"Transporter 2" Soundtrack Lyrics

“Transporter 2 (Original Motion Picture Soundtrack)” – Album Guide to Tracks and Key Scenes

Review

What happens when a ballet of car-fu needs a soundtrack that shifts gears mid-corner? Transporter 2 answers with a slick hybrid: club-forward cuts and Euro-electronica for momentum, plus Alexandre Azaria’s propulsive score for iron-and-rubber mythmaking. It’s lean, loud, and tuned for torque.

Compared with the first film’s hip-hop lean, this sequel runs on sleek synths, alt/indie pulses, and quick-hit score cues (“Main Theme,” “Jet Boxing,” “Kendo”). Songs like The Servant’s “Cells” and Anggun’s “Saviour” add glossy melancholy and jet-set glamour, while harder cues (Sin’s “Painful (Morphium Mix)”) punch up hand-to-hand chaos. As an album it plays like a night drive: neon surfaces, glassy bridges, then a burst of brass and drums when the trouble finds you.

Genres & themes, in phases: electro & French touch — velocity and style; indie/alt — cool detachment; score mini-suites — duty, precision, ritual. The mix keeps Frank Martin’s world clipped and clean, then lets the bassline misbehave when fists fly.

How It Was Made

Composer Alexandre Azaria returned to the franchise to build compact, motif-driven cues around Leterrier’s kinetic cutting. The U.S. compilation arrived via TVT Records (16 tracks, with Azaria’s pieces threaded among licensed cuts); France received a separate score album earlier in the summer. The track list balances on-screen placements (The Servant, Grand National, Anggun, Mylo) with Azaria’s action writing, sequenced to feel like one continuous sprint rather than isolated stingers.

Tracks & Scenes

Below: notable placements with concise scene context. Timestamps are approximate to the theatrical cut.

“Main Theme” (Alexandre Azaria)

Where it plays:

~0:05 — After Frank fends off would-be carjackers in a parking structure, the theme rides his exit and resets the film’s cool, controlled pulse.

Why it matters:

Establishes Frank’s ritualized efficiency — a musical calling card that returns whenever he reasserts control.

“Painful (Morphium Mix)” (Sin — Oomph! remix)

Where it plays:

~0:06–0:08 — Parking-garage fight cue. Industrial grind underscoring elbows, grapples, and that just-in-time getaway.

Why it matters:

Turns close-quarters brawling into a percussive set-piece; one of the film’s most fan-asked IDs.

“Cells” (The Servant) — instrumental version

Where it plays:

~0:32 — Night montage across Miami causeways and into a dawn wake-up with Lola. Instrumental mix, dreamy and ominous.

Why it matters:

Glass-and-steel melancholy; a cool breath between chases that still hums with threat.

“Body” (The Servant)

Where it plays:

Mid-film swagger beat during prep/drive intercuts. Non-diegetic, rhythm-forward.

Why it matters:

Pairs with “Cells” as the band’s darker, more muscular color — tension without panic.

“Talk Amongst Yourselves” (Grand National)

Where it plays:

Driving interlude across bridges and high-rises, as alliances shuffle. Non-diegetic, motorik groove.

Why it matters:

Gives the film a cruising gear — forward motion while plots realign.

“Saviour (Cesse la pluie)” (Anggun)

Where it plays:

Featured in the film and on the OST; used over a sleek transitional montage and in international marketing edits.

Why it matters:

Velvet edge — a sensual pop cut that adds cosmopolitan polish to the album’s mid-section.

“Can You Handle It? (Eraserhead Mix)” (Shakedown)

Where it plays:

Club-adjacent needle-drop used as texture under quick cuts and city night exteriors.

Why it matters:

Threads French-touch DNA into the Miami palette; stylish connective tissue.

Score mini-cues: “Kendo” / “Jet Boxing” (Alexandre Azaria)

Where it plays:

Short, hard-cut inserts around training-style beats and impact gags — snare pops, low brass, and looped pulses.

Why it matters:

Azaria’s signature: bite-size motifs that snap scenes into rhythm without stepping on sound design.

Notes & Trivia

• The U.S. album combines licensed cuts with Azaria’s score; France received a standalone score release slightly earlier in 2005.
• Anggun recorded multilingual versions of “Saviour” (“Cesse la pluie” in French; “Mantra” in Indonesian); the English version headlines the OST.
• “Cells” appears here in instrumental form — the same song many know from the Sin City trailer era.
• Fan FAQs long centered on identifying the garage-fight cue (“Painful (Morphium Mix)”) and the Miami-night instrumental (“Cells”).
• Compared with the first film’s hip-hop placements, Transporter 2 pivots to electro/alt textures to match Miami neon and surgical action edits.

Reception & Quotes

Retail/critic capsules tagged the compilation as stylish and functional: a fast mix with a few standout singles.

“Highlights include Grand National’s ‘Talk Amongst Yourselves,’ Anggun’s ‘Saviour,’ and Mylo’s ‘Paris Four Hundred.’” — AllMusic capsule

“Sixteen tracks recorded by various artists, including Azaria’s score.” — Album/label notes

Availability: TVT issued the U.S. OST on September 6, 2005 (CD/digital). A French score disc (Azaria) streeted earlier that summer. The VA album streams widely today.

Interesting Facts

• Two-prong release: U.S. compilation (TVT) + separate French score disc — regionally tailored packaging for the same sonic world.
• Miami by synth: Instrumental “Cells” paints the city in cool blues — one of the series’ most distinctive non-score moments.
• Hardest-to-ID cue: The parking-garage fight song (“Painful (Morphium Mix)”) became a long-running fan FAQ.
• Model-villain crossover: Kate Nauta appears on the OST with “Revolution,” a stylish, character-aligned placement on album even when lightly used on screen.
• Score as stingers: Azaria’s cues are short, punchy, and sequenced to DJ the fights rather than blanket them.

Technical Info

• Title: Transporter 2 (Original Motion Picture Soundtrack)
• Year: 2005
• Type: Various Artists compilation with original score cues
• Composer: Alexandre Azaria
• Selected placements: “Cells” (The Servant) — instrumental montage; “Painful (Morphium Mix)” (Sin) — garage fight; “Saviour” (Anggun) — featured song; “Talk Amongst Yourselves” (Grand National) — drive interlude; score cues “Main Theme,” “Kendo,” “Jet Boxing”
• Release context: U.S. OST (TVT) released Sept 6, 2005; French score disc released earlier (Aug 2005)
• Labels: TVT Records (U.S. OST); WEA/Recall (FR score)
• Formats: CD and digital; current availability on major streaming platforms

Questions & Answers

Who composed the score for Transporter 2?

Alexandre Azaria — his compact, motif-driven cues anchor the action.

What’s the instrumental track over the Miami night montage?

The Servant’s “Cells” (instrumental version).

What song underscores the early parking-garage fight?

“Painful (Morphium Mix)” by Sin (Oomph! remix).

Is Anggun’s “Saviour” actually in the film?

Yes — it’s a featured OST cut used in the film and widely tied to the movie’s promotion.

Was there a separate score album?

Yes. France received a standalone Azaria score release in summer 2005 alongside the U.S. compilation.

Key Contributors

Sources: Wikipedia (film & soundtrack overview); AllMusic album capsule; IMDb Soundtracks; SoundtrackINFO Q&A; Discogs (OST & French score); SoundtrackCollector; Spotify listing; Amazon/retail metadata; Official trailer on YouTube.

November, 29th 2025