"H2indo" Soundtrack Lyrics

"H2indO Original Motion Picture Soundtrack" Soundtrack Description

Overview

What does stand-up paddle surfing in the Mentawai Islands sound like? In H2indO (2012), the answer is a bright, propulsive mix of indie rock, alt-pop and sun-drunk instrumentals that keep pace with rail-to-rail turns and long boat crossings. The soundtrack works as both travel diary and adrenaline meter, shifting from reflective cues at daybreak to riff-forward energy when the sets arrive.

Released as H2indO (Original Motion Picture Soundtrack) by Dylanna Music, the album corrals contributions from various artists and cues featured across the film’s surf segments and interludes. Instead of a single composer’s signature, you get a curated “mixtape” feel—matching the documentary’s hop between breaks and personalities (Dave Kalama, Jamie Mitchell, Connor Baxter, Talia Gangini, Chuck Patterson, Dave Boehne, Slater Trout). IMDb and Apple’s listing confirm the film’s 2012 release and personnel, while the label’s own notes outline which artists made the cut.

Questions & Answers

Is the soundtrack officially released?

Yes. It was issued as H2indO Original Motion Picture Soundtrack by Dylanna Music in 2012 and is available on major platforms.

Who handled music supervision?

Abby North is credited as music supervisor.

Does the album include all songs from the film?

It’s a selection. Not every cue heard in the documentary necessarily appears on the commercial release.

Where did the film premiere?

World premiere at the Newport Beach Film Festival (Action Sports program) in late April–early May 2012.

What kind of music dominates the film?

Indie/alt rock and melodic pop with rhythmic drive—built for montage energy and travel interludes rather than orchestral score.

Is there a trailer track I can identify?

The official trailer (2012) highlights upbeat guitar-driven cues underscoring Mentawai surf footage; it promotes the album release.

Was there a physical CD or only digital?

Digital is confirmed by store listings; physical editions aren’t widely documented.

Notes & Trivia

• The album was promoted with official music videos (e.g., “Dream Away,” “Still To Keep,” “First Ideas”) cut from film footage.
• Several tracks use vocals sparingly, leaning on riff momentum to sit under long surf sequences.
• The film’s 76-minute runtime favors extended montages; the soundtrack mirrors that with 3–4 minute cues that stitch sequences.
• H2indO preceded Brent Deal’s follow-up H2mexicO, which kept the music-forward surf-doc DNA.

Genres & Themes

Indie rock & alt-pop — forward motion for paddle take-offs and cutbacks; crisp guitars signal confidence and group stoke.

Surf-leaning instrumentals — light-on-lyrics tracks let the ocean’s diegetic sound breathe while still pacing the edit.

Acoustic/roots touches — quiet dawn or transit beats; warmth for voiceovers and team camaraderie on the boat.

Tracks & Scenes

Note: exact timestamps aren’t publicly listed; placements below synthesize the film, trailer, and label promos.

“Dream Away” — SSMTP feat. John Torres
Where it plays: Prominently featured in official promo material; used over airy, cinematic surf footage with sunrise/sunset transitions (non-diegetic).
Why it matters: Sets the film’s “chase-the-swell” optimism; the vocal lift pairs with long right-handers and glide-focused SUP lines.

“Still To Keep” — Crazy Arm
Where it plays: Featured in an official video tied to the film; appears under a fast-cut montage, likely during mid-film action passages (non-diegetic).
Why it matters: Faster drums lock to paddle cadence; the track’s grit underlines heavier sections and punchier drops.

“First Ideas” — The Glass Canoe
Where it plays: Used in a promoted clip with footage from the documentary; pairs to between-spot travel and lineup scouting (non-diegetic).
Why it matters: Mid-tempo build works as connective tissue between breaks, echoing the film’s “journey” structure.

“Purple Water” — Papafish
Where it plays: Tied to the soundtrack’s surf-forward identity; fits mellow yet propulsive segments, likely daybreak paddles (non-diegetic).
Why it matters: Title and vibe mirror Mentawai hues; a mood cue that softens the cut between swells.

“We Must Change” — Redwood Son
Where it plays: Thematic montage music underscoring team dynamics and respect-for-place moments (non-diegetic).
Why it matters: Lyrical theme nods to ocean stewardship and the learning curve on foreign reefs.

Trailer cues (various)
Where they play: 2012 trailer—tight edits of reef barrels and SUP lines; non-diegetic spots mixed with wave SFX.
Why it matters: Acts as a sampler—brisk, guitar-led tracks set expectations for the film’s musical palette.

Music–Story Links

When the crew steps onto the boat for the 14-day Mentawai run, mid-tempo tracks signal camaraderie and the “trip within a tight window” urgency. As larger sets arrive, guitar-forward cues notch up the BPM, mirroring risk and reward on shallow reef. Quiet, acoustic-leaning passages reset the mood for voiceovers and candid deck moments—then the volume returns as new breaks light up.

How It Was Made

The documentary was directed by Brent Deal and follows seven SUP standouts through Indonesia’s marquee reef passes. On the music side, supervision by Abby North ensured licensing and stylistic cohesion across indie sources. The label Dylanna Music assembled and released the commercial album, packaging the most effective film cues into a 12-track set. The approach favors flexible, licensable songs over a single-composer score—standard practice in board-sport docs where montage rhythm is king.

Reception & Quotes

The film premiered in the Action Sports slate at the Newport Beach Film Festival in spring 2012; later listings at Rotten Tomatoes and Apple TV keep it discoverable for new viewers. Reactions within the SUP community highlight the footage–music synergy more than traditional “critic scores.”

“An exciting journey… as they travel to Indonesia to paddle its most famous surf breaks.” Newport Beach Film Festival program

“Seven of the world’s most prominent stand-up paddlers travel to Indonesia…” Rotten Tomatoes synopsis

Availability: Apple TV has rental/purchase options. The album streams on major music services.

Additional Info

• Album runs ~42 minutes; a concise companion to a 70-plus minute film.
• Multiple artists = varied tempos, aiding editors in matching wave size and rider tempo.
• Promo music videos doubled as outreach to non-surf listeners.
• Expect a few in-film cues that aren’t on the album (common for surf docs).
• The follow-up film H2mexicO continued the montage-driven music strategy.
• Music supervision credit is formally listed on the film’s credits page.
• The soundtrack emphasizes non-diegetic placement; natural ocean audio remains audible in many cuts.

Technical Info

• Title: H2indO (Original Motion Picture Soundtrack)
• Year: 2012 (film); 2012 album release
• Type: Various-artists soundtrack for documentary
• Director (film): Brent Deal
• Music Supervision: Abby North
• Label: Dylanna Music
• Selected notable placements (promoted): “Dream Away” — SSMTP feat. John Torres; “Still To Keep” — Crazy Arm; “First Ideas” — The Glass Canoe
• Premiere: Newport Beach Film Festival (Action Sports), late April–May 2012
• Runtime (film): approx. 76 minutes
• Availability: Film on Apple TV (digital); album on major streamers.

Canonical Entities & Relations

Sources: IMDb; Dylanna Music; Spotify; Amazon Music; Rotten Tomatoes; Apple TV; Newport Beach Film Festival press release; YouTube trailer.

November, 10th 2025