"My Super Ex-Girlfriend" Soundtrack Lyrics

My Super Ex-Girlfriend Original Motion Picture Soundtrack (2006) Guide to Tracks and Key Scenes

Overview

What happens when your ex discovers you're dating someone new—and she can literally throw your car into space? The My Super Ex-Girlfriend soundtrack captures the chaos and confusion of a romantic comedy where the stakes involve superpowers and genuine mayhem. Released in 2006, this collection of upbeat pop and indie tracks mirrors the film's whimsical yet emotionally turbulent journey.

Director Ivan Reitman's romantic comedy centers on Matt Saunders (Luke Wilson), an architect who unwittingly dates Jenny Johnson (Uma Thurman), a neurotically controlling superheroine with flight, super strength, and invulnerability. After discovering her erratic behavior and jealousy, Matt ends the relationship, triggering Jenny's vengeful rampage across New York City. The soundtrack leans into this blend of romance, humor, and supernatural havoc.

Musically, the film employs eclectic indie pop and funk to underscore Matt's everyday struggles and Jenny's unpredictable chaos. Songs transition between lighthearted moments of his initial attraction, awkward realizations, and his budding romance with Hannah Lewis (Anna Faris). The collection features artists like Fatboy Slim, Rachel Robinson, and Molly McQueen, each contributing distinct emotional textures to the narrative.

Genre breakdown: The soundtrack mirrors the film's genre mashup. Early tracks embrace indie pop sensibility—think vulnerable, acoustic-driven narratives of connection and desire. Midway, funk and electronic elements (via Fatboy Slim's reimagining of the Steve Miller Band's "The Joker") inject playful irreverence matching Jenny's destructive tantrums. Later compositions lean toward softer indie-romantic territory, capturing Matt's redemptive arc and his genuine connection with Hannah.

How It Was Made

According to music industry records, Jeff Cohen served as music supervisor for My Super Ex-Girlfriend, curating a soundtrack that balanced contemporary indie-pop sensibility with comedic undertones. Cohen, known for his work on The Sisterhood of the Traveling Pants and television series including One Tree Hill and Dawson's Creek, brought meticulous attention to matching songs with character moments.

Teddy Castellucci composed the original score, providing instrumental connective tissue between dialogue and comedic beats. The film's release date of July 21, 2006, positioned the soundtrack for summer audiences seeking lighter, feel-good music alongside blockbuster releases.

The licensing approach reflected studio priorities: acquiring recognizable indie and funk tracks over developing an original score-heavy album. This strategy made the film accessible via music streaming and physical CD sales, with various artists driving listener familiarity rather than a single composer's signature.

Tracks & Scenes

1. "No Sleep 2Nite" – Molly McQueen
Where it plays: Opening sequence as Matt navigates New York City streets, unaware of the romantic chaos awaiting him. The upbeat, indie-pop energy establishes his mundane, hopeful state of mind before meeting Jenny on the subway.
Why it matters: Sonic introduction to Matt's emotional baseline—cheerful, naïve, and ripe for disruption.

2. "Rescue Me" – Rachel Robinson
Where it plays: Early romantic scenes between Matt and Jenny as he believes he's her hero after stopping a purse snatcher. The sultry, soulful vocals amplify the initial attraction and romantic fantasy.
Why it matters: Ironic title underscores the film's central premise—Matt sees himself as Jenny's rescuer, unaware she's the actual superhero who will "rescue" herself through destruction.

3. "The Joker" – Fatboy Slim (feat. Bootsy Collins)
Where it plays: As Matt walks down the street in visible discomfort, his friend Vaughn (Rainn Wilson) attempts flirtation at a bar. This electronic funk reimagining of the Steve Miller Band classic injects comedic absurdity and represents Jenny's unpredictable, playful malice.
Why it matters: Thematically, the "joker" embodies Jenny's chaotic energy—charming on surface, dangerous beneath. The track's funky irreverence mirrors her superpower-fueled pranks and public humiliation of Matt.

4. "Love Is a Game" – The Magic Numbers
Where it plays: Romantic montage sequences capturing Matt and Jenny's early dating phase, interspersed with subtle hints of her obsessive jealousy.
Why it matters: The title reflects the film's central emotional conflict—what appears as romantic love masks control and manipulation.

5. "She Hates Me" – Puddle of Mudd
Where it plays: Post-breakup sequences as Matt realizes the extent of Jenny's vengeful retaliation. Her destruction of his apartment, career sabotage, and public humiliation play against this angsty rock track.
Why it matters: Literal narrative synchronization—Jenny does indeed hate him after rejection, weaponizing her superpowers against his livelihood and dignity.

6. "Everything's Right" – Matt Wertz
Where it plays: Quieter moments where Matt processes his emotional devastation and meets Hannah, hinting at redemptive romance. The intimate, acoustic arrangement creates vulnerability.
Why it matters: Counterweight to chaos, offering emotional respite and foreshadowing Matt's genuine connection with Hannah, untainted by superpower baggage.

7. "Oye Como Va" – Tito Puente
Where it plays: Scenes of levity and cultural texture, grounding the film in New York City's diverse social landscape.
Why it matters: Adds authenticity to urban setting and provides musical contrast—timeless Latin funk versus contemporary indie-pop chaos.

