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Kissin' Cousins / Clambake / Stay Away Joe Album Cover

"Kissin' Cousins / Clambake / Stay Away Joe" Soundtrack Lyrics

Musical • 2007

Track Listing



"Kissin’ Cousins / Clambake / Stay Away, Joe (Original Soundtracks – Elvis Presley)" – Album Guide to Tracks and Key Scenes

Trailer still for Elvis Presley’s mid-60s MGM/UA musicals — sunlit exteriors, guitars and grin
1964–1968 Elvis movie-musical era — the songs this set compiles.

Overview

Three films, one disc. This 24-track budget compilation gathers Elvis Presley’s mid-sixties movie songs from Kissin’ Cousins (1964), Clambake (1967) and Stay Away, Joe (1968). It’s a brisk tour through backlot Appalachia, Florida beach pop, and a modern Southwest comedy-western — all sung by a star who could shift from novelty to tender ballad in a verse.

The program leans on original soundtrack takes and single versions, then pads with a few period add-ons from the same sessions/marketing cycles (e.g., “Guitar Man”/“Big Boss Man” associated with the Clambake era). A 1994 master first bundled these titles; the 2007 Sony BMG reissue kept the artwork concept and track count, making the set easy to find and cheap to spin.

Trailer frame: Elvis in uniform and denim—studio-era gloss with location gags
Studio sheen, radio-ready hooks: the Presley film machine at pace.

Questions & Answers

What exactly is this 2007 release?
A single CD reissue of the 24-track compilation first issued in the 1990s, collecting songs from three Elvis films; label credit is Sony BMG.
How many tracks are on it?
Twenty-four. It samples highlights from each film rather than presenting full, complete film score sessions.
Does it include non-film singles?
Yes — the Clambake block typically folds in “Guitar Man” and “Big Boss Man,” cut and promoted in the same period.
Is this the same as the FTD “Classic Album” editions?
No. FTD issues are deeper archival sets with outtakes; this disc is a mainstream budget compilation.
Are mixes remastered?
They use catalog masters prepared for the 1990s budget line; the 2007 disc reissues that program without a new remix campaign.
Region details?
Multiple catalogings exist (1994–1997 in EU/Canada; a U.S. reissue dated April 2, 2007). Tracklists are substantially consistent.

Notes & Trivia

  • Kissin’ Cousins (1964) was an MGM back-to-back with Viva Las Vegas, shot quickly; its soundtrack leans country-pop and novelty.
  • Clambake (1967) is a United Artists beach/romance; “Guitar Man” and “Big Boss Man” became the era’s radio anchors despite not being story numbers.
  • Stay Away, Joe (1968) is a modern comedy with musical interludes; “All I Needed Was the Rain” is the set’s unexpected low-key gem.
  • UPC commonly seen on this compilation: 743219062123 (budget-line lineage).
  • The reissue date many retailers show for the U.S. SKU is April 2, 2007 (Sony BMG).

Genres & Themes

Country-pop & mountain novelties → Down-home charm. Fiddle/banjo colors and tongue-in-cheek lyrics shape the Kissin’ Cousins cuts.

Beach/light-R&B → Sunshine salesmanship. Clambake cues chase chart gloss: backbeat, brass hits, clean guitars.

Western-tinted balladry → Wearier Presley. The Stay Away, Joe selections aim smaller and more relaxed — a late-60s drift toward country-soul.

Montage vibe: mountain cabin, beach party, desert highway — three sound worlds in one disc
Style map: hillbilly wink → beach pop → desert hush.

Tracks & Scenes

“Kissin’ Cousins” — Elvis Presley
Scene: Title tune over rustic hijinks; Presley in double-role mode, the chorus leaning on cheeky rhyme. Diegetic feel in some scenes; principal motif.
Why it matters: Nails the film’s comic register in under two minutes.

“Tender Feeling” — Elvis Presley
Scene: Backwoods romantic pause — soft guitar, close mic, the camera finally still.
Why it matters: Demonstrates that even novelty-heavy pictures gave Elvis room to croon.

“Smokey Mountain Boy” — Elvis Presley
Scene: Light, bouncy verse-trading with chorus; travel montage across ridge roads.
Why it matters: A clean slice of 1964 country-pop crossover tone.

“Clambake” — Elvis Presley
Scene: Beach-party sequence with dancers and prop gags; brass, handclaps, easy swing.
Why it matters: Studio-era Elvis selling movie fun like a jingle you want to hum.

