"Pan" Soundtrack Lyrics

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“Pan (Original Motion Picture Soundtrack)” – Album Guide to Tracks and Key Scenes

Overview

What happens when Neverland steals two songs from the grunge and punk canons? Pan answers with a brazen mash-up: John Powell’s swashbuckling orchestral score colliding with stomp-chant covers of Nirvana and the Ramones, plus two original Lily Allen ballads that soften the edges. It’s a risk — and a statement — about myth meeting modern noise.

Powell’s music is the engine: fleet, percussive sailing cues; glittering waltzes for mermaids; choir-bolstered hero writing that lifts when Peter lifts. Then Joe Wright drops the needle in-world: miners and pirates bark out “Smells Like Teen Spirit” and “Blitzkrieg Bop” as work songs, turning pop rebellion into industrial ritual. Lily Allen’s “Something’s Not Right” and “Little Soldier” arrive like lullabies from another room, stitching tenderness back into the spectacle.

Across the arc you can hear it: martial chorus and drum-line stomp (arrival), airborne adventure and sea-fight bravura (adaptation), rowdy camp anthems and native/pirate showdowns (rebellion), then a melodic, luminous finale and credits benediction (collapse → acceptance). Love it or side-eye it, this soundtrack swings for the fences.

How It Was Made

Composer & team. John Powell scored the film with a large orchestra and choir; additional music came from Anthony Willis, Batu Sener, and Paul Mounsey. (Joe Wright had first engaged Dario Marianelli; the production ultimately replaced that score with Powell’s.) Gavin Greenaway conducted; Matthew Margeson co-produced and added arrangements.

Albums & label. WaterTower Music released the 21-track album pairing Powell’s cues with diegetic songs. The sequencing pointedly places the pirate chants alongside set-piece cues — the film’s sonic thesis on a single disc. As per retailer and label pages, release landed early October 2015.

Tracks & Scenes

“Smells Like Teen Spirit” — Cast of Pan
Where it plays: New arrivals are marched into Blackbeard’s white-chalk mine. Thousands of voices slam the “hello, hello” refrain while Jackman’s Blackbeard conducts the crowd from a cliff. Diegetic chant; drums and stamping feet make the rock song a ritual.
Why it matters: Announces Neverland as a pop collage and rebrands rebellion as control — a daring, divisive needle-drop.

“Blitzkrieg Bop” — Cast of Pan
Where it plays: Another labor-pit sequence pivots to the Ramones’ hook (“Hey! Ho! Let’s go!”) as workers pound picks in rhythm and pirates bark time. Diegetic; the camera cuts across terraces of chanting faces.
Why it matters: Turns punk speed into forced unity — the movie’s cheekiest (and strangest) idea.

“Flying Ship Fight” — John Powell
Where it plays: Mid-film sky battle: Hook’s stolen ship rolls and yaws through cannon bursts and cloud-banks as Peter clings to rigging. Orchestral fireworks, choir punches, bold brass lines; non-diegetic set-piece cue.
Why it matters: Classic Powell: kinetic rhythms + soaring melody. This is the ride.

“Crocodiles and Mermaids” — John Powell
Where it plays: Lagoon sequence with bioluminescent waters and twin mermaids. Harp, celesta, and high strings create a luminous hush before the danger bite.
Why it matters: The most fairy-tale color on the album; a breath between battles.

“A Boy Who Could Fly” — John Powell
Where it plays: Final-act lift: Peter gains altitude as the choir answers his lines and the theme unfurls. Non-diegetic, unabashedly heroic.
Why it matters: The emotional payoff — and the thematic north star for Powell’s score.

“Something’s Not Right” — Lily Allen
Where it plays: Late in the story as Peter fixates on what he can’t yet do, then again into credits. A fragile vocal over warm keys and strings.
Why it matters: A humane counterweight to the stomp and clang — doubt sung softly.

“Little Soldier” — Lily Allen
Where it plays: Trailer and album placement; in the film it’s used like a thematic echo for Peter’s bravery. Gentle march feel; music-box touches.
Why it matters: Titles his courage exactly: small, stubborn, growing.

Notes & Trivia

• Those two diegetic chants are straight from Nirvana and the Ramones catalogs — rearranged for thousands of voices.
• Two originals by Lily Allen bookend the album; Tim Rice-Oxley (Keane) co-wrote and producers include Matthew Margeson and John Powell.
• Conductor Gavin Greenaway led the sessions; Powell’s frequent orchestrators (e.g., John Ashton Thomas) are aboard.
• The album runs about 70 minutes across 21 tracks, released by WaterTower Music.
• Powell came in after an earlier score by Dario Marianelli — an unusual late-stage switch for a studio tentpole.

Music–Story Links

Blackbeard weaponizes pop culture: “Teen Spirit” becomes a loyalty oath; “Blitzkrieg Bop” keeps picks swinging. Powell then reframes that energy — his pirate and battle cues borrow the stomp’s momentum but redirect it toward Peter’s becoming. When the boy finally flies, the choir that once enforced order turns to celebration. And the Allen songs? They’re the private notes in a loud adventure — reminders that heroism is often a quiet decision first.

