"The Other Guys" Soundtrack Lyrics
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Track Listing
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"The Osbourne Family Album (Original Television Soundtrack/Compilation)" – Album Guide to Tracks and Key Scenes
Review
What happens when a reality show becomes a mixtape? The Osbourne Family Album answers with a collage: radio staples, family picks, and short, bleep-spattered dialogue bites lifted from The Osbournes. It’s less a “score” than a souvenir — a snapshot of 2002 pop culture with Ozzy’s shadow over every track.
The sequencing is the gag: odd-numbered cuts are in-house quips and meltdowns; even-numbered cuts are songs that sketch the show’s tone — from velvet-rope croon (“Wonderful Tonight”) to classic riffs (“You Really Got Me”), from legacy self-portraits (Ozzy’s “Dreamer”) to Kelly’s cheeky “Papa Don’t Preach.” The outlier masterstroke is putting Pat Boone’s loungey “Crazy Train” up front — a winking flip of the show’s metal DNA. As an album, it plays like Sunday chores with the TV still on: messy, funny, and surprisingly warm.
Genres & themes, in phases: classic rock and metal lineage — family brand; power-pop & Britpop — early-’00s radio comfort; crooner slow-dance — domestic sentiment; dialogue stings — reality-TV punctuation.
How It Was Made
Issued by Epic/Sony to ride the show’s first-year wave, the compilation’s songs were selected by the Osbourne family and interleaved with short dialogue tracks from the series. The package arrived in June 2002 (retail dates vary by territory), carried a Parental Advisory for the spoken bits, and was dedicated in print to Aimee Osbourne — the daughter who opted out of appearing on the show. Clean/censored editions were also manufactured for big-box shelves.
Tracks & Scenes
“Crazy Train” (Pat Boone)
- Where it plays:
- Opens the album proper after a dialogue sting. Not the show’s metal theme, but Boone’s tongue-in-cheek big-band cover — the most Osbournes-ish in-joke possible.
- Why it matters:
- Signals the compilation’s sense of humor: this is Ozzy’s house, but the punch line’s on the coffee table.
“Dreamer” (Ozzy Osbourne)
- Where it plays:
- A reflective, piano-led ballad from Ozzy’s 2001 cycle, slotted to underline the show’s softer beats — parents regrouping after chaos, family hugs after bleeped blowups.
- Why it matters:
- Shows the dad behind the meme. On disc, it’s the album’s emotional center of gravity.
“Papa Don’t Preach” (Kelly Osbourne)
- Where it plays:
- Cut during the show’s breakout moment for Kelly, the cover doubles as her on-air persona — bratty-sweet pop with a wink toward tabloid headlines.
- Why it matters:
- A star-is-born snapshot that also sells the album — MTV synergy in three minutes.
“You Really Got Me” (The Kinks)
- Where it plays:
- Classic riff as household shorthand: kitchen radios, driveway singalongs, kids poking dad’s legacy. On album, it’s a pressure-valve between spicier dialogue bites.
- Why it matters:
- Threads the show’s British snark into the tracklist’s American mainstream.
“Snowblind” (System of a Down)
- Where it plays:
- SOAD’s Sabbath cover blasts in like a time warp — aggressive, reverent, and knowingly on-brand for a household built on heavy music.
- Why it matters:
- Connects Ozzy’s past to early-’00s alt-metal, anointing the next generation with a wink.
“Imagine” (John Lennon)
- Where it plays:
- Placed as a palate cleanser after a run of bleeped banter; the needle-drop your parents would approve of — which is precisely the joke.
- Why it matters:
- Domestic détente: the Osbournes as a normal family, just louder.
“Drive” (The Cars)
- Where it plays:
- Late-night tidy-up and post-argument calm — on CD it reads like a deep breath after the laughter.
- Why it matters:
- Soft-focus pop to balance the brawl-y bits.
“Good Souls” (Starsailor)
- Where it plays:
- Early-’00s UK uplift slotted as the “we’ll be fine” cue — montage energy for a household regroup.
- Why it matters:
- Gives the set a contemporary sheen beyond classic-rock comfort food.
“Wonderful Tonight” (Eric Clapton)
- Where it plays:
- Slow-dance sentiment layered against very un-romantic domestic noise — the Osbournes, forever counter-programming themselves.
- Why it matters:
- Sentimental anchor that makes the dialogue clips feel like sitcom tags.
“Mama, I’m Coming Home” (Ozzy Osbourne)
- Where it plays:
- As literal as it gets: a metal ballad that doubles as family brand statement inside a reality show about, well, coming home.
