Soundtracks:  A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #


Heartless Album Cover

"Heartless" Soundtrack Lyrics

Movie • 2011

Track Listing



"Heartless (Original Motion Picture Soundtrack)" Soundtrack Description

UK trailer frame for Philip Ridley’s Heartless (2009) with Jim Sturgess in East London night streets
Heartless — official UK trailer imagery, 2009/2010

Overview

Can a Faustian horror walk like a pop album and still chill the blood? Heartless splits its identity in two: a set of original songs—lyrics by writer-director Philip Ridley, music by longtime collaborator Nick Bicât—used like a Greek chorus; and a shadowed orchestral score by David Julyan that gives the demons their pulse. The film opened (cinematically 2009/2010), while its music rolled out in two commercial releases: a songs compilation (2010) and a separate score album (2011).

The contrast is the point. The songs surface on radios, in clubs, and as quasi-source texture, often voiced by the film’s star Jim Sturgess; Julyan’s cues handle the dread, the bargains, and the chase work. Verified album pages credit CinemaNX/MovieScore Media for the score release and list the songs set under Various Artists. Trustworthy references here include Wikipedia, IMDb, MovieScore Media, and storefronts like Apple Music and Spotify.

Trailer still of Jamie Morgan facing neon-lit alleys, underscored by David Julyan’s brooding textures
Two halves of one voice — source songs as comment, score as consequence

Questions & Answers

Why do some listings say “2011” for the soundtrack?
That’s the release year of the standalone score album by David Julyan. The film premiered earlier (2009/2010); the songs album arrived digitally in 2010.
Who wrote and performed the songs heard in-world?
Lyrics by Philip Ridley, music by Nick Bicát; vocals include Jim Sturgess and Joe Echo (Niall Breslin), among others.
Who composed the score?
David Julyan (Memento, The Descent). The 14-track score album collects his orchestral cues for the film.
How are the songs used in the movie?
As a “chorus”: on radios, in clubs, or folded into scene texture to comment on action rather than run conventional montage pop.
Are both albums official?
Yes. Heartless (Various Artists — the song set, 2010) and Heartless (Original Motion Picture Soundtrack) (David Julyan — the score, 2011) are official releases.
Is there a single main theme?
Yes: the song “Heartless” (performed by Jim Sturgess) functions as the film’s lyrical theme; Julyan’s “Main Titles” counters with the score’s motif.

Notes & Trivia

  • The songs album credits CinemaNX Music; the score album was issued by MovieScore Media in June 2011.
  • Ridley/Bicát designed the songs to act like a Greek chorus—explicitly stated in production notes and interviews.
  • Jim Sturgess performs at least two featured songs: “Heartless” and “The Other Me.”
  • The score album runs 41 minutes across 14 cues; common highlights are “Papa B” and “Run, Jamie, Run!”

Genres & Themes

Song world: moody pop and alt-ballads (male falsetto, drum loops, ambient guitars) that mirror Jamie’s longing/alienation; the lyrics often paraphrase the scene’s moral beat.

Score world: brooding strings, low brass, and processed percussion; Julyan’s writing favors patient ostinati and hollowed harmonies—Faust as urban nocturne.

Trailer montage cutting between hooded demons and alley chases, matching the score’s low string ostinati
Genres mapped to meaning — songs for confession, score for consequence

Tracks & Scenes

“Heartless” — Jim Sturgess
Where it plays: Used thematically in the film’s song set (radio/source/over-scene).
Why it matters: The lyrical thesis—self-image, temptation, and the cost of wanting to be “new.”

“The Other Me” — Jim Sturgess
Where it plays: Featured within the film’s song tapestry (source/over-scene).
Why it matters: Gives voice to Jamie’s split self—the promise and the rot in one refrain.

“This Is the World We Live In” — Joe Echo
Where it plays: Club/radio context; source-style usage.
Why it matters: Externalizes the city’s shrugging brutality; the chorus lands like a verdict.

“Lie to Me” — Joe Echo
Where it plays: Over-scene commentary during Jamie’s moral slippage.
Why it matters: Turns a plot turn into an admission without dialogue.

