"Hotel Transylvania 2" Soundtrack Lyrics

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"Hotel Transylvania 2 — Songs & Score" Soundtrack Description

Overview

What does a monster-family sequel sound like when it leans into babies, grandparents, and cross-species in-laws? Like a party: doo-wop-tinted pop for the big smiles, novelty ditties for the gags, and a bright, bouncy score that never lets a pratfall land too hard. Mark Mothersbaugh returns with fizzy orchestral writing; the placements push “all-ages dance floor” energy.

The headline single is Fifth Harmony’s “I’m In Love With a Monster,” cut for the film and blasted across trailers and the end-credits dance. Around it the movie sprinkles radio-friendly cues (e.g., a “Worth It” car gag), seasonal winks (“Monster Mash”), and short in-world songs the characters sing. Music supervision steers toward clean hooks that kids recognize instantly while the score threads momentum through slapstick set-pieces.

Questions & Answers

Who composed the score?

Mark Mothersbaugh.

Is there a new original song tied to the sequel?

Yes. Fifth Harmony’s “I’m In Love With a Monster” was commissioned for the film and anchors the credits.

Who handled music supervision?

Spring Aspers is credited as music supervisor.

Is there a retail “songs” album for Part 2?

No widely issued compilation album; the single released separately. Score cues were later bundled in Sony’s series score release.

Do characters sing on screen again?

Yes—there are brief, comedic diegetic bits (lullabies and joke songs) performed by cast in the film world.

Any recognizable catalog drops?

Yes—“Monster Mash” is used as a seasonal, tongue-in-cheek nod; Fifth Harmony’s “Worth It” appears diegetically in a car gag.

Notes & Trivia

• “I’m In Love With a Monster” was promoted with a Times Square debut and a studio-pushed video featuring film clips.
• Spring Aspers’ supervision credit reflects Sony’s in-house music team’s hand in family-friendly pop placement.
• Score cue titles for this sequel include “The Wedding,” “Baby Montage,” and “First Birthday,” matching story beats.
• The credits list several tiny in-universe songs (e.g., “Johnny’s Girl,” “Friends Forever”) used for quick jokes.

Genres & Themes

Doo-wop/retro-pop → family warmth & party atmosphere: Fifth Harmony’s single leans on 60s girl-group DNA to make the hotel feel like a dance hall.

Novelty & seasonal standards → playful horror: “Monster Mash” signals “spooky but safe” and doubles as a wink to parents.

Contemporary pop → human world bleed-through: “Worth It” in the car underlines how Mavis/Johnny bring modern radio into Drac’s castle life.

Cartoon-gothic score → tender chaos control: Mothersbaugh’s sprightly motifs bounce between lullaby sweetness and slapstick stings.

Tracks & Scenes (as used in the film)

“I’m In Love With a Monster” — Fifth Harmony
Where it plays: End-credits dance with the cast celebrating Dennis’ birthday; also used across marketing.
Why it matters: Frames the sequel as a kids’ dance party; a clean, high-energy send-off for the family arc.

“Worth It” — Fifth Harmony
Where it plays: Car-radio gag tied to Mavis/Johnny’s human-world habits.
Why it matters: Contemporary chart pop inside monster space; a quick, kid-recognizable laugh.

“Monster Mash” — Bobby “Boris” Pickett
Where it plays: Seasonal source drop during festivities at the hotel.
Why it matters: A classic novelty record that says “safe spooky” in one beat.

“Twinkle, Twinkle, Little Star” — Traditional
Where it plays: Lullaby for Dennis; diegetic hum/sing in a domestic moment.
Why it matters: Signals family comfort before the plot winds them up again.

“Suffer, Suffer, Scream in Pain” — (cast bit)
Where it plays: Brief, jokey sing-song riffing on a nursery tune; diegetic.
Why it matters: The movie mines “scary” concepts for harmless comedy—this is that in miniature.

“Johnny’s Girl” — (cast bit)
Where it plays: In-world, comic serenade snippet linked to Johnny; diegetic.
Why it matters: Character-specific joke that doubles as a micro-theme.

“Friends Forever” — (cast bit)
Where it plays: Short in-story refrain among the Drac Pack; diegetic.
Why it matters: Affirms the found-family core in a quick musical button.

Trailer songs: The official trailers foreground Fifth Harmony’s single alongside Mothersbaugh’s score hits; additional promotional clips reuse “Worth It” snippets.

