"Stroller Strategy, The" Soundtrack Lyrics

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"La Stratégie de la poussette (Bande originale du film)" – Album Guide to Tracks and Key Scenes

Overview

Rom-com problem: how do you win back your ex? Absurdist answer: borrow a baby and cue a playlist that sells mischief in four bars. The Stroller Strategy (La Stratégie de la poussette) pairs radio-friendly French/Euro indie with peppy score miniatures so every scheme, lie, and last-minute pivot lands with a grin. It’s feather-light, but precise — the kind of compilation that moves the camera.

The film’s music splits cleanly: a pop/indie side (Pony Pony Run Run, Ewert and the Two Dragons, Baxter Dury, The Morning Benders/POP ETC, Polock, Cascadeur, Jeremy Jay) and a crisp original score from the trio LoW Entertainment (Alexandre Lier, Sylvain Ohrel, Nicolas Weil). Add cast-member Camélia Jordana contributing two breezy in-world singles and you get a soundtrack that feels like a Paris day — caffeinated, flirty, and always walking fast.

Genres & themes in phases — synth-pop & blog-era indie = chase-and-montage energy; singer-songwriter = “maybe we’re okay” breathers; LoW’s toy-box percussion & guitars = comic timing; chart-leaning cameo cuts = character sparkle.

How It Was Made

Writer-director Clément Michel leans on LoW Entertainment for the score spine — short, melodic cues that can pivot from caper to cuddle in seconds — and folds in licensable pop that was already living on French playlists circa 2010–2012. The commercial album arrived on Jive/SBME Europe (Sony) to accompany the film’s early-2013 French release window; streaming editions show a tidy 20-track set clocking just about one hour.

Tracks & Scenes

“Hey You (PPRR Dance Remix)” (Pony Pony Run Run)

Where it plays:

Used in the film/album as a high-tempo, synth-pop jolt for recruitment/montage beats — the kind of cue that snaps Thomas’s hare-brained plan into a music-video rhythm.

Why it matters:

Instant sugar rush. The remix’s four-on-the-floor keeps comedic momentum while the lies stack up.

“Road to the Hill” & “(In the End) There’s Only Love” (Ewert and the Two Dragons)

Where they play:

Montage/transition placements around “fake-dad learns the basics” beats and reflective strolls along Paris streets.

Why they matter:

Warm, acoustic-leaning indie that softens the film’s screwball edges and sells the maybe-we-still-like-each-other vibe.

“Isabel” (Baxter Dury)

Where it plays:

Low-key mid-film interlude — a laconic groove under observational humor as plans wobble.

Why it matters:

The nonchalant cool frames Thomas’s “too casual to be honest” phase.

“Wet Cement” (The Morning Benders / POP ETC)

Where it plays:

Urban glide and corridor cuts; the track’s bounce fits stroller-weaving sidewalk choreography.

Why it matters:

Blog-pop sheen that screams “Paris today” without shouting.

“Faster Love” (Polock)

Where it plays:

Playful rallying music during mishaps — a sonic wink for “we shouldn’t be getting away with this.”

Why it matters:

Upbeat indie that turns small disasters into dance steps.

“Walker” (Cascadeur)

Where it plays:

Dreamier night sequence; slow-motion feels and longer takes.

Why it matters:

Gives the film its reflective pulse — a rare hush among the gags.

“Airwalker” (Jeremy Jay)

Where it plays:

Cutaway glide through cafés and crosswalks; it hums like a postcard.

Why it matters:

Light on its feet, it lets the rom-com breathe.

LoW Entertainment score cues — “It’s Raining Baby,” “Amsterdamned,” “Babies’ Paradise,” “Stroller Master,” “Heart Break Hoot”

Where they play:

Comic stingers, diaper-disaster beats, and “mission-impossible but with prams” buildups. Short cues turn baby noises and city foley into rhythm.

Why they matter:

They’re the film’s metronome — bright motifs that make plot reversals feel like punch-ins.

“Bibi’s Hit” & “Bibi’s Hit Bis” (Camélia Jordana)

Where they play:

On-screen/needle-drop use around the character Mélanie’s world and light-hearted montage spaces.

Why they matter:

Cast-to-soundtrack crossover that gives the movie a homegrown single — and a wink of diegetic charm.

Classic needle-drop: “Unchained Melody” (The Righteous Brothers)

Where it plays:

A cheeky romantic callback used briefly; the song’s cultural baggage does the heavy lifting in seconds.

Why it matters:

One of those “you know what this means” cues — instant shorthand for longing.

Notes & Trivia

• The film premiered in France in early 2013 (produced 2012). Many English listings call it The Stroller Strategy.
• The original score is by LoW Entertainment — Alexandre Lier, Sylvain Ohrel, Nicolas Weil — credited individually on cue rights.
• The official soundtrack album contains 20 tracks (~60 minutes) and is widely available on streaming.
• Label metadata on physical editions shows Jive / SBME Europe; French retail tied it to singer/actor Camélia Jordana’s participation.
• Pony Pony Run Run’s “Hey You” appears in remix and original variants across releases; the remix is the album pick.

Music–Story Links

• Whenever Thomas improvises, the score goes staccato and percussive — little perky riffs equal little white lies.
• Indie pop (“Road to the Hill,” “Wet Cement”) paints Paris in quick brushstrokes and buys time for the next comic turn.
• Cast-sung cues (“Bibi’s Hit”) anchor character space; you can sense Mélanie before she enters frame.
• Rom-com grammar trick: a classic like “Unchained Melody” can sell sincerity even inside a farce.

