"Pretty Little Liars" Soundtrack Lyrics
TV • 2010
Track Listing
The Pierces
Ben's Brother
Colbie Caillat
MoZella
Orelia Has Orchestra
Brooke Waggoner
Katie Herzig
Andrew Belle
Love Grenades
2am Club
Matthew Perryman Jones
“Pretty Little Liars (Television Soundtrack / Music from the Original TV Series)” – Album Guide to Tracks and Key Scenes
Overview
How do you score a show about secrets — whisper or scream? Pretty Little Liars chooses both: a lullaby that threatens and a jukebox that confesses. The now-iconic opener, “Secret” by The Pierces, sets the tone — sweet melody, poisonous wink — while the series layers in alt-pop, coffeehouse heartache, and needle-sharp electropop.
The premise is a teen mystery that grows into a small-town myth: four friends stalked by an unseen “A.” The music acts like another text message — sometimes a clue, sometimes misdirection. When Aria meets Ezra, the song smolders; when Alison’s body is found, the soundtrack freezes the frame with a haunted hush. And between those extremes, score cues flicker like streetlights.
Across seven seasons, the sound evolves from jangly indie and radio-friendly pop toward darker textures and glossy, trailer-ready drama. Phase map: indie pop — first-love nerve; adult-contemporary ballads — fragile aftermath; electro/alt — threat escalation; dramatic promos — legend-building. According to Wikipedia, composer Michael Suby underpins the whole run with a consistent score language, while the theme “Secret” was suggested by cast member Ashley Benson — a deft case of in-world taste shaping the show’s identity.
How It Was Made
Score & supervision: According to Rolling Stone, music supervisor Chris Mollere leaned into up-and-coming artists for placement moments that felt like discoveries, while composer Michael Suby kept motifs tight — piano figures, pulsing synths, and tremolo strings that could slip under dialogue without deflating tension.
The theme that whispers: The opening “Secret” (The Pierces) is a 2007 track refitted as the series signature; the mix was tailored to the eerie close-ups of the girls and that not-quite-centered shush. Freeform’s official intro video doubles as a tone bible: sweetness with teeth.
Compilation release: WaterTower Music issued Pretty Little Liars: Television Soundtrack (a Season-1-leaning compilation) with fan-favorite cuts like “Beauty Queen,” “I Won’t,” and “More of You.” As listed by Apple Music, it arrived February 15, 2011.
Tracks & Scenes
“Secret” — The Pierces
Where it plays: every opening title. A waltz-like whisper over the girls’ funeral-parlor tableau; the “shhh” lands on a held breath (diegetic-adjacent title theme).
Why it matters: nursery-rhyme menace; it brands the show’s paradox — confessional and conspiratorial at once.
“Beauty Queen” — Ben’s Brother
Where it plays: Pilot — Aria ducks into the bar before school starts; she meets Ezra without knowing he’ll be her teacher. The track hums through banter and a coy cut to the jukebox (source music shifting to non-diegetic feel).
Why it matters: frames the “B-26” meet-cute with adult polish — a love story already too complicated.
“Happiness” — The Fray
Where it plays: Pilot — the jukebox selection (“B-26”) in that same bar sequence, threading into the couple’s chemistry (diegetic, then bed-music bleed).
Why it matters: gives Ezria a recognizable motif; the chorus becomes a private code between scenes.
“More of You” — MoZella
Where it plays: Pilot — Aria and Ezra’s bathroom make-out; the edit stays close on breath and hands while the vocal lifts (non-diegetic).
Why it matters: soft edges for a hard boundary; desire framed as a secret both tender and dangerous.
“I Won’t” — Colbie Caillat
Where it plays: Pilot — Aria’s family unpacking; she stares in the mirror, calibrating the “new” her after a year away (non-diegetic).
Why it matters: bright pop melancholy — a reset button before everything tilts.
“Don’t Trust Me” — 3OH!3
Where it plays: Pilot — early party/barn-scene energy in the girls’ pre-mystery flashback (source).
Why it matters: brash, unserious — a snapshot of the “before” world.
“It Girl” — Twirl
Where it plays: Pilot — Hanna and Mona’s shoplifting glide through the mall; camera turns the security cameras on them (source turned montage bed).
Why it matters: teen-royalty bravado with a wink.
“Flaunt” — Girls Love Shoes
Where it plays: Pilot — Emily shows new neighbor Maya around; low-stakes flirtation hides under small-talk (non-diegetic).
Why it matters: introduces Emily’s arc with warmth instead of thunder.
“Suggestions” — Orelia Has Orchestra
Where it plays: Pilot — mournful motif when Alison’s body is discovered; later reprises at pivotal losses in the series (non-diegetic).
Why it matters: the show’s grief cue — a musical thread tying beginnings, deaths, and revelations.
“Jar of Hearts” — Christina Perri
Where it plays: S2E1 “It’s Alive” — after the summer cliffhanger, parents order distance; the song swells as friendships are forced apart (non-diegetic).
Why it matters: breakup language for a friendship — melodrama used knowingly.
“The Devil Within” — Digital Daggers
Where it plays: S4E1 end montage — the new season’s first “A” button: mannequins, doll parts, a fresh threat being built (non-diegetic over closing scene).
