"Tomorrowland" Soundtrack Lyrics

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"Tomorrowland (Original Motion Picture Soundtrack)" – Album Guide to Tracks and Key Scenes

Review

What if a blockbuster score had to sell optimism as an action beat? Michael Giacchino’s Tomorrowland does exactly that — writing melody like a mission statement and percussion like forward motion. The composer’s long-line themes and gleaming harmonies echo the film’s retro-future idealism, while his drum kits, propulsive strings, and metallic textures keep the chase honest.

On the album (Walt Disney Records), the cues track the plot from 1964 World’s Fair wonder to endgame flight: a bright fanfare (“A Story About the Future”) gives way to pin-activated discovery, house-siege panic, and the delirious Eiffel Tower launch. The movie sprinkles a handful of needle-drops — Disney park staples and a swaggering Black Keys cut — but the emotional spine is Giacchino’s, culminating in a cathartic credits suite that lands like a promise kept.

In phases: 1960s futurism pastiche — optimism and awe; motoric orchestral ostinati — investigation and puzzle-solving; hybrid percussion + synth — peril, tech, and propulsion; song quotes — Disney’s utopian DNA stitched into key scenes.

How It Was Made

Brad Bird brought in his regular collaborator Michael Giacchino after The Incredibles and Ratatouille — an especially packed 2015 that also saw Inside Out and Jurassic World. Sessions ran at Sony and Warner Bros. scoring stages in Los Angeles; Giacchino produced the record himself. Walt Disney Records released the 24-track score digitally on May 19, 2015, with the CD following June 2.

Tracks & Scenes

Not a full tracklist — selected moments and how they play. Times vary by edition.

“A Story About the Future” (Michael Giacchino)

Where it plays:

Prologue framing — Frank and Casey’s “how do we tell this story?” banter teeing up the flashbacks. The cue states the score’s buoyant main motif and fades into the World’s Fair.

Why it matters:

Announces the film’s thesis: hope is a tempo, not just a word.

“A Prologue” → “You’ve Piqued My Pin-Trist” (score)

Where it plays:

1964 New York World’s Fair. Young Frank trails Athena to the Pepsi/UNICEF pavilion — curiosity humming — and the fateful pin triggers a secret scan beneath It’s a Small World.

Why it matters:

Wonder without irony; a bright harmonic palette matches ride-lit discovery.

“People Mover and Shaker” (score)

Where it plays:

Casey’s first full “walk” through Tomorrowland after touching the pin — fields pop into skylines, monorails arc overhead, and a diving platform becomes a hard cut to real-world disaster.

Why it matters:

Translates literal movement into musical lift; the cut back to reality snaps the dream.

“All House Assault” (score)

Where it plays:

Robot agents storm Frank’s booby-trapped farmhouse. Kitchen gadgets become weapons; the bathtub rocket escape detonates a comic-furious percussion sprint.

Why it matters:

Bird’s Rube Goldberg staging gets a rhythmic engine to match.

“What an Eiffel!” → “Welcome Back, Walker!” (score)

Where it plays:

Paris set-piece: a hidden mechanism in the Eiffel Tower reveals a steampunk launch — brass steps the harmony up as the rocket breaches cloud cover.

Why it matters:

Classic adventure writing, Giacchino-style — buoyant, witty, breathless.

“As the World Burns” (score)

Where it plays:

Final act inside the Monitor’s lair — the dystopia feedback loop confronts the trio; strings and low brass grind against propulsion patterns until the machine falls quiet.

Why it matters:

Pushes the score’s optimism into conflict — then clears space for renewal.

“End Credits” (score)

Where it plays:

Rolls under the closing recruitment montage and credits. Themes reprise with a light victory cadence rather than a triumphal blast.

Why it matters:

Leaves on invitation, not finality — perfectly on brand.

Needle-drops & Park Songs (not on the score album)

“There’s a Great Big Beautiful Tomorrow” (Rex Allen; Sherman Brothers)

Where it plays:

Diegetic ambience at the 1964 World’s Fair as young Frank steps into a future built by optimism; the Carousel of Progress theme peeks through crowd noise and PA cheer.

Why it matters:

Direct line to Disney’s utopian DNA — the movie wears its influences openly.

“It’s a Small World (After All)” (Disneyland Boys Choir; Sherman Brothers)

Where it plays:

On the pavilion ride itself — the pin scan diverts Frank’s boat into a hidden lift, turning familiar melody into portal music.

Why it matters:

Uses the most famous earworm in theme-park history as a literal gateway.

“I Got Mine” (The Black Keys)

Where it plays:

Used in the film’s contemporary passages as swaggering source/needle-drop texture during Casey’s present-day stretch.

Why it matters:

Gives the modern world some grit and swing before sci-fi takes over.

“Sadie (Remastered)” (Hound Dog Taylor)

Where it plays:

Heard as a bluesy source cue, coloring earthbound scenes with a vintage vibe.

Why it matters:

Grounds the film’s present with bar-band warmth — a nice contrast to Tomorrowland’s sheen.

