"Glee: The Music Presents Glease" Soundtrack Lyrics

---

"Glee: The Music Presents Glease" Soundtrack Description

Overview

Can a high-school musical within a musical carry a season pivot and still feel like pop TV? This compact EP proves it can. Issued November 6, 2012, the nine-track set collects Grease covers tied to Season 4’s two-part build: casting in “The Role You Were Born to Play” and opening night in “Glease.” The release functions as a focused event album rather than a broad season sampler.

The record splits duties cleanly: auditions and chemistry tests (“Hopelessly Devoted to You,” “Born to Hand Jive”) set character stakes; show-night numbers deliver story outcomes (“Greased Lightnin’,” “There Are Worse Things I Could Do,” “You’re the One That I Want”). Wikipedia and the show’s episode guides confirm the air dates and song usage; Apple Music confirms the 9-track, ~24-minute edition with Columbia/20th Century Fox TV crediting.

Questions & Answers

What episodes does this EP support?

Primarily Season 4 Episode 5 (“The Role You Were Born to Play”) and Episode 6 (“Glease”), i.e., Grease casting and performance nights.

Is this a full season release?

No. It’s a themed EP centered on the Grease storyline; broader Season 4 coverage appears on other volumes.

Were these tracks released as singles?

These nine Grease covers were bundled for the EP; the surrounding episodes also issued non-Grease singles separately.

Who leads music supervision and production?

Music supervision across the series by PJ Bloom; executive music production by Adam Anders with Peer Åström; series underscore by James S. Levine.

Which cast voices headline the marquee numbers?

Darren Criss (“Hopelessly Devoted to You”), Blake Jenner/Chord Overstreet/Cory Monteith on “Greased Lightnin’,” Naya Rivera/Alex Newell/Kate Hudson on “There Are Worse Things I Could Do,” and Melissa Benoist/Blake Jenner et al. on “You’re the One That I Want.”

Is “Summer Nights” part of this EP?

Yes — included on the EP (a continuity nod to prior Grease cues used by the show in earlier seasons).

Notes & Trivia

• The EP streeted nine days before “Glease” aired, so fans heard studio mixes ahead of the stage-picture episode.
• “There Are Worse Things I Could Do” becomes a trio — Santana, Unique, and NYADA’s Cassandra July — splicing Lima stage with New York dance-class antagonism.
• “Hopelessly Devoted to You” is sung by Blaine in auditions, flipping its usual Sandy POV into a heartbreak confession.
• “Born to Hand Jive” returns as a chemistry drill for callbacks — a plot device to decide Danny/Sandy pairings.
• The EP’s compact runtime (~24 minutes) mirrors a single-night theatrical program.

Genres & Themes

’50s rock & roll show-tunes → identity play: Leather-and-pomade bravado (“Greased Lightnin’”) lets rookies perform confidence they don’t yet own.

Ballad classicism → vulnerability vs. persona: “Hopelessly Devoted to You” recast for Blaine reframes longing as post-breakup fallout; the Rizzo-centric “There Are Worse Things I Could Do” exposes reputation politics.

Ensemble hand-jive → community and pairing logic: “Born to Hand Jive” is choreography as narrative sorting hat — who fits with whom, and why.

Tracks & Scenes

(Episode placements and performers verified against episode pages and official listings; where on-air timestamps are not public, scene descriptions anchor the cue.)

“Hopelessly Devoted to You” — Blaine (Darren Criss)
Where it plays: Ep5 audition in the McKinley auditorium; fully diegetic.
Why it matters: A Sandy torch song repurposed as Blaine’s heartbreak thesis, teeing up the Grease casting arc.

“Born to Hand Jive” — Mercedes, Ryder, Marley, Jake + New Directions
Where it plays: Ep5 callback drill on stage; diegetic rehearsal with chemistry testing and quick-cut choreography.
Why it matters: The show uses the number as a pairing mechanism and to introduce Ryder–Marley–Jake triangles.

“Greased Lightnin’” — Ryder with Finn, Mike & ND Boys
Where it plays: Ep6 performance-night garage-fantasy staging; diegetic as part of the school production.
Why it matters: Confirms Ryder as Danny; blends teen bravado with production-number swagger.

“Look at Me, I’m Sandra Dee” — Kitty with ND Girls
Where it plays: Ep6 backstage/wardrobe gag leading into the onstage scene; diegetic within the musical.
Why it matters: Weaponizes bubblegum to undermine Marley’s self-image, feeding the body-shaming subplot.

“Beauty School Dropout” — Blaine (as Teen Angel) with Kitty, Santana & ND Girls
Where it plays: Ep6 stage tableau with retro dream sequence; diegetic.
Why it matters: Comic glitz that also keeps Blaine embedded in the production despite personal turmoil.

“Look at Me, I’m Sandra Dee (Reprise)” — Marley (Melissa Benoist)
Where it plays: Ep6 quiet backstage moment that turns into onstage resolve; diegetic.
Why it matters: Marley reclaims narrative agency before the finale pairing.

