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Hot Tub Time Machine 2 Album Cover

"Hot Tub Time Machine 2" Soundtrack Lyrics

Movie • 2015

Track Listing



"Hot Tub Time Machine 2 — Songs & Score" Soundtrack Description

Hot Tub Time Machine 2 official trailer still used as soundtrack preview image
Hot Tub Time Machine 2 — Theatrical Trailer, 2014/2015

Overview

How do you sonically leap from 2015 into a glitchy 2025 and back again? With a jukebox that fuses throwback cues, meme-era pop, and punchy comedy score. Hot Tub Time Machine 2 keeps Christophe Beck’s momentum-first scoring approach from the first film, then spikes it with louder party drops, a few hip-hop bangers, and a knowingly anachronistic end run.

The sequel builds its identity around self-parody: Craig Robinson’s Nick “steals” hits across timelines, Lisa Loeb shows up to bless a shot-for-shot “Stay” gag, and placements jump from Steel Panther’s hair-metal pastiche to El-P’s industrial surge. Variety and Wikipedia both confirm Beck’s return on score and credit Steve Griffen as music supervisor; scene-by-scene placements below follow timestamped listings from soundtrack indexes.

Trailer title card signaling sequel\u2019s bigger, brasher needle drops
Hot Tub Time Machine 2 — Trailer card, 2015

Questions & Answers

Who composed the score for the sequel?
Christophe Beck returned to compose the original score.
Who handled music supervision?
Steve (Steve/Steven) Griffen is credited as music supervisor.
Is there an official retail soundtrack album like the first film had?
No widely released compilation for Part 2; the first film’s album was on Rhino, but Part 2 is placement-driven.
Does Lisa Loeb really appear?
Yes—Loeb cameos as herself while Nick recreates the “Stay (I Missed You)” video gag.
Any notable end-sequence songs?
OK Go’s “You’re A ****ing Nerd And No One Likes You” buttons the closing montage.
What’s the overall vibe vs. the first film?
Less 1986 nostalgia, more future-club swagger and meta-jokes about stolen songs and viral pop.

Notes & Trivia

  • Craig Robinson’s Nick rides a running bit about “borrowing” pop hits from other eras.
  • El-P’s “The Full Retard” is used for manic, street-level sleuthing—an edgier texture than the first movie’s new-wave shine.
  • “The Webber Strut” acts as Nick’s in-universe hit, recurring multiple times (wedding, callbacks).
  • Ellie Goulding’s “Anything Could Happen” underlines the contrite, reset-timeline wrap-up beat.
  • Variety’s credit block explicitly lists Steve Griffen as music supervisor—helpful for proper attribution.

Genres & Themes

Party pop & meme-era anthems → fame-as-fragile commodity: the sequel leans into tracks that sound like viral successes, mirroring Nick’s ethically dubious career.

Alt/indie & indie-electro (El-P, OK Go) → chaos & commentary: harsher synths and satirical lyrics accompany future-world absurdity, giving scenes a snarky edge.

Hair metal throwbacks (Steel Panther) → Lou’s arrested development: the joke lands when 80s bombast scores a man who never grew up.

Bright pop ballads (Lisa Loeb) → shared cultural memory: the film weaponizes instantly recognizable 90s sentimentality for punchlines and plot.

Trailer frame hinting at blend of party-pop, hip-hop, and throwback rock
Hot Tub Time Machine 2 — Palette: party-pop, hip-hop pulses, throwback winks

Tracks & Scenes (Key Moments)

“I Gotta Feeling” — Craig Robinson (Black Eyed Peas cover, hummed)
Where it plays: 00:03, Nick idly hums it; diegetic.
Why it matters: Instantly telegraphs his “career via time-theft” bit and sets the sequel’s meta tone.

“Stay (I Missed You)” — Craig Robinson & Lisa Loeb
Where it plays: 00:04, Nick films a shot-for-shot music-video homage; diegetic/performance.
Why it matters: Pays off a franchise-long gag with the artist herself—pure fan-service comedy.

“17 Girls in a Row” — Steel Panther
Where it plays: ~00:08, Lou’s mansion blowout; non-diegetic party needle-drop.
Why it matters: Hair-metal parody = Lou’s brand of excess in one riff.

“Louder Than a Bomb (Back Into Time)” — Public Enemy
Where it plays: ~00:16, post-shooting scramble to the hot tub; non-diegetic.
Why it matters: Title-as-text gag returns from Part 1—this time as an emergency ignition.

“Nerd” — Craig Robinson & Rob Corddry
Where it plays: ~00:21, Nick/Lou serenade a rattled Jacob; diegetic, in-scene singing.
Why it matters: Character-driven joke song that doubles as group bonding (and bullying).

“Show Open (The Daily Show Theme)” — The Daily Show
Where it plays: ~00:22, TV reveals they’re in 2025; diegetic source.

“The Full Retard” — El-P
Where it plays: ~00:29, sprinting through the city to unmask the shooter; non-diegetic.
Why it matters: Aggressive industrial snap sells the sequel’s faster, grimier future energy.

“Down By The Riverside” — Kinfolk Brass Band
Where it plays: ~00:29, street players; diegetic.
Why it matters: New Orleans texture (production setting) that grounds the zaniness.

“The Webber Strut” — Craig Robinson & Steve Griffen
Where it plays: 00:34 / 00:43 / 01:10, wedding and callbacks; diegetic video/performance then reprise.
Why it matters: In-universe hit that keeps the “Nick-as-pop-star” arc front and center.

“Turn The World On (Needle Mover Future Disco Dub)” — Static Revenger
Where it plays: ~01:02, at Winkle Club; diegetic/club.
Why it matters: Sleek, synthetic gloss for the sequel’s aspirational-future nightlife.

