"Zombies 2" Soundtrack Lyrics

"ZOMBIES 2 (Original TV Movie Soundtrack)" – Album Guide to Tracks and Key Scenes

Review

Can a pep rally score a culture clash? ZOMBIES 2 says yes — and does it with hooky call-and-response anthems that turn plot beats into chants. The sequel shifts from human–zombie détente to a werewolf arrival, and the album mirrors that pivot: cheer-pop brightness collides with drum-heavy, howl-forward bangers. The songs aren’t wallpaper; they’re story levers.

Disney’s playbook is intact — crisp choruses, ultra-clean mixes — but the textures widen: toms and stomps for the Wolf Pack, glossy electro for Seabrook High, a righteous protest sing-along when the moonstone is threatened. It’s also tighter than most TV-musical sets: ten tracks, no filler. You can hear character arcs in the production choices — Addison’s uncertainty blooms across ballad and banger, Zed’s optimism fights policy setbacks, and the wolves introduce a grittier rhythm section that eventually fuses with Seabrook sparkle.

Genres & themes, in phases: cheer-pop — community and team identity; tribal/percussive pop — belonging and heritage; electro-dance — discovery, transformation; ensemble anthem — solidarity and finale catharsis.

How It Was Made

Walt Disney Records released the soundtrack day-and-date with the film’s premiere — February 14, 2020. Per Disney’s rollout, singles hit early (“We Got This,” then “New Kid in Town”), while cast-led music videos seeded choreography and lore. A separate score album dropped later in 2020, collecting George S. Clinton and Amit May Cohen’s instrumental cues for both Zombies films; tracks 8–16 on that release cover ZOMBIES 2’s dramatic underscoring (wolves’ motifs, anti-monster-law tensions, and prawn-night suspense).

Editorially, the movie stages songs diegetically (spirit rallies, tryouts, wolf-den rites) and as montage drivers. The Wolf Pack’s numbers were cut with heavy group choreo in mind, while Addison’s feature moments keep space for close-ups and micro-beats — the album versions preserve those dynamics cleanly.

Tracks & Scenes

“We Got This” (Cast of ZOMBIES 2)

Where it plays:

Cheer camp kick-off and Seabrook reset. Zed, Addison, and friends chant their way through drills, mascot mayhem, and a “new normal” montage as posters promise the Prawn. Big, bright, fully diegetic performance that spills into montage.

Why it matters:

Re-establishes optimism before the rules get rewritten; it’s the thesis of cooperation — loudly sung.

“We Own the Night” (Chandler Kinney, Pearce Joza, Ariel Martin)

Where it plays:

First moonlit run with the Wolf Pack through the forbidden forest. Torches flare, glyphs glow, and Willa leads a call-and-response prowl that introduces the pack’s code. Primarily diegetic, staged as a ritual performance.

Why it matters:

Sets the wolves’ sound and stakes in one go — percussion, unity, and a search for the Great Alpha/Moonstone.

“Like the Zombies Do” (Milo Manheim, Kylee Russell, Chandler Kinney, Pearce Joza)

Where it plays:

At school, Zed tries a tongue-in-cheek “integration lesson” for the wolves — hallway choreography, pep-squad grins, and playful misunderstandings. Diegetic show-and-tell that becomes a full number.

Why it matters:

Comedy through music — and a gentle critique of conformity disguised as a bop.

“Gotta Find Where I Belong” (Meg Donnelly)

Where it plays:

Late-night quiet after a day of mixed signals. Addison moves through empty practice spaces and streetlights, lyrics circling identity and destiny. Non-diegetic solo that lets the film breathe.

Why it matters:

The heart-track: a private inventory of who she is versus who Seabrook expects.

“Call to the Wild” (Meg Donnelly, Chandler Kinney, Pearce Joza, Ariel Martin)

Where it plays:

Deep in the wolf den, blue-white moonstone glow everywhere. Addison tries on the wolf rhythm — stomps, claps, and a shared chant swirl into a kinetic rite. Staged diegetically as an initiation-adjacent dance.

Why it matters:

Explodes the theme of belonging into motion — the first time Seabrook pop fuses with lupine percussion.

“I’m Winning” (Trevor Tordjman & cheer ensemble)

Where it plays:

Bucky’s swagger piece for cheer supremacy — mirror rooms, precision lines, and self-branding in capital letters. Diegetic performance number.

Why it matters:

Character sketch via chorus: competitive, performative, hilariously self-assured.

