"Jersey Shore Massacre" Soundtrack Lyrics

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"Jersey Shore Massacre (Original Motion Picture Soundtrack)" – Album Guide to Tracks and Key Scenes

Overview

What happens when fist-pump party music meets a Pine Barrens body count? The soundtrack to Jersey Shore Massacre answers with a hybrid: club-forward singles, novelty cuts that wink at the stereotype, and a small spine of score cues. It keeps scenes bouncing between neon and menace—dance-floor gloss for the comedy, grimy synth pulses when the woods close in.

The official album—issued digitally by Spy Music Group in late August 2014—collects 18 tracks (various artists) that reflect how the film leans heavily on source-style cues for salons, drives, house parties and club beats. Composer credit for original score goes to David James Rosen (listed on film databases/credits). Music supervision is credited to Tony Bongiovi and Giuseppe Dicaccamo (trade/credits pages).

Questions & Answers

Is there an official soundtrack album?

Yes. Jersey Shore Massacre (Original Motion Picture Soundtrack) was released digitally in August 2014 by Spy Music Group (18 tracks).

Who composed the film’s original score?

David James Rosen is credited with original music.

Who handled music supervision?

Tony Bongiovi and Giuseppe Dicaccamo are credited as music supervisors.

Any notable legacy track in the film besides new club cuts?

“Oh Marie” by Louis Prima appears in the film’s soundtrack credits.

Does the album include every cue heard in the movie?

No. It compiles the featured songs; not a complete cue sheet or full score release.

When did the movie and album drop?

Theatrical release: August 22, 2014; digital/VOD and the soundtrack followed the same week.

Notes & Trivia

• Executive producer: Jenni “JWoww” Farley; release synced with late-August 2014 theatrical/VOD dates.
• The album was issued by Spy Music Group and runs ~66 minutes (18 tracks).
• “Oh Marie” (Louis Prima) is one of the few older catalogue inclusions among contemporary club cuts.
• “Ginzo Groove (aka Freddy’s Theme)” is titled on the album as the killer’s motif.
• The home release includes a “Melt” music video in the extras (noted by users/reviews).

Genres & Themes

Electro-house / club-pop: party identity, arrival montages, and “we’re-going-out” beats; shiny synths sell the cast’s bravado.

Hip-hop / pop-rap hybrids: chant hooks and swagger cues that punch up comedy and group dynamics.

Score: dark synth textures to trace stalking and night exteriors, tipping scenes from satire toward slasher.

Vintage swing/lounge (select needle-drops): ironic contrast against gore, a wink at Italian-American kitsch.

Tracks & Scenes

Placement notes: usage below reflects the album and credited songs; exact timestamps vary by cut/edition and no official public cue sheet exists. Diegetic unless noted, given the predominance of parties, salons, cars, and clubs in the film.

"Beethoven’s Fist" — Amadeus 3D
Scene: High-energy club cue used to establish a “big night” rhythm—crowd noise, quick-cut dance floor, fist-pump attitude.
Why it matters: Sets the house style early and telegraphs the film’s satire of shore-scene bravado.

"Done With The Fight" — Lucas Prata
Scene: Party montage/house pre-game; girls trade quips while speakers thump in the background.
Why it matters: Pop-dance sheen for ensemble banter; a classic reality-TV move translated to narrative film.

"High Maintenance (She Want That)" — X-Change feat. Good Money & Vikki V
Scene: Salon/club-prep crosscut; lip gloss, hair dryers, texting the guys.
Why it matters: Brash, hooky, on-brand for the film’s caricatured glamour.

"Ginzo Groove (aka Freddy’s Theme)" — Joey Stacked
Scene: Night-woods stalk beats and POV passes; non-diegetic motif that tags the killer’s approach.
Why it matters: One of the few cues that signal horror mode instead of party mode—title makes the function explicit.

"All Over Again" — Giorgio
Scene: Post-argument reset; the group decides to “make the best of it” and head back out.
Why it matters: A lighter pop pulse used as narrative glue after conflict.

"Hey Ma" — X-Change feat. Good Money, M-Rey & DJ Joey A.
Scene: Club arrival sweep—valet, rope line, bouncer nods.
Why it matters: Crowd-friendly chant hook to carry transitional montages.

"Outta My Head" — Kingnyne
Scene: House party spirals; quick shots of shots, selfies, and side-drama.
Why it matters: Darker hip-hop color shading the comedy toward something edgier.

"Island Gurl" — Dreamroca
Scene: Daytime cool-off by the water; tanning oil jokes and phone calls.
Why it matters: Vacation gloss—the “shore” fantasy between slasher beats.

"Shore Night" — Giuseppe D.
Scene: A DJ-driven club stretch; heavy kicks and bright synth stabs.
Why it matters: The archetypal “we’re out” bed the movie returns to.

"Melt" — Italian Ice
Scene: Heard on the soundtrack; also appears as a music video on home-video extras rather than as a central plot cue.
Why it matters: A meta tie-in—diegetic vibe for bonus content.

"Rumble (Mikey Maze Mix)" — Obá Frank Lord’s
Scene: Late-night tension ramps; bass and percussion carry running/door-barricade business.
Why it matters: Pushes tempo without breaking the stylistic palette.

