"Ice Age: Collision Course" Soundtrack Lyrics

---

"Ice Age: Collision Course (Original Motion Picture Score)" – Album Guide to Tracks and Key Scenes

Overview

Can a farce about prehistory carry a space-opera heart? The fifth Ice Age film does. John Debney’s orchestral score—released by Varèse Sarabande/Fox Music on July 22, 2016—retools the franchise palette with celestial brass, choir shimmers, and mischievous woodwinds while quoting earlier themes for continuity. According to label and press notes, Debney recorded at the Newman Scoring Stage with the Hollywood Studio Symphony, threading David Newman’s and John Powell’s franchise motifs into his own action writing.

Song placements are few but memorable: Jessie J, voicing Brooke the ground sloth, belts the diegetic love song “My Superstar,” and the film leans on comic-classical winks (Buck’s opera riff, a 2001 nod) around Debney’s cue-driven set pieces. The album plays like a brisk adventure suite—Scrat chaos, “end of the world” peril, then heartfelt family beats—without relying on pop-radio padding.

Questions & Answers

Who composed the film and who released the album?

John Debney composed the score; the album was issued by Varèse Sarabande in partnership with Fox Music.

Where was it recorded and who performed?

Newman Scoring Stage, 20th Century Fox Studios; performed by the Hollywood Studio Symphony with large brass/choir forces.

Do earlier Ice Age themes appear?

Yes—Debney weaves David Newman’s and John Powell’s franchise motifs into several cues.

Is there a separate “songs” album?

No. The commercial release is the score; selected songs (e.g., “My Superstar”) exist as singles/label uploads.

Is “Dream Weaver” tied to the movie?

Yes—a new cover by Trent Harmon accompanied the soundtrack’s digital rollout; it’s associated with the film’s campaign.

Any notable in-film vocals?

Jessie J, as Brooke, performs “My Superstar” on-screen; Simon Pegg (Buck) sings a comic operatic excerpt.

Notes & Trivia

• Album runtime ~62 minutes (digital listings show 30–31 cues depending on territory).
• Cue titles telegraph plot beats: “Cosmic Scrat-tastrophe,” “Meteor Shower,” “Dino Bird Plan,” “Electrical Storm,” “End Credits.”
• Debney described the brief as “fun, a little outer-spacey, and full of heart.”
• Music supervision on the film included John Houlihan and team; Robert Townson executive-produced the album.

Genres & Themes

Big-brass adventure → Scrat’s physics-defying slapstick: fast mutes, octave jumps, comedic cymbal splashes.

Choir + high strings → cosmic awe: the asteroid/“end-of-days” thread gets luminous pads and bell textures.

Cartoon woodwinds → herd banter: bassoon/clarinet chatter mirrors Sid & Co.’s quips.

Source vocals → character POV: Jessie J’s crystalline belt reframes a gag world as sincere romance.

Tracks & Scenes

“Ice Age: Collision Course Main Title” — John Debney
Where it plays: Studio logos into Scrat’s first space mishap (non-diegetic).
Why it matters: Announces the new, bigger canvas—punchy brass over light comic percussion.

“Cosmic Scrat-tastrophe” — John Debney
Where it plays: Scrat’s acorn misadventures create the asteroid problem (non-diegetic).
Why it matters: Cartoon energy with real stakes—accelerating ostinati and runaway crescendos.

“Meteor Shower” — John Debney
Where it plays: Night sky turns hostile; the herd scrambles (non-diegetic).
Why it matters: Choir + metallic percussion sell “space danger” without losing family-film warmth.

“Dino Bird Plan” — John Debney
Where it plays: Villains lay a trap for the herd (non-diegetic).
Why it matters: Sneer in the low brass; comic menace with rhythmic bite.

“Electrical Storm” — John Debney
Where it plays: Magnetized crystals and mayhem in Geotopia (non-diegetic).
Why it matters: Pinging tuned metals and swirling strings = science-gag spectacle.

“End Credits (Soundtrack Edit)” — John Debney
Where it plays: Rollout suite (non-diegetic).
Why it matters: Ties new action writing to legacy themes for a franchise bow.

“My Superstar” — Jessie J (as Brooke)
Where it plays: Brooke serenades Sid in Geotopia; reprise near the finale (diegetic; on-camera vocal).
Why it matters: A straight-faced love ballad in a slapstick world—comedy pauses, heart takes over.

“Largo al factotum” (Buck’s version) — Gioachino Rossini / Simon Pegg
Where it plays: Buck’s triumphant/absurd entrance (diegetic; comic performance snippet).
Why it matters: Opera gag as character sketch—Buck treats life as stagecraft.

“Also sprach Zarathustra (Fanfare)” — Richard Strauss
Where it plays: A 2001-style Scrat sting (non-diegetic; needle-drop gag).
Why it matters: One brass chord and you know the joke—prehistoric meets cosmic destiny.

“My Songs Know What You Did in the Dark (Light ’Em Up)” — Fall Out Boy (Julian sings a bit)
Where it plays: Teen-energy flourish around Peaches & Julian (diegetic fragment/gag).
Why it matters: A modern pop wink amid the score’s orchestral drive.