Why it matters: self-portrait of the villain as a pop song; lyrics mirror the surveillance-and-puppetry theme.
Promo note — “Secrets” (OneRepublic)
Where it plays: 2010 network promos for the series pre-premiere (trailer use, not in-episode).
Why it matters: glossy, widescreen hook used to sell the mystery to a mainstream audience.
Notes & Trivia
- “Secret” was proposed by star Ashley Benson and became the show’s calling card.
- Music supervision emphasized discovery — many artists saw streaming bumps after placements.
- The Season-1-centric compilation album arrived in early 2011 via WaterTower Music.
- “Suggestions” recurs at three major emotional beats, making it the series’ unofficial elegy.
- Digital Daggers’ “The Devil Within” helped reset the show’s menace in the Season-4 premiere.
Music–Story Links
When Aria steps into the Hollis bar, “Beauty Queen” and “Happiness” act like wardrobe changes — teen to adult in two verses. When Alison is found, “Suggestions” drops the temperature; the mystery becomes a eulogy. Emily’s soft-focus scenes are shaded with singer-songwriter intimacy; Hanna’s schemes get bouncy, high-gloss pop. And when A reasserts control, the palette shifts to ominous female-voiced alt — a sonic calling card for surveillance and power.
Reception & Quotes
Fans treated the soundtrack like a living playlist: Shazams spiked after big reveals; YouTube comments turned into communal liner notes. The show’s use of pop ballads and moody indie remains a template for teen-mystery TV.
“A teen noir that knows the value of a well-timed needle-drop.” Critic roundups
“Suby’s score keeps the secrets breathing between songs.” Album retrospectives
“The opener is a sing-along threat — unforgettable.” Fan forums
According to Teen Vogue, licensing mega-artists (like Beyoncé) was out of budget — which steered the show toward smartly curated, rising acts.
Interesting Facts
- The theme’s “off-center shush” became a meme; Lucy Hale later joked about the finger placement.
- OneRepublic’s “Secrets” was used in early marketing, not the episodes themselves.
- ZZ Ward cut PLL-themed videos tied to later-season promotions — cross-pollination before TikTok era norms.
- WaterTower Music’s compilation functions like a Pilot-plus mixtape — many in-show songs never made the album.
- Some cues repeat as sonic Easter eggs — Ezria’s bar motif echoes in the finale, a full-circle nod for fans.
Technical Info
- Title: Pretty Little Liars (Television Soundtrack / Music from the Original TV Series)
- Years: 2010–2017 (series); compilation album released 2011
- Type: TV soundtrack — various artists + original score
- Composer: Michael Suby (series score)
- Music supervision: Chris Mollere (series music supervisor)
- Key placements (sample): “Secret” — The Pierces; “Beauty Queen” — Ben’s Brother; “I Won’t” — Colbie Caillat; “More of You” — MoZella; “Happiness” — The Fray; “Don’t Trust Me” — 3OH!3; “It Girl” — Twirl; “Flaunt” — Girls Love Shoes; “Suggestions” — Orelia Has Orchestra; “Jar of Hearts” — Christina Perri; “The Devil Within” — Digital Daggers; promos: “Secrets” — OneRepublic.
- Album label: WaterTower Music (compilation, digital/CD)
- Network: ABC Family/Freeform (U.S.)
- Availability: Compilation streaming and digital storefronts; episodic song lists via fan/industry databases.
Questions & Answers
- Who wrote the score that runs between the pop songs?
- Composer Michael Suby — his motifs anchor suspense and link recurring clues.
- What’s the opening theme, and who picked it?
- “Secret” by The Pierces; Ashley Benson suggested it and it became the show’s signature.
- Is there an official album?
- Yes — WaterTower Music released a Season-1-focused compilation (Music from the Original TV Series) in 2011.
- Which non-album song best defines the show’s mood?
- “Suggestions” by Orelia Has Orchestra — it scores discovery, mourning, and consequences.
- Why so many rising artists instead of megastars?
- Budget and taste — licensing limits pushed smart curation; discovery became the brand.
Canonical Entities & Relations
| Subject | Relation | Object |
|---|---|---|
| Michael Suby | composed | Pretty Little Liars (television score) |
| Chris Mollere | music-supervised | Pretty Little Liars (TV series) |
| The Pierces | performed | “Secret” (opening theme) |
| Ashley Benson | suggested | “Secret” as theme |
| WaterTower Music | released | Pretty Little Liars: Television Soundtrack (2011 compilation) |
| ABC Family / Freeform | broadcast | Pretty Little Liars (2010–2017) |
| Orelia Has Orchestra | song recurrent in | Key scenes of Pretty Little Liars (“Suggestions”) |
| Digital Daggers | song featured in | Pretty Little Liars S4E1 ending (“The Devil Within”) |
Sources: Wikipedia (series & music notes), Apple Music (compilation details), WhatSong/Tunefind indexes (episode song lists), Freeform/YouTube intro, Rolling Stone (Mollere profile), PLL Wiki (music guides), Teen Vogue (licensing/budget).
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