“Guitar Man” — Elvis Presley
Scene: Not a story number, but a crucial 1967 studio cut folded to the Clambake album cycle; Jerry Reed’s guitar drives it.
Why it matters: Pointed, rootsier — a signpost toward the late-60s musical reset.

“Big Boss Man” — Elvis Presley
Scene: Another single-leaning R&B cover tied to the same season; swagger and snare.
Why it matters: Balances the froth with some Memphis bite.

“Stay Away, Joe” — Elvis Presley
Scene: Film’s title song — uptempo country shuffle stitched through character intros.
Why it matters: Modern-day western vibes without the spurs.

“All I Needed Was the Rain” — Elvis Presley
Scene: Night scene; low-key vocal, harmonica shading, a weary smile in the lyric.
Why it matters: The set’s sleeper — small, lived-in, and beautifully tossed off.

“Goin’ Home” — Elvis Presley
Scene: Road cue with acoustic sway; cutaway travel beats across the desert.
Why it matters: Foreshadows the country-soul coloring that would soon dominate.

Trailer notes: Public trailers and TV spots for each film lean heavily on the title songs; deeper cuts (e.g., “Tender Feeling,” “All I Needed Was the Rain”) play inside the features rather than in marketing.

Music–Story Links

Each film uses its songs as tone control. Kissin’ Cousins plays comedy first, letting ballads cut through as brief sincerity beats. Clambake runs on brightness — even non-story singles act like confidence injections. Stay Away, Joe scales down: songs feel like interludes two characters stumbled into rather than showpieces.

Final trailer beat: Elvis mid-song to camera; quick cut to crowd and convertible
Pitch-perfect star vehicles — the compilation keeps only the sugar and the sighs.

How It Was Made

The films were produced by MGM (Kissin’ Cousins, Stay Away, Joe) and United Artists (Clambake). The compilation collates official soundtrack sides and period singles prepared for mid-90s budget lines; the 2007 U.S. reissue keeps that sequence intact. According to retail metadata, the disc logs 24 tracks and ~47 minutes.

Reception & Quotes

Collectors treat this CD as an inexpensive gateway rather than a definitive archive; deeper dives use the later “Classic Album” FTDs and complete sessions sets.

“A handy one-stop for the movie-era highlights.” catalog roundups
“Budget line, yes — but the sequencing plays like a summer radio hour.” fan capsule reviews

Additional Info

  • Label/Imprint: Sony BMG (budget line), widely reissued; artwork often lists all three film titles on the cover.
  • Retail dating: U.S. reissue streeted April 2, 2007; original budget issue traces to 1994.
  • Count/Length: 24 tracks; ~47 min (varies slightly by press).
  • Film provenance: Kissin’ Cousins (1964), Clambake (1967), Stay Away, Joe (1968).
  • For completists: Seek FTD “Classic Album” editions for sessions, alternates, and full cue sheets.

Technical Info

  • Title: Kissin’ Cousins / Clambake / Stay Away, Joe
  • Year / Type: 2007 / Compilation of original soundtrack songs (reissue of a 1990s program)
  • Artist: Elvis Presley
  • No. of tracks: 24 (budget compilation)
  • Label: Sony BMG (UPC commonly seen: 743219062123)
  • Source films: Kissin’ Cousins (MGM, 1964); Clambake (United Artists, 1967); Stay Away, Joe (MGM, 1968)
  • Availability: Long-running catalog item; multiple regional pressings (1994–2007+)

Canonical Entities & Relations

SubjectRelationObject
Album “Kissin’ Cousins / Clambake / Stay Away, Joe” (2007)Issued bySony BMG
AlbumArtistElvis Presley
Film “Kissin’ Cousins” (1964)Provides songs“Kissin’ Cousins”, “Tender Feeling”, “Smokey Mountain Boy”, etc.
Film “Clambake” (1967)Provides songs“Clambake”, plus period singles “Guitar Man”, “Big Boss Man”.
Film “Stay Away, Joe” (1968)Provides songs“Stay Away, Joe”, “All I Needed Was the Rain”, “Goin’ Home”.

Sources: retail metadata (release date/UPC/track count); Discography databases (master/release entries); film entries for production context; soundtrack/FTD notes from specialist sites.

November, 12th 2025


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