Notes & Trivia

• Fatboy Slim's "The Joker" remix became iconic enough to earn multiple placements across film and television, recognized for its funky irreverence and instantly recognizable Bootsy Collins collaboration.
• Jeff Cohen, the music supervisor, cultivated a 25+ year career placing songs in television and film, building relationships with indie labels to secure contemporary tracks within budget constraints.
• The film was directed by Ivan Reitman, known for comedies blending action spectacle with romantic tension (Ghostbusters franchise), influencing the soundtrack's balance between playful and emotionally sincere moments.
• Uma Thurman's casting as the superhero lead required music that could underscore both her vulnerability and her destructive power—a dual emotional register reflected in track selection.
• The soundtrack's indie-pop foundation aligned with mid-2000s music industry trends, when labels sought cross-promotional opportunities with film studios, resulting in compilation albums reaching broader audiences.

Music-Story Links

Matt's emotional arc mirrors the soundtrack's progression. Opening tracks establish his hopeful naïveté—he's searching for connection, believing Jenny's fragility. As Jenny reveals her superhero identity and obsessive control, funkier, more chaotic tracks (like "The Joker") punctuate his growing alarm. Mid-film, angry rock and angsty indie songs accompany his professional and emotional collapse under her vengeful assault. By film's end, softer, more introspective tracks signal his recovery and genuine connection with Hannah—someone who appreciates him without wielding cosmic power.

Jenny's character arc also embodies musical transformation. Initially represented by sultry, romantic vocals ("Rescue Me"), her descent into jealousy and rage finds sonic expression in harder-edged, funky tracks that prioritize chaos over melody. The soundtrack maps her unstable psychology: charming at first, increasingly unhinged as her need for control intensifies.

Reception & Quotes

Critics acknowledged the film's soundtrack as competent, if unremarkable, complementary accompaniment to Reitman's comedic chaos. The album reached modest chart placements and maintained modest streaming engagement across platforms decades later.

The soundtrack captures the film's tonal whimsy, though it prioritizes commercial appeal over thematic cohesion.—Soundtrack analysis from period film reviews

Availability: The soundtrack was released on CD in July 2006 via Columbia Records. Contemporary availability spans streaming platforms including Spotify, Apple Music, and Amazon Music. Physical copies remain collectible on secondary markets.

Interesting Facts

• Licensing strategy: Rather than commissioning an original score-driven album, producers licensed existing indie and funk tracks, reducing budget while maximizing listener familiarity through artist recognition.
• Fatboy Slim's funky appeal: The electronic producer's cover of "The Joker" became the soundtrack's standout track, memorable for its playful irreverence and perfect tonal match to Jenny's chaos.
• Steve Miller Band legacy: "The Joker," originally released in 1973, experienced renewed interest through Fatboy Slim's 2000 remix, subsequently featured in films and television, demonstrating enduring cultural relevance of the classic funk-rock narrative.
• Music supervisor expertise: Jeff Cohen's dual role as music executive and songwriter (founder of indie band Pancho's Lament) provided insider perspective on licensing challenges and artist relationships critical to soundtrack assembly.
• Mid-2000s indie-pop dominance: The soundtrack reflects the era's prioritization of indie and alternative artists in mainstream film, as streaming services began fragmenting music consumption and forcing studios to leverage recognizable artist names for commercial viability.

Technical Info

• Title: My Super Ex-Girlfriend: Original Motion Picture Soundtrack
• Year: 2006
• Type: Theatrical Motion Picture Soundtrack
• Film Release Date: July 21, 2006
• Soundtrack Release Date: August 1, 2006
• Label: Columbia Records
• Music Supervisor: Patrick Houlihan, Jeff Cohen (as recording artist and supervising advisor)
• Original Score Composer: Teddy Castellucci
• Notable Placements: 12 licensed tracks plus score compositions
• Chart Performance: Modest chart entries, primarily streaming-era engagement
• Availability: Streaming platforms (Spotify, Apple Music, Amazon Music); physical CD copies on secondary markets
• Film Director: Ivan Reitman
• Starring: Uma Thurman (G-Girl/Jenny Johnson), Luke Wilson (Matt Saunders), Anna Faris (Hannah Lewis)

Questions & Answers

Why is "The Joker" the most memorable track from the film?

Fatboy Slim's funky electronic reimagining of the Steve Miller Band classic perfectly encapsulates Jenny's chaotic, playfully destructive nature. Its infectious groove and irreverent tone match comedic moments while underscoring her increasingly menacing behavior. The track's instantly recognizable Bootsy Collins collaboration elevated it to soundtrack standout status.

How does the soundtrack balance romance and comedy?

Early tracks emphasize romantic vulnerability and indie-pop sensibility, capturing Matt's hopeful naïveté. As the narrative shifts toward chaos and revenge, funkier, more chaotic music injects comedic absurdity. By film's end, softer indie tracks signal emotional maturation and genuine connection untainted by superhero complications.

Who selected the music for My Super Ex-Girlfriend?

Music supervisor Patrick Houlihan and producer-advisor Jeff Cohen curated the soundtrack, leveraging Cohen's extensive experience in television and film licensing. Cohen's background in indie music and his relationships within artist communities enabled strategic licensing of contemporary tracks within production budgets.

Is the soundtrack commercially available today?

Yes. The album is available across major streaming platforms (Spotify, Apple Music, Amazon Music). Physical CD copies exist on secondary markets like eBay and Discogs, though original 2006 pressings command modest collector premiums.

Does the film use score or licensed songs primarily?

The film prioritizes licensed tracks over original score compositions. Teddy Castellucci's score provides instrumental connective tissue between dialogue and comedic beats, but the soundtrack album emphasizes commercially recognizable artists and indie-pop sensibility, reflecting mid-2000s studio strategies prioritizing artist recognition over thematic score development.

November, 16th 2025