- Why it matters:
- Signature Ozzy cut reframed as TV-era tenderness.
“Crazy Train” (Ozzy Osbourne)
- Where it plays:
- The canonical version lands near the back half, after the Pat Boone gag — restoring the riff to its rightful throne.
- Why it matters:
- Brand consolidation: meme, theme, and metal classic in one place.
“Family System” (Chevelle)
- Where it plays:
- A harder, contemporary close — the household’s mess and love refracted through 2002 alt-rock bite.
- Why it matters:
- Ends the party with a modern punch instead of a retro hug.
Notes & Trivia
- Odd tracks are dialogue; even tracks are music — a structural joke that mirrors the show’s cutaway rhythm.
- The album dedication explicitly names Aimee Osbourne, who declined to appear on the series.
- Retail dates differ by source (listings show early–mid June 2002); the label is Epic/Sony.
- Clean and explicit versions exist; the “clean” bleeps dialogue profanity but keeps song masters intact.
- Several inclusions nod to Ozzy/Sabbath heritage via covers (“Snowblind” by System of a Down) and classics (“Crazy Train”).
Reception & Quotes
Critics treated it like a TV tie-in done with a wink — an enjoyable, uneven keepsake anchored by Ozzy/Kelly moments and smartly chosen classics.
“A shameless cash-in that still works as a family postcard.” Entertainment Weekly
“Dialogue stings land like episode tags; the music is the comfort food.” Album guides
Availability: Widely available on streaming (27-track configuration with dialogue stings). Original CD pressings on Epic/Sony circulate steadily on the secondary market.
Interesting Facts
- Two “Crazy Trains”: Pat Boone’s croon opens the door; Ozzy’s original slams it shut near the end.
- Dialog first: Packaging notoriously omits the dialogue items from the printed track list.
- Evergreen staples: Lennon, Clapton and The Cars sit comfortably next to early-’00s alt and Britpop.
- Kelly’s launchpad: The compilation rode alongside her breakout single cycle.
- Streaming cut: Digital editions commonly show 27 tracks due to separating every dialogue/music bit.
Technical Info
- Title: The Osbourne Family Album (Original Television Soundtrack/Compilation)
- Year: 2002 (June release window; dates vary across listings)
- Type: TV tie-in compilation with dialogue interludes
- Producers (album): Sharon Osbourne; Kelly Osbourne; Jack Osbourne; Ozzy Osbourne
- Label: Epic (Sony Music)
- Format notes: Explicit & “clean” editions; CD and digital
- Selected notable inclusions: Pat Boone — “Crazy Train” (opener); Ozzy Osbourne — “Dreamer,” “Mama, I’m Coming Home,” “Crazy Train”; Kelly Osbourne — “Papa Don’t Preach”; The Kinks — “You Really Got Me”; System of a Down — “Snowblind”; John Lennon — “Imagine”; The Cars — “Drive”; Starsailor — “Good Souls”; Eric Clapton — “Wonderful Tonight”; Chevelle — “Family System”
- Series context: MTV’s The Osbournes (2002–2005) — the album functions as a companion piece.
Key Contributors
| Entity | Relation |
|---|---|
| Ozzy Osbourne | Performer & album co-producer; multiple tracks (“Dreamer,” “Mama, I’m Coming Home,” “Crazy Train”) |
| Sharon Osbourne | Album co-producer; series executive & curator |
| Kelly Osbourne | Performer (“Papa Don’t Preach”); album co-producer |
| Jack Osbourne | Album co-producer; on-air cast |
| Epic/Sony Music | Record label — release & distribution |
| MTV / The Osbournes | Television series — source of dialogue & cultural context |
| Featured artists | Pat Boone; The Kinks; System of a Down; John Lennon; The Cars; Starsailor; Eric Clapton; Chevelle |
Questions & Answers
- Is this a score or a songs album?
- A songs compilation — with short dialogue interludes lifted from the MTV series.
- Why are there two versions of “Crazy Train”?
- The album cheekily opens with Pat Boone’s lounge cover and later includes Ozzy’s original.
- What’s the official release date?
- Listings vary (early–mid June 2002) depending on source/territory; all agree on June 2002 via Epic.
- Is there a “clean” version?
- Yes. The clean edition bleeps profanity in dialogue while leaving songs intact.
- How many tracks are on the streaming version?
- Typically 27, because each dialogue segment and song is separated into its own index.
Sources: AllMusic album page; Discogs master & release entries; Apple Music/Spotify listings; Wikipedia overview (context/dedication/structure); Entertainment Weekly review (contemporary); official trailers/promos for The Osbournes.
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