Soundtracks:  A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #


House M.D. Album Cover

"House M.D." Soundtrack Lyrics

TV • 2007

Track Listing



"House M.D. (Original Television Soundtrack)" Description

House M.D. Season 4 preview frame used here as album-era promo art proxy
House M.D. — Season 4 Preview (2007)

Overview

A procedural built on skepticism leans on emotion when it counts. The 2007 compilation House M.D. (Original Television Soundtrack) collects full-length versions of songs the series used for its most humane beats—plus a few recordings cut specifically for the show. The anchor is Massive Attack’s “Teardrop,” the U.S. title theme; around it sit season-defining closers from Gomez, Michael Penn, Ben Harper, Sarah McLachlan, Joe Cocker and others.

Released September 18, 2007 by Nettwerk, the album also showcases Band From TV (Greg Grunberg’s charity band that occasionally featured cast members, including Hugh Laurie) covering “You Can’t Always Get What You Want” and “Minnie the Moocher,” and Elvis Costello’s previously unreleased cover of “Beautiful.” AllMusic, Apple Music, and Discogs document the track program and credits; Wikipedia’s page confirms release date, label, and the “Teardrop” usage.

House M.D. Season 4 preview title card, matching the album\u2019s 2007 window
2007 window: soundtrack release + S4 promo cycle

Questions & Answers

Is this a movie soundtrack?
No. It’s a TV soundtrack from the series House M.D. (the 2007 album compiles music from earlier seasons).
When did the album come out, and on what label?
September 18, 2007, via Nettwerk Records.
Does it include the opening theme?
Yes—Massive Attack’s “Teardrop,” which served as the U.S. title music.
What’s special or exclusive to this release?
Elvis Costello’s “Beautiful” and Band From TV’s charity covers were tied to the series; not previously available in that form.
Do the songs mirror specific episode moments?
Several do—e.g., The Rolling Stones’ “You Can’t Always Get What You Want” (pilot ending motif in the show), and Michael Penn’s “Walter Reed” in a reflective coda.
Is there international intro-song variation?
Yes—outside North America, some seasons used a composed title cue instead of “Teardrop.”

Notes & Trivia

  • The compilation runs ~54–58 minutes depending on edition; Apple’s “bonus track” version adds “Minnie the Moocher.”
  • Executive producers Bryan Singer, David Shore, Katie Jacobs, and Paul Attanasio are credited on the album package.
  • Band From TV’s charity model (TV actors, including Hugh Laurie, performing to raise funds) is called out in the album’s notes.
  • IGN rated the set 6.9/10—praised the selections but noted many fans already owned several tracks.

Genres & Themes

Trip-hop & downtempo → clinical mystery, interiority: “Teardrop” cools the temperature, matching House’s analytical detachment while hinting at buried feeling.

Adult-alt & singer-songwriter → moral aftermath: Gomez, Michael Penn, Ben Harper, Sarah McLachlan color act-outs where diagnosis gives way to consequence.

Classic rock standards → series motif & irony: Stones/Calloway material (via Band From TV) underscores House’s aphorisms and the show’s wry tone.

Promo still that fits the album\u2019s palette: cool trip-hop opener, reflective closing songs
Palette: cool opener, humane closers

Tracks & Scenes

“Teardrop” — Massive Attack
Where it plays: U.S. main title across the series (not all territories).
Why it matters: A restrained, heartbeat-like pulse that frames the show’s “mind over bedside” ethos.

“See the World” — Gomez
Where it plays: Season 3 coda usage (closing montage).
Why it matters: A weary optimism that often follows House’s toughest calls.

“Walter Reed” — Michael Penn
Where it plays: Reflective episode end; House weighs collateral damage.
Why it matters: The title’s hospital resonance is on-the-nose, but the tone fits.

“Waiting on an Angel” — Ben Harper
Where it plays: Quiet, post-diagnosis fadeout in an early-season episode.
Why it matters: Locates compassion after a clinical victory.