Campaign/bonus: “Dream Weaver” — Trent Harmon (single tied to the film’s digital soundtrack rollout).

Music–Story Links

Debney splits the film’s tone in two: Scrat’s chaos is pure kinetic orchestration; the herd’s arc gets warmer harmony and recurring family motifs. When Geotopia glows, the palette brightens (tuned metals, choir shimmer). When the asteroid looms, harmonic rhythm slows and brass widens to “mythic” spacing. Diegetic moments—Jessie J’s serenade; Buck’s opera riff—reset tension with character comedy.

How It Was Made

Debney took over franchise duties from John Powell and recorded a large-scale orchestral/choral score at Fox’s Newman stage. He acknowledged leaning “outer-spacey” for Scrat while honoring series DNA by quoting David Newman and Powell themes. Session photos and trade blurbs confirm a big ensemble and the expected Fox scoring crew behind the glass.

Reception & Quotes

Album reviews called it competent, tuneful franchise writing—lighter than doom, bigger than sitcom.

“A very competent, overachieving score… and an easy listening experience on album.” Filmtracks

“Sweeping, fanciful, and never less than charming.” review précis

Additional Info

• Commercial score release: Varèse Sarabande/Fox Music (digital/streaming; CD in select markets).
• Personnel highlights: Recording by Shawn Murphy; mixing by Brad Haehnel/Dennis Sands; orchestration led by Kevin Kaska.
• Music supervision (film): John Houlihan, Natalie Stowell, Stephanie Pereida.
• Jessie J recorded “My Superstar” in character sessions; studio rolled out official lyric/audio uploads alongside trailers.
• Earlier franchise themes are acknowledged in credits where quoted within Debney’s cues.

Technical Info

• Title: Ice Age: Collision Course (Original Motion Picture Score)
• Year: 2016
• Type: Feature film score (orchestral/choral) with limited song placements
• Composer/Producer: John Debney
• Label: Varèse Sarabande; Fox Music
• Recording: Newman Scoring Stage, 20th Century Fox; Hollywood Studio Symphony
• Selected cues: “Cosmic Scrat-tastrophe,” “Meteor Shower,” “Dino Bird Plan,” “Electrical Storm,” “End Credits.”
• Notable songs (in/around film): Jessie J — “My Superstar” (diegetic); Simon Pegg — “Largo al factotum” (snippet); Richard Strauss — “Also sprach Zarathustra” (gag); Fall Out Boy — “My Songs Know…” (brief gag); Trent Harmon — “Dream Weaver” (soundtrack single).

Canonical Entities & Relations

Subject	Relation	Object
Ice Age: Collision Course (film, 2016)	directed by	Mike Thurmeier (co-dir. Galen T. Chu)
Ice Age: Collision Course (film)	music by	John Debney
Ice Age: Collision Course (Original Motion Picture Score)	released by	Varèse Sarabande / Fox Music
Hollywood Studio Symphony	performed	Ice Age: Collision Course score
Jessie J (as Brooke)	performed	“My Superstar” (on-screen)
Trent Harmon	recorded	“Dream Weaver” (soundtrack single)
John Powell; David Newman	themes quoted	franchise motifs incorporated in Debney’s score

Sources: Varèse/Fox album listings and Wikipedia (release, credits, personnel, use of legacy themes); ScoringSessions & Animation World Network (recording stage, Debney quote); Filmtracks review (album appraisal); IMDb/Fandom summaries for on-screen songs and classical gags; Billboard/press items for Trent Harmon’s “Dream Weaver.”

We would never expect from a guy looking like Simon Pegg such great singing features. Although there are many singing stars in this movie, like Jennifer Lopez or Queen Latifah, they somehow not perform a single song in this collection. But this guy sang Figaro's Aria with perky lyrics and did it so professionally that left us stunned, seriously. We also have pretty nice Jessie J’s song My Superstar, where she confesses in love to a ground sloth Sid (of course, on behalf of one of the characters, Brooke). Jessie J actually voices Brooke in a movie. It is remarkable that not an actor, but a science guy was invited to voice one of the characters – Neil deGrasse Tyson – whom we may know from The Big Bang Theory, as he is promoted there several times. Interesting concept, this should be taken as decencies in as many films as possible. DreamWeaver is a song that contained here twice – first time, its original by Gary Wright, and the second is a cover by Trent Harmon. Thus, we should expect to hear the same lyrics in both, but we should tell you that probably you will adore two versions – they are different in the style of performance, but very soothing in the way they sound. Several songs here are instrumental and it is no wonder – they are written by Richard Wagner and Richard Strauss, for instance. Thus, we can say that this collection will fit to lovers of several styles – beginning with ordinary pop, ending with classic creations, arias and lullabies. This animated film you should look even for new adventures of a squirrel with its inalienable acorn that is so very stuck to its nature that we can even say it is already an inherent part. You will laugh not only at a squirrel, but at all those characters, which quantity becomes bigger and bigger in every next movie.

November, 11th 2025

Find movie profile on IMDb, read more on Wikipedia

---

A-Z Lyrics Universe

---