"Swingers Too!" Soundtrack Lyrics
Movie • 1999
Track Listing
Dean Martin
Paul Anka
Heart
Sammy Davis Jr. with Count Basie
Dinah Washington/Brook Benton
Mel Torme
Marty & Elayne
Ann-Margret
Xavier Cugat
Lambert, Hendricks & Ross
Royal Crown Revue
Willie Nelson
"Swingers Too!: More Music From… 'Swingers' (Original Motion Picture Soundtrack)" – Album Guide to Tracks and Key Scenes
Overview
What happens when a cult soundtrack leaves fan-favorite cues on the cutting-room floor? You make a sequel album. Swingers Too! is the cleanup job — the cocktail-shaker that gathers diegetic club moments (hello, Marty & Elayne), leftover classics (Dean, Sammy, Dinah), and a few “inspired by” ringers that match the movie’s desert-neon cool.
Where the 1996 album sketched Mike and Trent’s swagger with crooners and neo-swing, this 1999 follow-up leans further into the Derby/Dresden scene and the crate-digging lounge that limns L.A. after dark. It’s shorter, punchier, and more archivist than the first set, but the vibe is intact: brass for bravado, string-laden pop for romance, and a wink of kitsch when the night gets loose.
Genres in phases: traditional pop & Rat Pack — learned swagger (Dean Martin, Sammy Davis Jr.); lounge/exotica — velvet booth ambiance (Xavier Cugat); vocal jazz — urbane snap (Mel Tormé, Lambert/Hendricks/Ross); AM rock — heat-haze memory (Heart’s “Magic Man”); scene-document — the Dresden Room time capsule (Marty & Elayne).
How It Was Made
After the first soundtrack took off, Hollywood Records returned to the well to clear additional cues noted by fans and to officially capture the film’s live-in-L.A. textures. The second compilation folds in Marty & Elayne’s lounge staple from the Dresden (as heard on screen) and rounds up era-appropriate catalog that had either played in-film or circulated around the production’s scene references. Packaging emphasizes the “more music from & inspired by” angle; runtime lands just over the half-hour mark, with a tidy set you can spin end-to-end.
Tracks & Scenes
“Stayin’ Alive” (Marty & Elayne)
- Where it plays:
- At the Dresden Room in Los Feliz — a diegetic performance with the duo in glitter and smiles as the crew slides into their booth. The camera treats it like a local ritual; the room hums with knowing regulars.
- Why it matters:
- It’s the film’s most iconic time-capsule: L.A. lounge culture, lovingly un-ironic. Swingers Too! finally gives that on-screen moment a home on disc.
“Down for Double” (Mel Tormé)
- Where it plays:
- Used as suave connective tissue — a needle-drop that purrs under social glide (bar entrances, quiet in-between beats). Non-diegetic mood piece; short excerpt in-film.
- Why it matters:
- Tormé’s satin phrasing is the soundtrack’s shorthand for confidence without cockiness — exactly the energy Mike keeps trying to borrow.
“There’ll Be Some Changes Made” (Ann-Margret)
- Where it plays:
- Briefly as a cheeky lounge punctuation around a club sequence. The vocal’s smile matches the movie’s self-aware nostalgia; non-diegetic.
- Why it matters:
- A vintage wink to classic Hollywood glamour that the film lovingly riffs on.
“One Mint Julep” (Xavier Cugat & His Orchestra)
- Where it plays:
- As cocktail-hour atmosphere — the clink-and-laugh underscoring before the crew resets to chase the night. Non-diegetic; heard as background vibe.
- Why it matters:
- It’s the album’s purest lounge-exotica postcard, reminding you that Swingers loves ambiance as much as punchlines.
“Gimme That Wine” (Lambert, Hendricks & Ross)
- Where it plays:
- A late-night glide — sly vocalese punctuating a post-party comedown. Non-diegetic; short but telling.
- Why it matters:
- Sharp, tipsy, urbane — the friends’ banter in song form.
“Ain’t That a Kick in the Head” (Dean Martin)
- Where it plays:
- Album highlight more than foregrounded in the film — used to reinforce the Rat Pack frame the movie inhabits; think of it as thematic glue rather than a hero scene.
- Why it matters:
- Dean’s grin is the franchise’s compass: aspirational cool with a soft heart.
“Magic Man” (Heart) — inspired-by inclusion
- Where it plays:
- Packaged here as a vibe-fit rather than a marquee on-screen moment. A rock heat-haze that mirrors the film’s flirtier stretches.
- Why it matters:
- The album isn’t purist; it’s playlist-minded. This cut brings a different temperature without breaking the cocktail spell.