“Feelin’ Alright” — Joe Cocker
Where it plays: A mid-episode reset; House re-racks the hypothesis.
Why it matters: Turns the diagnostic grind into a soulful strut.

“Beautiful” — Elvis Costello (Christina Aguilera cover)
Where it plays: Album-exclusive studio cut for the series; not widely available prior.
Why it matters: Recontextualizes a pop belter as a fragile, adult-alt confession—very House.

“You Can’t Always Get What You Want” — Band From TV (Rolling Stones)
Where it plays: Cover version on the album; in-series, the Stones’ original is a motif, including the pilot’s ending.
Why it matters: Sums up the show’s worldview in one chorus.

“Minnie the Moocher” — Band From TV
Where it plays: Bonus track on some editions; a charity-band swing through Cab Calloway.
Why it matters: A playful outlier that showcases the Band From TV idea.

Trusted mentions: Wikipedia’s album entry; AllMusic’s release page (date/duration); Apple Music’s “bonus track” listing; Discogs packaging credits; episode-placement confirmations via House Wiki/episode pages.

Music–Story Links

The show often withholds overt sentiment during the case, then lets a closing needle-drop carry the aftershock: diagnosis vs. meaning. “Teardrop” cools the open; the closer warms the exit. When the Stones recur, it’s not nostalgia—it’s the writers’ thesis statement, dropped in at moral inflection points.

Promo still aligning the title theme\u2019s clinical chill with the warmer end-credit songs
Cold open, warm exit: how cues bracket an episode

How It Was Made

Compilation: Nettwerk assembled the set from show-used songs and new recordings (Elvis Costello; Band From TV). Mastering by Gavin Lurssen; executive producers include Bryan Singer, David Shore, Katie Jacobs, Paul Attanasio.

Band From TV: A charity supergroup of television actors (founded by Greg Grunberg) contributing covers tied to the series’ brand; Hugh Laurie was a participant at times.

Reception & Quotes

Critical reception noted curation quality but questioned redundancy for fans who already owned marquee tracks.

“A decent collection… you’ll be happier cherry-picking the few you’re missing.” IGN, 6.9/10

AllMusic logs release date (Sept 18, 2007) and duration (~54:08) and credits Nettwerk as label.

Additional Info

  • U.S. TV theme: Massive Attack’s “Teardrop.” International broadcasts sometimes used a composed title cue instead.
  • Album variants: standard vs. “bonus track version” (adds “Minnie the Moocher”).
  • Streaming availability: Apple Music and Spotify list the set under Nettwerk.
  • Rolling Stones’ original “You Can’t Always Get What You Want” features in multiple episodes (e.g., the pilot’s end scene).
  • The album includes songs heard in-show and a handful recorded specifically for the release.

Technical Info

  • Title: House M.D. (Original Television Soundtrack)
  • Year: 2007
  • Type: TV soundtrack compilation (various artists)
  • Label: Nettwerk Records
  • Core inclusions: “Teardrop” (Massive Attack), “See the World” (Gomez), “Walter Reed” (Michael Penn), “Waiting on an Angel” (Ben Harper), “Feelin’ Alright” (Joe Cocker), “Beautiful” (Elvis Costello), Band From TV covers
  • Runtime: ~54:08 (standard); ~58:00 with bonus track

Canonical Entities & Relations

SubjectVerbObject
Nettwerk RecordsreleasedHouse M.D. (Original Television Soundtrack) in 2007
Massive Attackperformed“Teardrop” (U.S. title theme)
Band From TVrecorded“You Can’t Always Get What You Want”; “Minnie the Moocher”
Elvis Costellorecorded“Beautiful” (exclusive for the album)
NBCUniversal / FoxbroadcastHouse (2004–2012)

Sources: Wikipedia (“House M.D. (soundtrack)”), AllMusic (release info), Apple Music (bonus track edition), Discogs (credits/packaging), House Wiki & episode pages (pilot song placement), IGN review.

November, 10th 2025


A-Z Lyrics Universe

Lyrics / song texts are property and copyright of their owners and provided for educational purposes only.