"Miss March" Soundtrack Lyrics

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“Miss March (Music from the Motion Picture)” – Album Guide to Tracks and Key Scenes

Overview

What happens when a sex-comedy about a young man waking from a coma to find his high-school sweetheart has become a magazine cover model gets scored? That’s the case with Miss March (2009). The soundtrack album “Miss March (Music from the Motion Picture)” delivers a mix of party-rap, comedic lyrical pieces and a touch of score work, reflecting the film’s off-kilter tone. :contentReference[oaicite:0]{index=0}

The film’s protagonist Eugene, after four years in a coma, must navigate a changed world, reclaim his girlfriend and crash the Playboy mansion. The music follows his confusion, the absurd road-trip with his friend Tucker, the debauchery and the cringe-humour. The tone flips between big-beat “club” tracks (to match rap sequences) and lighter comedic cues underscoring awkwardness.

Musically the album spots a dual tone: on one hand, rap/hip-hop style songs (e.g., performed by Craig Robinson’s character) that lean into the film’s outrageousness; on the other hand, the original score by Jeff Cardoni keeps things moving when the soundtrack songs aren’t featured. :contentReference[oaicite:1]{index=1}

The genre-blend serves function: the rap/party tracks heighten the “lost-in-adult chaos” motif; the score cues supply situational comedy and road-trip transitions. In short: it embraces the film’s juvenile humour and unforeseen twists (coma → Playboy adventure) via a soundtrack that rarely takes itself seriously.

How It Was Made

The main music credit goes to composer Jeff Cardoni. He provided the original score for the film. :contentReference[oaicite:3]{index=3} The soundtrack album itself is a “Various Artists” compilation titled “Miss March (Music from the Motion Picture)”, released March 10, 2009. :contentReference[oaicite:4]{index=4}

The music supervision was handled by music supervisor Dave Jordan (as credited on Soundtrack.net) for the film’s licensed songs and insert cues. :contentReference[oaicite:6]{index=6} Because the film merges rap-satire (Craig Robinson’s character “Horsedick MPEG”) with comedic road-trip beats, the soundtrack roster leans heavily on comedic rap/hip-hop tracks plus club beats.

Behind–the–scenes note: The soundtrack features some original in-film songs written by the film’s writers Zach Cregger & Trevor Moore which are performed by Craig Robinson in-character (e.g., “White Bitch”, “White Girl”, “Suck My Dick”). :contentReference[oaicite:9]{index=9} Licensing appears light: many tracks are from smaller producers (DeeKompressors, Classic) rather than major label hits. :contentReference[oaicite:10]{index=10}

Tracks & Scenes

Below are several key tracks from the album/film and how they function in specific scenes. (Note: the full track list is omitted.)

“White Bitch” – Craig Robinson
Where it plays: Mid-film, in club/party scene where Horsedick MPEG (Robinson) performs on stage to a wild crowd. The beat drops, the lyrics mock-glamour, and the scene cuts from the stage to Eugene & Tucker entering the party, stunned at the absurdity. Diegetic music (character performs).
Why it matters: This track underlines the film’s satirical take on rap culture meeting Playboy excess. It anchors one of the film’s few “real” performance moments, letting the soundtrack shift from background to centre-stage. :contentReference[oaicite:11]{index=11} “White Girl” – Craig Robinson
Where it plays: Soon after Eugene wakes from his coma and Tucker shows him the new world. The soundtrack plays over montage scenes of Eugene being introduced to Cindi’s new life (as a Playboy model) and his confusion. Non-diegetic. Timestamp approximately ~00:24:00 into the film.
Why it matters: Serves as ironic contrast: the lyrics and tone mock sexual/celebrity culture while the visual shows Eugene’s earnest but bewildered reaction. “On The Run” – DeeKompressors & Classic
Where it plays: During the road-trip segment, when Eugene and Tucker drive cross-country toward the Playboy Mansion. The music kicks in before the “we’re heading there” montage. Non-diegetic.
Why it matters: It signals the shift into a travel-adventure beat — the soundtrack’s “moving forward” meter. Soundtrack album track #1. :contentReference[oaicite:12]{index=12} “Get Away From You” – DeeKompressors & The Bonars
Where it plays: Later in the film during a chase/escape scene involving the fire-fighter brother subplot. Background music to vehicle sequence. Non-diegetic.
Why it matters: The beat helps lift the comedic-action tone; the soundtrack shifts from purely rap to hybrid action-beat to match the pacing. “Drop It (Rock Remix)” – DeeKompressors & Basko
Where it plays: In a club scene toward the end, as the credits build in-film. Diegetic+non-diegetic blend: music plays speakers but also scores character movement.
Why it matters: Demonstrates the album’s variety (rock/rap remix) and serves as a “final party” cue before resolution.