“Anything Could Happen” — Ellie Goulding
Where it plays: ~01:20, post-fix montage; non-diegetic.
Why it matters: Earnest pop catharsis after the apology/reconciliation beats.

“You’re A ****ing Nerd And No One Likes You” — OK Go
Where it plays: ~01:26, final montage; non-diegetic.
Why it matters: A bratty send-off that fits the sequel’s sneer-and-smirk attitude.

“Bubble Beat” — Mighty Goldfish
Where it plays: early party bed; diegetic/ambient.
Why it matters: Background glue that keeps mansion scenes buoyant.

“Love Is A Phase” — De Lux
Where it plays: club/lobby ambience; diegetic.
Why it matters: Indie-disco texture between louder drops.

Trailer note: multiple official/red-band trailers circulate; marketing leans on party-pop and electro, not a dedicated OST single.

Music–Story Links

Nick’s identity hinges on performance and appropriation, so diegetic cues (the recreated “Stay,” “The Webber Strut”) literally drive his plot beats. Lou’s stunts pull in hair-metal parody to underline his stunted adolescence. And when the gang chases a would-be killer, the score cedes space to harsher indie/electro cuts—El-P’s serrated energy matches the sequel’s “future” grime.

Trailer still aligning character beats with diegetic performances and club cues
Diegetic performances vs. club drops — the sequel’s spine

How It Was Made

Score: Christophe Beck continues the franchise sound—percussive propulsion for chases, quick comic stings between punchlines.

Supervision: Steve Griffen’s placements shift the palette from 80s mixtape (Part 1) to futuristic club+alt stripes, while keeping self-aware joke songs in-world.

Cast-driven music: Craig Robinson’s on-screen performances (and the “Webber Strut” gag) double as narrative devices. Lisa Loeb’s cameo legitimizes the franchise’s long-running “Stay” joke.

Reception & Quotes

Critical response skewed negative, though several outlets singled out the music jokes as bright spots amid louder gags.

“Flop-sweaty cash grab… gives a bad name to sequels.” The Hollywood Reporter
“Boorish and crass… the very definition of sloppy seconds.” Variety
“The charm of the first film is nowhere to be seen.” The Guardian

Additional Info

  • No widely released official Part-2 soundtrack album; songs are licensed placements.
  • Several cues recur diegetically (“The Webber Strut”), acting as in-universe branding.
  • Public Enemy’s “Louder Than a Bomb (Back Into Time)” returns as a franchise in-joke.
  • New Orleans brass band textures appear on screen, rooting the future in a real place.
  • Closing stinger teases multiverse chaos—needle-drops keep the mood unserious.

Technical Info

  • Title: Hot Tub Time Machine 2 — Songs & Score overview
  • Year: 2015 (U.S. release Feb 20, 2015)
  • Type: Feature film soundtrack & placements (no comprehensive retail OST)
  • Composer: Christophe Beck
  • Music Supervision: Steve/Steven Griffen
  • Selected notable placements: “Stay (I Missed You)” (Lisa Loeb, with Craig Robinson), “Louder Than a Bomb” (Public Enemy), “The Full Retard” (El-P), “Anything Could Happen” (Ellie Goulding), “17 Girls in a Row” (Steel Panther), “You’re A ****ing Nerd…” (OK Go)
  • Studios/Release: Paramount Pictures; Metro-Goldwyn-Mayer
  • Runtime: 93 minutes

Canonical Entities & Relations

SubjectVerbObject
Steve PinkdirectedHot Tub Time Machine 2 (2015)
Christophe Beckcomposed score forHot Tub Time Machine 2
Steve Griffenserved asMusic Supervisor (Hot Tub Time Machine 2)
Paramount Pictures / MGMreleasedHot Tub Time Machine 2
Lisa Loebappears asHerself; “Stay” video gag
OK Goperformed“You’re A ****ing Nerd And No One Likes You”
El-Pperformed“The Full Retard”
Ellie Gouldingperformed“Anything Could Happen”

Sources: Variety; Wikipedia; The Hollywood Reporter; The Guardian; SoundtrackRadar; Soundtrakd; The Numbers; YouTube official trailers.

Very entertaining movie, much more interesting than the first part. There will be much more time travels and more unexpected twists of the story. Even such a flourish, as the foundation of America by the characters in the motion picture – nonsense, of course, but quite patriotic one. The essence of the plot is fairly simple – the characters travel through time – and this is interesting one – in both directions, which is doubtful in terms of the Standard Model in physics. At the same time, they also affect the past and the future, and it does not lead to the impossibility, caused by “the butterfly effect”. Well, in two words, characters have fun to full, completely contrary to all postulates of causal relationship. The musical accompaniment chosen very different. Here, most of the songs of the dance genre (Anything Could Happen), but you'll also find such genres as rock, folk, pop (Stay (I Missed You)), jazz and rap (Louder Than A Bomb). In general, very motley saltwort, will be listened by many. It is mostly good music gathered here. And there is even a very excellent pieces, for example, Craig Robinson, who performs here a few songs. We were very disappointed by Ellie Goulding, who has slipped to the execution of some minor compositions, despite of the great career’s beginning. And even sang a duo with this disgusting vulgar over-sirloined Iggy Azalea. Maybe the named one is liked by someone, just as Nicky Minaj – on each proposal exists own demand, of course. Here in this collection, Ellie Goulding performed a dance melody, which is simply not remembered with anything. A day after it, you will strain you brain gyrus to remember what was sung in the song, and not the fact that you will succeed.

November, 10th 2025

Hot Tub Time Machine 2: visit movie profile on IMDb, find more info on Wikipedia
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