Reception & Quotes

Critics filed it under “charming, slight,” but the soundtrack earned kudos for feel-good sequencing and for letting LoW’s mini-cues keep the engine humming.

“A featherweight comedy boosted by a peppy, playlist-ready OST.” — festival capsules

Availability: The commercial soundtrack was issued on CD (January 7, 2013) and on digital/streaming; the film’s international trailer runs under the English title.

Interesting Facts

• Two Jordana tracks (“Bibi’s Hit,” “Bibi’s Hit Bis”) were cut for the project and bundled on the OST.
• LoW Entertainment’s members are credited both collectively (brand) and individually (publishing) across the score cuts.
• Pony Pony Run Run’s “Hey You” had already charted earlier in France — the OST uses that familiarity like a cheat code.
• Several indie selections on the album (Cascadeur, Jeremy Jay, Polock) were blog favorites in the early-2010s — perfect for a contemporary Paris vibe.
• U.S./U.K. marketing sometimes lists the film as 2013; some databases tag production year 2012.

Technical Info

• Title: La Stratégie de la poussette — Bande originale du film
• Year: 2012 (film production) / 2013 FR release; OST 2012–2013
• Type: Songs compilation + original score cues
• Score/composers: LoW Entertainment — Alexandre Lier, Sylvain Ohrel, Nicolas Weil
• Label: Jive / SBME Europe (physical); digital on streaming platforms
• Runtime (album): ~60 minutes (20 tracks)
• Notable album/film placements: Pony Pony Run Run “Hey You (PPRR Dance Remix)”; Ewert & the Two Dragons “Road to the Hill” & “(In the End) There’s Only Love” ; Baxter Dury “Isabel”; POP ETC “Wet Cement”; Polock “Faster Love”; Cascadeur “Walker”; Jeremy Jay “Airwalker”; LoW cues (“It’s Raining Baby,” “Amsterdamned,” “Babies’ Paradise,” “Stroller Master,” “Heart Break Hoot”); Camélia Jordana “Bibi’s Hit,” “Bibi’s Hit Bis”; The Righteous Brothers “Unchained Melody”.

Questions & Answers

Is the movie from 2014?

No. It’s a 2012 production with a French theatrical release dated January 2, 2013 (international listings vary).

Who composed the score?

LoW Entertainment — the trio Alexandre Lier, Sylvain Ohrel, Nicolas Weil.

Does Camélia Jordana appear on the soundtrack?

Yes — she contributes “Bibi’s Hit” and “Bibi’s Hit Bis,” in addition to acting in the film.

What label issued the OST?

Jive / SBME Europe handled the CD release; the 20-track album is also on major streaming platforms.

What big pop song should I listen for first?

Pony Pony Run Run’s “Hey You (PPRR Dance Remix)” — a bright, high-energy calling card for the film’s tone.

Key Contributors

Entity	Relation
Clément Michel	Director/Writer — shaped a pop-leaning, montage-friendly music brief
Alexandre Lier; Sylvain Ohrel; Nicolas Weil (LoW Entertainment)	Composers — original score cues
Pony Pony Run Run	Artists — “Hey You (PPRR Dance Remix)”
Ewert and the Two Dragons	Artists — “Road to the Hill,” “(In the End) There’s Only Love”
Baxter Dury; POP ETC; Polock; Cascadeur; Jeremy Jay	Artists — key indie placements
Camélia Jordana	Performer (cast) — “Bibi’s Hit,” “Bibi’s Hit Bis”
Jive / SBME Europe	Label — physical OST release

Sources: Spotify album listing (20 tracks; artists); IMDb (film page & soundtrack credits); UniFrance (music author credit); Fnac retail page (CD details; label); physical-retail listings (Jive/SBME Europe, CD release date); Ringostrack song index (titles/artists incl. LoW cues); press/coverage noting Camélia Jordana’s two OST songs; Wikipedia overview (production/release basics); official trailers (YouTube ID used for figures).

When we hear the phrase "French comedy", everything becomes clear at once. The French romantic comedy – what could be more obvious? The French romantic comedy, which involves a small child – that's what. The motion picture, where each committed stupidity is filled with love – just how French people know how to show it. This is tenderness, enclosed in frames, despite the absurdity of the plot. The protagonist is a young man who was left by the girl because of his reluctance to have children. It is understandable – he is young and adult life with the burden of a child seems so far away and unwilling. Love for the ex-girlfriend does not go out of his heart, but he has to release the corner of his mind for another tender feeling – by the odd chance he has to take care of infant, who is not his child. Of course, we will see a lot of absurd situations and frank fear of newfound daddy, and even more, as a stupid best friend of the protagonist. Do not expect much of the film in terms of profound meaning, because everything here is obvious: love conquers all. The soundtrack is very rich; the album has more than two dozen of songs, including modern artists such as band with a funny name Pony Pony Run Run, and the incomparable master of the French showbiz ТУТНАЗВАНИЕПЕСНИ with his song Happy Birthday (Balletto) . Special mention deserves the dual track – Babies' Paradise and its sequel named Babies' Paradise 2. In general, the album can be described as very quiet and melodic – in principle, like the rest of the French language, where every word seems to be about love.

November, 27th 2025

To learn more visit movie profile on Rotten Tomatoes, read film review on Hollywood Reporter

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