"Tammy"Soundtrack Lyrics
Movie • 2014
Track Listing
The Outfield
Willie Nelson
Ambrosia
Canned Heat
Lynyrd Skynyrd
The Allman Brothers Band
Big Al Hall and Possum Creek Bluegrass Band
Big Al Hall and Possum Creek Bluegrass Band
Big Al Hall and Possum Creek Bluegrass Band
Dan Baird
Tom Heyman
Sly & The Family Stone
The Neil Nelson Band
Macklemore & Ryan Lewis feat. Wanz
Capital Cities
Salt-N-Pepa
Kool & The Gang
Leonard Cohen
Possum Creek
"Tammy (Original Motion Picture Soundtrack)" – Album Guide to Tracks and Key Scenes
Overview
What does rock-bottom with a road map sound like? Tammy answers with dusty bluegrass covers, 80s radio sugar, and score cues that sprint between disasters. Melissa McCarthy’s title character torpedoes her job, her car, and her pride, then hits the highway with her boozy grandma (Susan Sarandon). The soundtrack keeps pace: Michael Andrews’ compact cues click like a turn signal before a bad decision, while jukebox staples and rootsy source tracks throw comic spotlights on Tammy’s messes — and her reset.
It’s a short, deliberately snackable album — mostly score, dotted with Americana-flavored vocals from Possum Creek — while the film itself sprinkles recognizable catalog songs (The Outfield, Canned Heat, and more) for flavor and irony. Functionally the music does three jobs: slapstick metronome for heists and scrapes; soft heart for Tammy’s shame and slow-growing self-respect; and a wink at American road-trip mythos.
Style phases map neatly to theme: bluegrass/country covers — scrappy resilience; 80s/oldies radio — nostalgia vs. reality checks; lean score miniatures — cause→effect storytelling. Translation: twang = stubborn hope; bright radio pop = denial with a smile; ticking percussion = consequences arriving on time.
How It Was Made
Composer Michael Andrews (Donnie Darko, Bridesmaids) wrote the film’s original music, released by WaterTower Music as a concise digital album. That release blends Andrews’ bite-size cues (often under a minute — built to stitch comedy beats) with two performances by Possum Creek (“Hard to Handle,” “John Henry”). Separately, the movie licenses several recognizable songs for scene color — notably The Outfield’s “Your Love” and Canned Heat’s “Going Up the Country.” The trailers add their own needle-drop grammar (yes, “Gangsta’s Paradise” shows up there).
Editorially, the sound team leans on fast in-and-out cues: a robbery begins on a downbeat, a pratfall lands on a cymbal, and road scenes breathe under radio hits that Tammy clings to like good luck charms.
Tracks & Scenes
Selections below mix what’s on the official album with notable on-screen and trailer songs. (Album titles in quotation marks; scene descriptions follow the film chronology.)
“Hard to Handle” (Possum Creek)
- Where it plays:
- Early road stretch as Tammy and Pearl finally get moving. A bluegrass spin on the soul classic cuts over farmland and wobbling confidence, as if the radio can will the trip into fun. Non-diegetic, used like a county-fair overture.
- Why it matters:
- Establishes the movie’s rootsy, tongue-in-cheek attitude — swagger resized for a dented sedan.
“Your Love” (The Outfield) — film needle-drop
- Where it plays:
- Daylight drive after the first string of setbacks. Tammy hums along, window down, pretending things are okay while billboards and cornfields blur by.
- Why it matters:
- Classic sing-along used as denial camouflage — the brighter the chorus, the deeper the hole.
“Going Up the Country” (Canned Heat) — film needle-drop
- Where it plays:
- Cross-state montage: convenience stores, a pity stop at a lakeside pier, Pearl’s flask making too many appearances. Harmonica lines ride the two-lane wander.
- Why it matters:
- Plugs the film straight into the American road-movie tradition — but with screwball mileage.
“Vending Machine” (Michael Andrews)
- Where it plays:
- Mini-caper in a motel hallway — quarters, curses, and a bag of chips that won’t drop. Pizzicato and brushed kit mark beats like pratfall punctuation.
- Why it matters:
- Andrews’ micro-cues keep the comedy nimble; every gag lands on a click.
“Liquor Store” → “Stick Up” → “Topper Jack’s Getaway” (Michael Andrews)
- Where it plays:
- The misbegotten crime streak: bad influence, worse plan. Snare ticks and bass stabs track Tammy’s panic as the register pops and a sack of pies becomes contraband.
- Why it matters:
- The score becomes action grammar — short cells that match edits, then release into a sheepish comedown.
“Bring Me Sunshine” (Arthur Kent & Sylvia Dee) — film needle-drop
- Where it plays:
- Ironically floats over a “we’ll do better” reset between Tammy and Pearl. The cheery vintage vibe sells the joke even as the plan falls apart two cuts later.
- Why it matters:
- Counterpoint humor — sunshine as spackle.
“John Henry” (Possum Creek)
- Where it plays:
- Later-film heartbeat — campfire-adjacent mood and post-mishap cleanup. Fiddle and banjo lean into folk-tale grit as Tammy starts taking ownership of her chaos.
- Why it matters:
- Turns the road-trip bit into a ballad of trying again — small, not preachy.
“Gangsta’s Paradise” (Coolio feat. L.V.) — trailer only
- Where it plays:
- Signature trailer gag: Tammy dances in a parking lot wearing a paper bag on her head — pure, chaotic confidence over a 90s classic.