“There Are Worse Things I Could Do” — Santana (Naya Rivera), Unique (Alex Newell), Cassandra July (Kate Hudson)
Where it plays: Ep6 cross-cut between the school stage (Rizzo) and NYADA dance studio; mixed staging — Lima diegetic, New York intercut.
Why it matters: Three women, three reputations; the lyric refracts identity policing in both cities.

“You’re the One That I Want” — Marley, Ryder, Rachel, Finn + ensemble
Where it plays: Ep6 finale; begins as the school show’s closer, intercut with Rachel’s imagined pairing with Finn; diegetic performance blended with subjective fantasy.
Why it matters: A dual-timeline catharsis: new couple forming on stage, old couple unresolved in memory.

“Summer Nights” — Ensemble (EP inclusion)
Where it plays: Heard on the EP as a connective Grease standard; functions as a thematic prelude even when not foregrounded in the episode cut.
Why it matters: Acts as the franchise’s handshake song, grounding the tribute’s tone.

Music–Story Links

Auditions force characters to sing their wants out loud: Blaine can’t fake Danny after “Hopelessly Devoted to You,” so Finn hunts for Ryder. Kitty’s “Sandra Dee” is pastel bullying; Marley’s reprise answers it with steel. The trio “There Are Worse Things I Could Do” stitches NYADA antagonism into Lima’s stage drama, so the number comments on Santana’s choice to step in and on Rachel’s bruised ambition. The finale’s split vision (“You’re the One That I Want”) lets the series keep both couples — the literal ones in the play and the ghosts of the show’s central romance — in the same frame.

How It Was Made

Clearances and repertoire shaping ran through music supervisor PJ Bloom; Adam Anders and Peer Åström produced/arranged the cast recordings in the show’s fast weekly cycle. The episodes were directed by Brad Falchuk (Ep5) and Michael Uppendahl (Ep6), with the Grease materials staged as a proper school musical — sets, costumes, and choreography — so the covers could advance plot beats, not just serve as standalone videos. Trade pieces and official listings corroborate the release timing and track sourcing.

Reception & Quotes

Coverage at the time singled out the dramatic restructuring of Rizzo’s torch song and the finale’s intercut device. Billboard praised how the “Grease” episode threaded multiple arcs through a single standard; Broadway.com called the trio “shocking and moving” in context. Availability and running time are confirmed on Apple Music and retail listings.

“‘There Are Worse Things I Can Do’ strongly highlights three storylines.” Billboard

“Best Number: Cassandra July, Santana and Unique performing ‘There Are Worse Things I Could Do.’” Broadway.com

Additional Info

• Press announcement dated Oct 5, 2012 set the street date and framed the EP as a Grease tribute drop.
• EP sequencing mirrors the two-episode arc: audition set-pieces first, performance-night anchors second.
• Kate Hudson (Cassandra July) is credited on “There Are Worse Things I Could Do.”
• The school production context allowed diegetic staging for nearly all cues.
• Retail metadata notes a 24-minute runtime; CD issues surfaced in multiple territories.

Technical Info

• Title: Glee: The Music Presents Glease
• Year/Type: 2012, TV soundtrack EP
• Artist: Glee Cast (various leads per track)
• Label: Columbia / 20th Century Fox TV
• Episodes Covered: S4E5 “The Role You Were Born to Play”; S4E6 “Glease”
• Selected notable placements: “Hopelessly Devoted to You” (audition); “Born to Hand Jive” (callback drill); “Greased Lightnin’” (onstage fantasy); “There Are Worse Things I Could Do” (split Lima/NY); “You’re the One That I Want” (finale)
• Music Supervision: PJ Bloom
• Executive Music Production/Arrangements: Adam Anders with Peer Åström
• Release context: Issued Nov 6, 2012, one week ahead of the “Glease” broadcast (Nov 15, 2012)
• Availability: Digital (Apple Music/Spotify) and physical CD in select markets

Canonical Entities & Relations

Subject	Relation	Object
Glee: The Music Presents Glease	is a	MusicAlbum (EP)
Glee: The Music Presents Glease	byArtist	Glee Cast
Glee: The Music Presents Glease	recordLabel	Columbia / 20th Century Fox TV
Glease (S4E6)	features song	“Greased Lightnin’”, “There Are Worse Things I Could Do”, “You’re the One That I Want”, “Beauty School Dropout”, “Look at Me, I’m Sandra Dee (Reprise)”
The Role You Were Born to Play (S4E5)	features song	“Hopelessly Devoted to You”, “Born to Hand Jive”
There Are Worse Things I Could Do	performed by	Santana Lopez, Unique Adams, Cassandra July

Sources: Wikipedia; Glee Wiki (Fandom); Apple Music; PR Newswire; Discogs; Billboard; Broadway.com.

November, 09th 2025

'Glee: The Music Presents Glease': Read on Wikipedia, Buy on Apple Music

---

A-Z Lyrics Universe

---