Notes & Trivia

• The soundtrack album runs about **37 minutes** and was released March 10, 2009. :contentReference[oaicite:13]{index=13}

Music–Story Links

The film’s narrative arc (coma → awakening → road-trip → crash/playboy mansion) is mirrored by the soundtrack’s selection: early tracks are “awakening/club” oriented, middle tracks “on the move/road”, later tracks “destination/party”.

The “performance” songs by Horsedick MPEG (Robinson) directly tie a character’s aspirations (rap success) into the soundtrack. The road-trip tracks underscore Tucker & Eugene’s active quest. Meanwhile the score cues (Cardoni) fill the gaps when the story shifts tone (humour → reflection → barrage of adult-themes).

Thus the soundtrack doesn’t just accompany scenes but in many cases *drives* the comedic-journey by picking up pace when characters move forward, by shifting genre when tone changes, and by foregrounding the film’s satirical edge (via rap joke-songs) and its road-movie beats.

Reception & Quotes

The film overall received negative reviews (even being called potentially the worst film of 2009). :contentReference[oaicite:18]{index=18} The soundtrack, for the most part, passed by without much critical attention.

“Miss March isn’t only inept … the music: Jeff Cardoni.” – ReelViews review :contentReference[oaicite:19]{index=19}

No major soundtrack awards or chart-topping positions are recorded for the album release.

Interesting Facts

• The film features the real-life founder Hugh Hefner in a cameo; however the soundtrack has no special “Playboy licensing” songs. :contentReference[oaicite:21]{index=21}

Technical Info

• Title: *Miss March (Music from the Motion Picture)*
• Year: 2009 (album released March 10, 2009) :contentReference[oaicite:26]{index=26}
• Type: Soundtrack album (Various Artists) + original film score by Jeff Cardoni
• Composer (score): Jeff Cardoni :contentReference[oaicite:27]{index=27}
• Music Supervisor: Dave Jordan :contentReference[oaicite:28]{index=28}
• Label: Format Records (digital) :contentReference[oaicite:29]{index=29}
• Album length: approximately 37 minutes :contentReference[oaicite:30]{index=30}
• Selected notable placements: “On The Run” (road-trip), “White Bitch” (stage-performance), “Get Away From You” (escape sequence)
• Film runtime: 90 min (USA theatrical) :contentReference[oaicite:31]{index=31}
• Availability: Released digitally and on CD; tracklist available via Apple Music, Discogs. :contentReference[oaicite:32]{index=32}

Questions & Answers

Was there a hit single from the soundtrack?

No major single charted from this soundtrack; the album remains a niche release.

Does the soundtrack include the film’s full score?

No. The commercial album focuses on songs/licensed tracks; many score passages by Jeff Cardoni are not included.

Is the rap/club style of the soundtrack representative of the film’s tone?

Yes. The film is a raunchy sex-comedy with road-trip elements; the soundtrack mirrors its bold, brash comedic tone.

Can I use the soundtrack as a standalone listening experience?

You can — if you enjoy tongue-in-cheek rap/club tracks with a comedic edge. But it’s neither deeply thematic nor musically ambitious.

Canonical Entities & Relations

Entity	Relation	Entity
Miss March (2009 film)	has Soundtrack	Miss March (Music from the Motion Picture)
Jeff Cardoni	composed score for	Miss March (2009 film)
Dave Jordan	music supervisor for	Miss March (2009 film)
Craig Robinson	performs in-character songs on	Miss March (2009 film)
DeeKompressors	artist on	Miss March (Music from the Motion Picture)

Sources: Apple Music listing; Soundtrack.net movie page; Discogs release; IMDb soundtrack credits; Wikipedia film page.

November, 15th 2025

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