Music–Story Links

Diegetic lullabies mark Drac’s anxiety over Dennis’ identity; party cues flip that tension into celebration when the family chooses joy. Human-radio pop in the car is a character tell—Johnny’s world keeps leaking into Drac’s, and the series embraces it. The end-credits single literalizes the “everybody dances” thesis: monsters, humans, and half-everythings share one groove.

How It Was Made

Score: Mark Mothersbaugh mapped cues to specific beats (“The Wedding,” “Baby Montage,” “First Birthday”), keeping tempo brisk and textures playful.

Supervision: Spring Aspers balanced one big promotional single with spot placements and micro songs the characters sing.

Promo integration: “I’m In Love With a Monster” premiered with a Times Square splash and late-night performances, feeding back into awareness for the family audience.

Reception & Quotes

The film opened huge for September. Coverage often noted how the Fifth Harmony single and the upbeat sound shaped the “fun, not fright” vibe.

“The animated sequel raked in a record September opening.” Vanity Fair (box-office wrap)

“Times Square debut, retro doo-wop flavor—engineered to make kids dance.” Teen Vogue (single/video coverage)

Additional Info

• Lead single: “I’m In Love With a Monster” (digital single; video rollout with film clips).
• No full commercial “songs” album for HT2; the first film’s 2012 songs and the series’ score album (2018) are separate releases.
• Diegetic micro-songs (“Johnny’s Girl,” “Friends Forever,” etc.) are credit-listed but not retail tracks.
• Fifth Harmony performed the single on late-night TV during release week.
• Score cue sheets show extensive scene-specific minis (e.g., “Vampire Fangs,” “Baby-Proofing Montage”).

Technical Info

• Title: Hotel Transylvania 2 — Songs & Score overview
• Year: 2015 (U.S. release Sept 25, 2015)
• Type: Original score + song placements (single-led promo)
• Composer: Mark Mothersbaugh
• Music Supervision: Spring Aspers
• Selected notable placements: “I’m In Love With a Monster” (Fifth Harmony), “Worth It” (Fifth Harmony), “Monster Mash” (Bobby “Boris” Pickett), “Twinkle, Twinkle, Little Star” (Traditional)
• Studios/Release: Sony Pictures Animation / Columbia Pictures; distributor Sony Pictures Releasing
• Runtime: 89 minutes

Canonical Entities & Relations

Subject	Verb	Object
Genndy Tartakovsky	directed	Hotel Transylvania 2 (2015)
Mark Mothersbaugh	composed score for	Hotel Transylvania 2 (2015)
Spring Aspers	served as	Music Supervisor (Hotel Transylvania 2)
Fifth Harmony	performed	“I’m In Love With a Monster” (single for film)
Fifth Harmony	also performed	“Worth It” (catalog placement)
Bobby “Boris” Pickett	performed	“Monster Mash” (placement)
Sony Pictures Animation / Columbia Pictures	released	Hotel Transylvania 2 (2015)

Sources: Wikipedia; IMDb; Teen Vogue; Vanity Fair; Sony Pictures Animation trailers; Soundtrakd; archival cue sheet listings.

It is very awaited animated film, which was co-written by the main actor – Adam Sandler. Fans were waiting for the second part of more than 3 years. Released in movies only 3 weeks ago, motion picture has gained already more than USD 220 million and it is likely that it at least repeat the fate of the first part. Which with the same budget – USD 85 million – collected 320. The plot of this piece even more interesting than the first part. At least, there is more drive and unexpected story twists. Main pair of heroes – the daughter of Dracula and a tourist guy – born shaggy red-haired miracle which Dracula takes to learn to be a real monster. He did not succeed. But what squiggles of charming story occur along, cannot leave anyone indifferent, who used to live funny, laughing at apparently simple funny things and innocently enjoy what is happening. Who need any artificial complicacies? The most important thing for which the first and second parts of the movie were created – is to give us a good mood and show that monsters are really good too. And still experiencing the same emotions as humans. However, a little bit in own way. Monsters – they are just like people, after all. Each has its own personality and that they are good with diversity. The music is chosen exclusively relevant to the monsters. For example, I'm In Love With A Monster or Monster Mash. A little creepy melody Twinkle, Twinkle, Little Star sung a-capella with voice, which apparently does not know how to sing, but terribly charming. Flo Rida band performed very active melody, and Lady GaGa made the melody used in the second trailer. It is a pity that Selena Gomez, who sang in the first part, did not do it now.

November, 10th 2025

"Hotel Transylvania 2" on the Web: IMDb Profile, Wikipedia Page, Official Site

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