“Baby (You’ve Got What It Takes)” (Dinah Washington & Brook Benton)
- Where it plays:
- As a warm, mid-tempo palate cleanser during a social cross-fade — conversation first, music purring underneath.
- Why it matters:
- Shows the compilation’s curatorial point: not every moment needs brass; sometimes you just need charm.
Notes & Trivia
- Swingers Too! arrived three years after the first album, clocking in at ~33 minutes — deliberately concise.
- Branding clarifies scope: “More Music From and Inspired By the Hit Motion Picture.” Not every track is a front-and-center scene placement.
- Different territories list slightly different line-ups; some editions add Royal Crown Revue – “Datin’ with No Dough (Live)” as a bonus closer.
- Marty & Elayne’s “Stayin’ Alive” — performed on camera at the Dresden — finally appears on an official album here.
- Catalog IDs you’ll see in the wild include Hollywood’s 162235 (US CD) with parallel European numbers.
Music–Story Links
Diegetic vs. non-diegetic is the whole game. When the guys duck into the Dresden, Marty & Elayne’s glittery “Stayin’ Alive” isn’t background — it’s anthropology. The crooner cuts (Dean, Sammy) operate as Trent’s fantasy-self talk track, while Tormé and LH&R give the dialogue room to breathe. The “inspired-by” slices widen the palette without breaking the film’s core: confidence earned, not faked.
Reception & Quotes
Critics treated the sequel set as a compact companion — not as essential as the 1996 disc, but a welcome place for the scenes fans kept asking about (especially the Dresden moment).
“A brisk mop-up job…short runtime, smart picks; Stayin’ Alive finally in the stack.” Album guide capsule
“Less ‘party CD,’ more curator’s appendix — but the vibe lands.” Fan round-ups
Interesting Facts
- Runtime snack: ~32:55 — a quick spin built like a vintage LP side.
- Diegetic trophy: The Dresden performance track is the album’s calling card.
- Inspired-by clause: A few cuts serve as stylistic matches rather than on-screen features — by design.
- Variant pressings: European editions shuffle sequencing and sometimes add a live Royal Crown Revue track.
- Packaging wink: Tagline on retail listings: “Get a nightlife. Again.”
Technical Info
- Title: Swingers Too!: More Music From… “Swingers”
- Year: 1999
- Type: Film soundtrack — various artists (compilation, “from & inspired by”)
- Label: Hollywood Records
- Release date (US CD): September 28, 1999
- Approx. runtime: 32–33 minutes (edition-dependent)
- Select inclusions: Marty & Elayne “Stayin’ Alive”; Mel Tormé “Down for Double”; Ann-Margret “There’ll Be Some Changes Made”; Xavier Cugat “One Mint Julep”; Lambert, Hendricks & Ross “Gimme That Wine”; Dean Martin “Ain’t That a Kick in the Head”; Heart “Magic Man”; Dinah Washington & Brook Benton “Baby (You’ve Got What It Takes)”.
- Edition notes: Some territories add Royal Crown Revue “Datin’ with No Dough (Live)”.
Questions & Answers
- Is every song on Swingers Too! used in the film?
- No — it’s “from and inspired by.” Several tracks are scene-setters or aesthetic matches rather than marquee placements.
- Which on-screen moment does this album finally capture?
- Marty & Elayne’s diegetic “Stayin’ Alive” performance at the Dresden Room.
- How does this differ from the 1996 album?
- The 1996 disc is the party set (with score cues); the 1999 follow-up is a concise companion that fills gaps and leans lounge-classic.
- What formats exist?
- CD pressings (US/EU) with minor sequence and track-count differences; widely available digitally via catalog reissues.
- Is there any score on Swingers Too!?
- It’s almost entirely songs; the score identity lives on the 1996 release under Justin Reinhardt’s alias The Jazz Jury.
Key Contributors
| Entity | Relation |
|---|---|
| Hollywood Records | Label — issued the 1999 compilation |
| Julianne Jordan (credited earlier as Julianne Kelley) | Music Supervision — franchise music curation/clearances context |
| Marty & Elayne | Performers — “Stayin’ Alive” diegetic Dresden appearance |
| Mel Tormé | Performer — “Down for Double” (catalog placement) |
| Dean Martin | Performer — “Ain’t That a Kick in the Head” |
| Ann-Margret | Performer — “There’ll Be Some Changes Made” |
| Xavier Cugat & His Orchestra | Performer — “One Mint Julep” |
| Lambert, Hendricks & Ross | Performers — “Gimme That Wine” |
Sources: AllMusic release entry; AllMusic release page (catalog/date); Wikipedia (film & soundtrack overview); Discogs master & release listings; MovieMusic.com listing; Amazon retail page; Miramax/YouTube trailer; press credits for music supervision; regional notes and fan/retail roundups.
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