Notes & Trivia

• Tomorrowland marks Giacchino’s fourth straight feature with Brad Bird; he was juggling this score alongside Inside Out and Jurassic World in spring 2015.
• The commercial album is the score only; park songs (“Great Big Beautiful Tomorrow,” “It’s a Small World”) and licensed tracks are in the film but not on the Walt Disney Records release.
• Recording took place at Sony and Warner Bros. scoring stages in Los Angeles with Giacchino producing.
• Track titles carry Giacchino’s signature puns (“What an Eiffel!,” “Pin-Ultimate Experience”).

Reception & Quotes

Critics called the score rousing and refreshingly upbeat for a modern tent-pole — energetic momentum with unabashed sincerity.

“Joyful… pushes things along with energy.” Screen International

“Channels John Williams for a rousing, mood-forward score.” IndieWire

“One of the year’s best — constant energy and enthusiasm.” Movie Wave

Interesting Facts

• Park DNA: Two Sherman Brothers staples (“Small World,” “Great Big Beautiful Tomorrow”) cameo to tie the film back to Walt’s World’s Fair era.
• Optimism as sound: Major-key brass and rising inner lines are Giacchino’s toolkit for “possibility.”
• Punny cues: If you smiled at “What an Eiffel!”, you’re the target audience.
• Album shape: 24 cues, ~73 minutes — it plays like a three-act suite.
• Trailer identity: Marketing leaned on the score’s sense of wonder; several trailers spotlight the pin-touch “walkthrough” motif.

Technical Info

• Title: Tomorrowland (Original Motion Picture Soundtrack)
• Year: 2015
• Type: Film score (with additional licensed songs in the film)
• Composer/Producer: Michael Giacchino
• Recording: Sony Scoring Stage & Eastwood Scoring Stage (Los Angeles)
• Label: Walt Disney Records (digital May 19, 2015; CD June 2, 2015)
• Selected notable placements: “A Prologue,” “You’ve Piqued My Pin-Trist,” “People Mover and Shaker,” “All House Assault,” “What an Eiffel!,” “As the World Burns,” “End Credits.”
• Additional songs (in film): “There’s a Great Big Beautiful Tomorrow,” “It’s a Small World (After All),” “I Got Mine,” “Sadie,” “The End Is Coming.”
• Trailer: Theatrical Trailer #1 (ID used for figures).
• Availability: Streaming widely; digital and physical soundtrack in print.

Questions & Answers

Is the album just songs or the film score?

It’s the score — 24 cues by Michael Giacchino. The park songs and licensed tracks are in the movie but not on the album.

Which Disney park songs show up in the film?

“There’s a Great Big Beautiful Tomorrow” and “It’s a Small World (After All)” — both by the Sherman Brothers — during the 1964 World’s Fair sequence.

Who wrote and performed the main score?

Michael Giacchino composed and produced it; Walt Disney Records released it in May–June 2015.

What’s the cue during the Eiffel Tower rocket scene?

“What an Eiffel!” — classic Giacchino adventure writing with a wink in the title.

What plays over the end credits?

Giacchino’s “End Credits,” which reprises the central themes in an optimistic cadence.

Key Contributors

Entity	Relation (S–V–O)
Michael Giacchino	Composer–producer — wrote and produced the score album.
Brad Bird	Director — set music brief; prior collaborator with Giacchino.
Damon Lindelof	Writer/producer — co-authored story and screenplay.
Walt Disney Records	Label — released the soundtrack.
Richard M. Sherman & Robert B. Sherman	Songwriters — “There’s a Great Big Beautiful Tomorrow,” “It’s a Small World (After All).”
The Black Keys	Artists — “I Got Mine” (licensed in film).
Hound Dog Taylor	Artist — “Sadie” (licensed in film).

Sources: Walt Disney Records/Apple Music & Spotify album listings; Discogs release data; Wikipedia (film & soundtrack); professional reviews (Movie Wave/maintitles & press pull-quotes); Wired/Time/Vanity Fair trailer features; Soundtrack databases noting licensed songs.

A charming film from Disney, which every year makes high-quality movies with box offices surpassing most of the other studios’ films. Charming androids, more humane than some other people, addictive acting of George Clooney, although he seems a little tired through the entire movie. Futuristic film about the upcoming years, about the relationships, and, in general, about what it means to be a human. In recent years, films from Disney are more thought-through and humane than most films of the other major studios, well, maybe, except of Pixar studio. However, it is not surprising, because Disney always loved stories that prompt reflection – of family, friendship, community, global society, good and bad. This motion picture has it all. Well, because the films from this studio cannot be not colorful, it is best to watch it on the big screen, and to listen to the soundtrack for it with headphones, because there a lot of instrumental music with trumpets and beautiful transitions. You involuntarily transported into the universe of Disney with its flying characters like Peter Pan and Tinker Bell, while listening to these melodies. People fly lots in this film too, even seemingly in quite unsuitable things for this, like a bath. Known by the «Inside out» film, composer Michael Giacchino created music for this movie too. Recognizable style – hasteless notes, confident and beautiful transitions, adjusts you to a contemplative mood when you just want to enjoy what is happening on the screen. Most bright melodies here are Edge of Tomorrowland and There's A Great Big Beautiful Tomorrow. Youngest children will love It's A Small World, which, moreover, is performed in 6 different styles, at least. A redone theme from the Star Wars movie is a balm for the souls to all fans of this once trilogy, then – sixlogy, and now, apparently, septilogy.

November, 29th 2025

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