- Why it matters:
- Marketing tone setter. The joke sold the movie in 30 seconds.
Notes & Trivia
- The official digital album is mostly Michael Andrews’ score with two Possum Creek vocals; many recognizable songs heard in the film are not on the WaterTower release.
- Those score cues are tiny by design — several run under a minute to snap to edits without stepping on dialogue.
- “Gangsta’s Paradise” helped launch the film’s first trailer — a deliberate 90s-nostalgia needle-drop for marketing only.
- Composer Michael Andrews also scored McCarthy’s breakout Bridesmaids, bringing a similar light-on-its-feet approach to comedy timing.
Reception & Quotes
Critics split on the movie, but most agreed the music keeps the road-trip energy buoyant even when Tammy face-plants. The short score pieces do a lot with a little; the pop picks handle the winks.
“The album features the film’s original music composed by Michael Andrews… plus a handful of bluegrass-leaning cuts.” Film Music Reporter
“Trailer MVP? McCarthy dancing to ‘Gangsta’s Paradise.’” Vanity Fair
Interesting Facts
- Short and sweet: The official album runs roughly 24 minutes across 18 tracks — built like comedy sketches.
- Possum Creek’s cameos: Two traditional-leaning cuts (“Hard to Handle,” “John Henry”) frame the otherwise score-heavy release.
- Radio realism: On-screen needle-drops skew to familiar highway songs to sell the road-movie vibe quickly.
- Cut-to-beat scoring: Andrews writes in edit-length cells so jokes, pratfalls, and door slams sync musically.
- Trailer grammar: The parking-lot boogie with Coolio’s hit became the film’s most-shared clip months before release.
Technical Info
- Title: Tammy (Original Motion Picture Soundtrack)
- Year: 2014
- Type: Film soundtrack — primarily original score with select vocal tracks
- Composer: Michael Andrews
- Label: WaterTower Music (digital release)
- Album notes: Common digital editions list 18 tracks (~23–24 minutes); WaterTower’s track page highlights a core 13-track program.
- Notable in-film songs: “Your Love” (The Outfield); “Going Up the Country” (Canned Heat); “Bring Me Sunshine” (Kent/Dee)
- Trailer needle-drop: “Gangsta’s Paradise” (Coolio feat. L.V.)
Questions & Answers
- Who composed the score for Tammy?
- Michael Andrews — his compact cues carry the comedy’s timing and the caper beats.
- Is there a full “songs” compilation?
- No. The official album is mainly score; several recognizable film needle-drops aren’t on the WaterTower release.
- What’s the bluegrass track in the movie’s album?
- Possum Creek’s “Hard to Handle,” with a bookend appearance later via “John Henry.”
- Which pop songs show up in the film itself?
- Among others, The Outfield’s “Your Love,” Canned Heat’s “Going Up the Country,” and the vintage “Bring Me Sunshine.”
- Why is “Gangsta’s Paradise” associated with the movie?
- It’s the trailer’s signature gag song — not a core album track.
Key Contributors
| Entity | Relation | Notes |
|---|---|---|
| Michael Andrews | composer | Wrote original score; compact cue design |
| WaterTower Music | record label | Released the official digital soundtrack |
| Big Al Hall & Possum Creek | artists | Appear on “Hard to Handle” and “John Henry” on the album |
| The Outfield | needle-drop artists | “Your Love” heard on screen |
| Canned Heat | needle-drop artists | “Going Up the Country” heard on screen |
| Coolio feat. L.V. | trailer song | “Gangsta’s Paradise” powers the viral trailer moment |
| Ben Falcone | director | Road-comedy framework the music rides |
| New Line Cinema / Warner Bros. Pictures | studio / distributor | Released the film in 2014 |
Sources: WaterTower Music release page; Apple Music & Spotify album listings; film soundtrack scene databases; Wikipedia film entry (credits & music by); Vanity Fair trailer coverage; official trailers (YouTube).
Melissa McCarthy made another film (where, in addition to starring, she produced it), where she showing-out her thick body and plays on that, as the world is cruel to her and so on. Weak plot, despite the presence of such number 1 actor as Susan Sarandon. Last worked-out her money efficiently, completely confound and eclipsed Melissa with own acting. Latter mistakenly thinks that she is an actor also. This requires talent, not just a figure of 200 kg of weight and the constant emphasis on the fact that "the world is bad and does not understand me". Judging the reviews of real people in the Internet, not some pompous critics, Melissa once again played fatty slob who wants to be loved, but her husband is a blockhead because he doesn’t like fat ones. But she wants to fill the belly more and all her life’s dilemma is in this. In short, all the jokes are included in trailer, and the film is actually a drama about the inappropriate behavior of some moronic young thick women with an IQ like dill, which only destroys everything around her life. That is the awkward feeling when the grandmother you want more than a granddaughter. It seems that Susan Sarandon only gets prettier with age and her acting deserved Oscar even in this wonderfully idiotic motion picture. The music accompaniment to this is full of good sounding, in contrast to the plot of the film and its main character. Which, oddly enough, loves good sound. Well, at least something nice. It is the love of beauty. Lynyrd Skynyrd presented rock & roll. Song Thrift Shop is a country pop with De Lorean car. Hard To Handle is excellent country. Love Somebody is one from most soulful songs. Possum Creek also brought country notes that win us with good performance. And their name will appeal to fans of furry animal with restless temperament.November, 27th 2025
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