Iggy later scrambles into something feral.

Trailer cue: The official trailer leans on Stooges catalogue riffs to signal the film’s period focus (notably “Gimme Danger”/“Dog” motifs).

Music–Story Links

• Roots → rupture: Iguanas/Prime Movers tracks set the “before,” so “No Fun”/“Dog” feel like a door kicked in.
• Studio vs. stage: Outtakes (“I Got a Right”) narrate process; live-leaning cuts (“Loose”) deliver the myth in motion.
• Romance & ruin: “Gimme Danger” threads tenderness through damage—the doc’s tone in miniature.

How It Was Made

Jarmusch approached the film as an “essay,” mixing interviews with cut-out animation and rare footage. The soundtrack was compiled with input from the director and Iggy Pop, then issued by Rhino as a concise 14-track set (CD/digital, January 13, 2017) with vinyl variants following. Studio/label sources confirm the inclusion of pre-Stooges recordings to chart Iggy’s path into The Stooges.

Reception & Quotes

Critical response highlighted the affectionate curation and the music’s explanatory power.

“An entirely beguiling tribute.” The Guardian

“Not a conventional doc so much as a fan’s lucid mixtape.” Festival press reactions, 2016

Availability note: Apple Music lists the 14-track album (℗ 2017 Rhino Entertainment). Discogs aggregates multiple pressings and regional variants.

Questions & Answers

Is the film 2016 or 2017?

The film premiered/released in 2016; the commercial soundtrack album streeted in 2017.

What’s actually on the album?

Fourteen tracks spanning Stooges masters/remasters and contextual cuts (MC5, The Iguanas, Prime Movers), plus key outtakes.

Are live versions used?

Yes—concert audio appears in the film; the retail album focuses on studio masters/outtakes.

Who released the soundtrack?

Rhino Entertainment (Warner Music Group), with later vinyl pressings.

Does the trailer use Stooges music?

Yes—the official trailer leans on Stooges riffs to cue the era and subject.

Is there a “complete” expanded set?

Officially, the core release is 14 tracks; Discogs lists format variations, not a sanctioned 50-track issue.

Notes & Trivia

• The title comes from a 1973 Raw Power cut.
• MC5’s appearance on the album underlines the Detroit rock feedback loop.
• Outtakes like “I Got a Right”/“I’m Sick of You” act as process notes in the film’s narrative.
• Retail metadata shows “Bowie Mix” for the title cut, matching the Raw Power lineage.
• Festival rollout: Cannes → TIFF → NYFF, then U.S. release.

Additional Info

• Vinyl editions followed the 2017 CD/digital; retailers list clear-vinyl variants.
• Album sequencing moves roughly era-chronological; pre-history cuts appear mid-set for narrative pacing.
• Several other artists’ covers of Stooges classics exist (e.g., Sonic Youth’s “I Wanna Be Your Dog”), but they’re not on this album.
• The film’s sound design often blends interview audio into song intros to keep momentum without needle-drop “hard cuts.”
• Studio sources credit music clearance and editing teams rather than a marquee supervisor credit.

Technical Info

• Title: Gimme Danger: Music From the Motion Picture
• Year (film / album): 2016 / 2017
• Type: Various-artists compilation centered on The Stooges
• Curatorial input: Jim Jarmusch & Iggy Pop (album compiled in conjunction with producers)
• Label: Rhino Entertainment (Warner Music Group)
• Selected notable placements: “Gimme Danger (Bowie Mix),” “No Fun,” “I Wanna Be Your Dog,” “1969,” “Loose,” “I Got a Right,” “I’m Sick of You,” “Ramblin’ Rose”
• Release context: Cannes premiere May 19, 2016; U.S. theatrical October 28, 2016; album street date January 13, 2017; vinyl variants in 2017
• Availability: Streaming/download via Apple Music and other services; multiple physical pressings tracked by Discogs

Canonical Entities & Relations

Subject	Relation	Object
Jim Jarmusch	directed	Gimme Danger (film, 2016)
Iggy Pop (James Osterberg Jr.)	narrates/appears in	Gimme Danger (film)
Rhino Entertainment	released	Music From the Motion Picture "Gimme Danger" (2017)
The Stooges	performed	“No Fun”, “I Wanna Be Your Dog”, “1969”, “Loose”, “Gimme Danger”
MC5	appears on	“Ramblin’ Rose” (album track)
The Iguanas	appears on	“Again and Again” (album track)
Prime Movers Blues Band	appears on	“I’m a Man” (album track)
Amazon Studios / Magnolia Pictures	distributed	Gimme Danger (U.S.)

Sources: Wikipedia (film); Apple Music (album details/date); Discogs (editions/track makeup); The Guardian (review); Rhino/retailer listings.

The band The Stooges has the past member Iggy Pop. Later, when Iggy became more famous than any other participant of this band, the band was named with his name – Iggy & The Stooges, for example. This band made the entire collection of music to this new motion picture. One of the songs named the film. The band existed through 1967-1971, then it broke off to reunite on the short period of 3 years from ‘72 to ‘74. After long breaking apart, people from the band have decided to reunite and this time the official co-existence was the longest – from 2003 till 2016. They finally separated this time. Their best proto-punk and hard rock things they wrote in the period of two previous unities, but Iggy performs as the soloist for many years. No wonder that in this documentary about The Stooges, every song and lyrics must be done by The Stooges. We aren’t fans of this entirely inside-USA rock idol Iggy Pop, and so none of the songs’ lyrics we adore – not Asthma Attack, not 1969, not any other piece. We weren’t brought up on this singer and band, so, judging from aside, they are just plain flat performers, who should have been left somewhere in 1970ies and drop doing what they were doing. The only thing we adore from this soundtrack is Ramblin Rose by MC5 band. This is bold, the guitar’s possession is very skillful and the pace of the song is extremely well-tuned, and it makes even an idea that this song was performed by very talented singers and musicians, not a punk makers like Iggy. You may say ‘He is great’. No, George Michael was great. Leonard Cohen was great. Elvis was great. Iggy – no. Name us at least one song by The Stooges that is actually listened on the radio, for example, in Zimbabwe or Sri-Lanka or Siberia. There aren’t any. While ‘Last Christmas’ and ‘Halleluiah’ are in charts every single year.

November, 09th 2025

Watch Movie Trailer, find more about The Stooges on Wikipedia

---

A-Z Lyrics Universe

---