Reception & Quotes

Critics split on the movie but praised the Powell set-pieces and debated the audacity of those chants. Fans of the composer heard familiar uplift done with panache; skeptics found the collage jarring. Either way, few soundtracks in family fantasy felt this argumentative.

“A dynamic, choir-laced romp with Powell’s fingerprints all over it.” — soundtrack reviewers

“The pirate pit turns Nirvana into ritual — bold, bizarre, unforgettable.” — film-music columns

Interesting Facts

• Diegetic design: The chants were staged on set with crowd vocals, then layered in post for mass effect.
• Powell’s toolbox: Bodhrán and low percussion give the pirates their stomp; celesta/harp light the mermaid waters.
• Two Allen cuts: “Something’s Not Right” (credits/late scene) and “Little Soldier” (thematic trailer/album feature).
• Label notes: WaterTower’s listing slots the chants amid the cues — not tacked on — to mirror the film’s collage.
• Swap story: Marianelli’s discarded score makes this one of Joe Wright’s rare non-Marianelli features.

Technical Info

• Title: Pan (Original Motion Picture Soundtrack)
• Year: 2015
• Type: Feature film soundtrack — orchestral score + diegetic covers + original songs
• Composer: John Powell (add’l music: Anthony Willis, Batu Sener, Paul Mounsey)
• Conductor: Gavin Greenaway
• Key placements (selection): “Smells Like Teen Spirit” (mine induction chant) • “Blitzkrieg Bop” (pirate work-song) • “Flying Ship Fight” (sky battle) • “Crocodiles and Mermaids” (lagoon) • “A Boy Who Could Fly” (final lift) • “Something’s Not Right” / “Little Soldier” (Lily Allen)
• Label: WaterTower Music
• Album runtime: ~69–70 minutes; 21 tracks
• Availability: Digital/streaming and retail since Oct 2015

Questions & Answers

Who scored Pan?

John Powell, with choir-forward action writing and lyrical fantasy cues; Gavin Greenaway conducted.

Why are Nirvana and Ramones songs in Neverland?

They’re staged diegetically as pirate/miner chants — a bold stylistic choice that reframes rebellion as ritual.

What’s the new original song at the end?

Lily Allen’s “Something’s Not Right.” She also contributes “Little Soldier.”

Is there an official album?

Yes — a 21-track WaterTower Music release mixing Powell’s score with the cast chants and Allen’s songs.

Wasn’t Joe Wright’s usual composer involved?

Dario Marianelli reportedly wrote an earlier score; the released film uses Powell’s replacement.

Canonical Entities & Relations

Entity	Relation	Entity
Joe Wright	directed	Pan (2015)
John Powell	composed	Pan score
Gavin Greenaway	conducted	score recording
Lily Allen	wrote & performed	“Something’s Not Right,” “Little Soldier”
Hugh Jackman & Cast	performed	diegetic chants of “Smells Like Teen Spirit,” “Blitzkrieg Bop”
WaterTower Music	released	Pan (Original Motion Picture Soundtrack)

Sources: label/retailer album pages; discographic listings; soundtrack reviews; film overviews confirming composer switch; scene-specific song indexes.

One of the mermaids in the movie was played by the lead female actor of the film named "Paper Towns" – Cara Delevingne. Beginning her acting career relatively recently, in 2012, Cara has managed to play in 10 films already. The relative fame was brought to her by the role in the already mentioned motion picture that is on the site here also. In addition to acting, she is a successful model and has participated in numerous fashion shows, winning various prizes and awards. But, of course, she is not the main character. Best known here – the villain who brilliantly acted by Hugh Jackman (known to all as Wolverine from the Marvel's X-men). For the role, Hugh even shaved off his hair to look more intimidating and serious. And for a long time in social networks, he shone his bald head (and we all marveled why he changed the image so dramatically). Now everything stood into place. However, the actor has already grown hair back. Beginning actor Levi Miller played a major role of Peter Pan. He is now 13 years old, and has 5 films on his account. He is also a model of Ralph Lauren, in youth shows. Perhaps they had lot of gossips to talk about with Cara in the dressing rooms during the free time. We will hear a lot more from this Australian actor, outward appearance and acting talent of which will be opened fully few years later, if his efforts in this field will not weaken. The collection of 25 songs and non-instrumental are only five. Hugh Jackman takes two of them. Two more are sung by Lily Allen. Fifth composition is called I Believe. Hugh takes quality cover to famous composition Smells Like Teen Spirit with his villainous voice, originally made by Nirvana band. In the second song, Blitzkrieg Bop, he is not audible at all. A qualitative film, a magnificent collection. Look, listen and enjoy!

November, 18th 2025

More info on IMDb, Wikipedia, Official Movie Site

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