"Oh Marie" — Louis Prima
Scene: Brief source use (credited in film listings); old-school swing cut against the otherwise modern playlist.
Why it matters: A wry, era-clashing needle-drop that underlines the film’s ethnic-kitsch satire.

Music–Story Links

Party tracks double as character masks—the brasher the hook, the more inflated the swagger. When the film pivots to stalking, the palette tightens: the titled killer theme (“Ginzo Groove”) swaps fist-pump bombast for synth menace, cuing a tonal gear-change without stopping the story.

Occasional vintage splashes (“Oh Marie”) play as cultural shorthand. They briefly puncture the club veneer and let the satire breathe before the next drop hit—or the next scream.

How It Was Made

Score & supervision: Original music by David James Rosen; music supervision credits list Tony Bongiovi and Giuseppe Dicaccamo. The film relies primarily on licensed songs for scene energy, with score shading suspense.

Album: Released digitally via Spy Music Group the week of the film’s U.S. rollout; retailer listings and trade posts confirm the 18-track compilation and key artist roster.

Reception & Quotes

• “By the end… a more straightforward horror movie than its cheaply farcical buildup suggests.” Variety

• “It should divert viewers under the right circumstances… otherwise disposable.” Rotten Tomatoes (critic capsule)

• “Mean-spirited… finds new and shocking ways to be terrible.” The Dissolve (via Metacritic)

• “Dumb as bricks… saved by good gore.” ScreenAnarchy

Additional Info

• Film release: Aug 22, 2014 (theatrical), with digital/VOD the same week.
• Soundtrack release: Aug 26–29, 2014 (digital); label: Spy Music Group.
• Album length ~1:06:00; 18 tracks; various artists.
• Composer: David James Rosen (score not separately released as an album).
• Supervision: Tony Bongiovi; Giuseppe Dicaccamo.
• Notable track credit: Louis Prima’s “Oh Marie.”
• Home-video extras include a “Melt” music video.

Technical Info

• Title: Jersey Shore Massacre (Original Motion Picture Soundtrack)
• Year: 2014
• Type: Various-artists soundtrack (digital)
• Composer (film score): David James Rosen
• Music Supervision (film): Tony Bongiovi; Giuseppe Dicaccamo
• Label: Spy Music Group (digital)
• Selected notable placements: “Beethoven’s Fist” (Amadeus 3D); “High Maintenance” (X-Change…); “Ginzo Groove (Freddy’s Theme)” (Joey Stacked); “Oh Marie” (Louis Prima)
• Release context: Timed to film’s U.S. release (late Aug 2014)
• Availability: Major digital services (streaming/download)

Canonical Entities & Relations

Subject	Relation	Object
Paul Tarnopol	directed	Jersey Shore Massacre (film)
David James Rosen	composed	Original music (film score)
Tony Bongiovi	music-supervised	Jersey Shore Massacre (film)
Giuseppe Dicaccamo	music-supervised	Jersey Shore Massacre (film)
Spy Music Group	released	Jersey Shore Massacre (Original Motion Picture Soundtrack)
Louis Prima	performed	“Oh Marie” (film soundtrack credit)
Joey Stacked	performed	“Ginzo Groove (aka Freddy’s Theme)”
Amadeus 3D	performed	“Beethoven’s Fist”

Sources: Apple Music (album); Spotify (album); Film Music Reporter (release & track highlights); Metacritic (credits); Soundtrack.net (composer & album); IMDb (soundtrack list; release context); Rotten Tomatoes (review capsules); ScreenAnarchy (review).

In this collection of compositions, you will not find anything except dance compositions. A total of 18, the common duration of 66:42 (though here on the site are 17 songs presented, but it does not change much the essence). For an hour, you can enjoy a variety of dance compositions. Let the small difference of genres, but the fact that they may also make you happy. Or to upset because a few compositions in the collection was a flat-out and unprofessional. For example, artist LBI made a composition that was a bad one. In contrast to him, collection contains a melody named High Maintenance (She Want That), which is just really great. Here, incidentally, rap is mixed to that dance that is already there. Other compositions are not so mixed by genres and just of dance one. Beethoven's Fist. Why the music is named like this and what is a fist about – is unclear. But this composition holds a lot of the style and drive, so we praise it. Cicada, by contrast, made a hideous melody named Aftermath, which you can listen to a few seconds in order to switch to something better. The plot of the film is the same giddy, like the rest of the collection. Most of the action takes place under the dance sounds. And the story is that some kind of quite crazy serial killer start to shred all to the right and to the left for some his reason. He was killing the heroes of this movie – a selection of handsome men and beautiful women, whose main advantage is their bodies and faces. No brains or emotions. It seems like they have only the basic feelings – the fear, the hunger and the desire to mate. Nothing else. Classic stupid slasher, where the girls running around in the woods at night in a bikini and get killed colorfully. And young people with bare torsos becoming not so handsome under the knife. Watch if you have nothing to do with your evening.

November, 12th 2025

'Jersey Shore Massacre' on IMDb: Movie Profile, Full Cast & Crew

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