“It Must Be Somewhere” — Mary Leay
Where it plays: Reflective pause; over-scene placement.
Why it matters: Softens the edges around grief and longing.

“Papa B” — David Julyan
Where it plays: Confrontations with the demon fixer; non-diegetic, low-register motif.

“Weapons Man” — David Julyan
Where it plays: Eddie Marsan’s scenes; nervous, percussive clockwork.

“Run, Jamie, Run!” — David Julyan
Where it plays: Alley pursuit; kinetic ostinato and pressure crescendos.

“I’m Not Afraid” — David Julyan
Where it plays: Late resolve; the score lifts from dread to fatalistic calm.

Trailer music: Promotional cuts use Julyan’s textures and editorial sound design from the film’s master; no separate trailer single was marketed.

Music–Story Links

Ridley’s songs speak about Jamie (the inner monologue he can’t say); Julyan’s cues speak for the city (the cost of the bargain). When Jamie edges toward the deal, the film slides from melodic pop into carved-out drones; when he remembers who he is, the songs re-enter with direct, almost confessional lines.

Trailer shot of Jamie’s heart-shaped birthmark in close-up as the score hushes to a drone
Confession vs. consequence — songs name it; score prices it

How It Was Made

Philip Ridley wrote the lyrics and enlisted Nick Bicát to compose the songs, continuing a collaboration dating back to Ridley’s stage work. Jim Sturgess, already comfortable as a vocalist, performs key tracks. David Julyan recorded a separate orchestral score that MovieScore Media later issued as a dedicated album (June 2011). Verified credits on IMDb and Wikipedia, along with label pages on Apple Music/Spotify, corroborate personnel and release dates.

Reception & Quotes

Critics highlighted the film’s mood construction and the way music folds into its Faustian spiral.

“There’s more mood than matter here, but suspenseful atmospherics effectively distract from minor plot holes.” Variety
“A compelling soundtrack and dark visual direction.” Los Angeles Times

Availability: the 2010 songs compilation (Various Artists) and the 2011 score album (David Julyan) stream widely; physical CDs exist for the score.

Additional Info

  • Songs album: Heartless — Various Artists (CinemaNX Music, 2010); includes “Heartless,” “The Other Me,” “This Is the World We Live In,” “Lie to Me,” “It Must Be Somewhere,” and others.
  • Score album: Heartless (Original Motion Picture Soundtrack) — David Julyan (MovieScore Media, June 21, 2011); 14 tracks.
  • Jim Sturgess performed “Heartless” live during early festival promotion.
  • The songs were conceived to function as on-world sources (radio/club) and as commentary.
  • Trusted sources: Wikipedia; IMDb; MovieScore Media; Apple Music; Spotify.

Technical Info

  • Title: Heartless (Original Motion Picture Soundtrack)
  • Film: Heartless (UK, 2009; wide/home releases in 2010)
  • Type: Original songs + original score (released separately)
  • Score Composer: David Julyan
  • Songs: Lyrics by Philip Ridley; music by Nick Bicát; vocals include Jim Sturgess and Joe Echo
  • Labels: CinemaNX Music (songs, 2010); MovieScore Media (score, 2011)
  • Trailer ID (YouTube): oCmvhghjmsk

Canonical Entities & Relations

SubjectRelationObject
Philip Ridleywrote & directedHeartless (film)
Nick BicátcomposedOriginal songs (music)
Philip RidleywroteSong lyrics (Greek-chorus concept)
Jim Sturgessperformed“Heartless”, “The Other Me” (songs album)
David JulyancomposedHeartless (Original Motion Picture Soundtrack) (score)
CinemaNX MusicreleasedHeartless (Various Artists) — 2010
MovieScore MediareleasedHeartless (Original Motion Picture Soundtrack) — 2011

Sources: Wikipedia; IMDb; MovieScore Media; Apple Music; Spotify.

November, 10th 2025

'Heartless' is a 2009 British horror film written and directed by Philip Ridley. Find more info on Wikipedia and Internet Movie Database
A-Z Lyrics Universe

Lyrics / song texts are property and copyright of their owners and provided for educational purposes only.