“Flesh & Bone” (Wolf Pack, Addison, Zombies ensemble)

Where it plays:

Rally scene when anti-monster laws snap back and the moonstone is at risk. The pack’s call grows into a crowd answer — fists up, drums rolling, zombies and humans joining in. Semi-diegetic protest that swells to anthem.

Why it matters:

Movement song — literally. It’s the unity hinge that turns conflict into coalition.

“One for All” (Full company)

Where it plays:

Prawn-night finale under streaming lights: Seabrook colors and wolf glyphs finally share a stage. Confetti, flips, reconciliations, and a last-chorus promise.

Why it matters:

Button on the thesis: together as a beat you can dance to.

Bonus single: “New Kid in Town” (Ariel Martin)

Where it plays:

Released as a promotional single/music video around the premiere window; not a core story number in the film proper.

Why it matters:

Character-flavor cut that extended the rollout and spotlighted Wynter’s POV.

Score highlights (George S. Clinton & Amit May Cohen)

Where it plays:

“ZOMBIES 2 Intro,” “In the Woods,” “Wolves Gather,” and “Prawn Night” thread suspense and comedy between songs: heartbeat toms for the forest, sly woodwinds for school politics, string pulses for moonstone jeopardy.

Why it matters:

The glue between set-pieces — keeps peril readable without dimming the pop gloss.

Notes & Trivia

• Album dropped February 14, 2020; Walt Disney Records handled the release alongside the TV premiere.
• “We Got This” arrived first (Jan. 3) with a music video; “New Kid in Town” followed Jan. 24 as a promo single.
• Official score album (Music from Zombies) bundled instrumentals from both films; tracks 8–16 are ZOMBIES 2.
• “Flesh & Bone” became the breakout streaming hit of the set and the franchise’s new chant-along staple.
• Chart note: the soundtrack reached No. 2 on Billboard’s Top Soundtracks and cracked the Billboard 200 on release week.

Reception & Quotes

Family outlets and trades praised the sequel’s brisk pacing and music-first storytelling; Disney highlighted massive same-night engagement across platforms. Fans quickly elevated “Flesh & Bone” and “Call to the Wild” to franchise-anthem status.

“The cast takes you behind the scenes of those memorable performances.” — POPSUGAR

“Premiere telecast delivered nearly 5 million viewers… with songs headlined by ‘We Own the Night’ and ‘One for All.’” — Disney Branded TV press

Interesting Facts

• Rollout choreography: Disney seeded 360° and sing-along versions of key songs to teach fans the moves.
• Identity arc: Addison’s songs map uncertainty → discovery → belonging without ever leaving pop mode.
• Percussion language: The Wolf Pack’s drum lines carry story beats — stamps and claps as dialogue.
• Day vs. night: Seabrook’s cheer-pop shines in daylight scenes; wolf songs arrive by torch and moonlight.
• Franchise bridge: Later mash-ups (“We Own the Night” × “Night Falls”; “Someday” × “Flesh & Bone”) kept the music alive post-premiere.

Technical Info

• Type: Television musical soundtrack (Disney Channel Original Movie)
• Title: ZOMBIES 2 (Original TV Movie Soundtrack)
• Year: 2020 (released Feb 14)
• Label: Walt Disney Records
• Album spec: 10 tracks; cast recording (various artists)
• Score album: Music from Zombies (Original Score) — George S. Clinton & Amit May Cohen; released Nov 20, 2020
• Selected notable placements: “We Got This” (cheer-camp opener); “We Own the Night” (wolves’ introduction); “Like the Zombies Do” (school integration lesson); “Gotta Find Where I Belong” (Addison’s solo); “Call to the Wild” (wolf-den rite); “I’m Winning” (Bucky’s cheer flex); “Flesh & Bone” (rally/protest); “One for All” (Prawn finale)
• Trailer ID (YouTube): Y-QbgcsPGuo

Questions & Answers

When did the soundtrack release?

February 14, 2020 — the same day as the TV premiere on Disney Channel.

Is there a separate instrumental score album?

Yes. Music from Zombies (Original Score) (Nov 20, 2020) includes ZOMBIES 2 cues by George S. Clinton & Amit May Cohen.

Which song introduces the werewolves?

“We Own the Night” — a torchlit, drum-led run through the forest led by Willa, Wyatt, and Wynter.

What’s the big unity anthem?

“Flesh & Bone,” which grows from wolf chant to full-company protest song.

Is “New Kid in Town” in the film?

It was a promo single/music video during rollout; the core story numbers are the nine cast tracks on the album.

Key Contributors

Sources: Wikipedia (film & soundtrack), Disney Branded TV press notes, Film Music Reporter, Walt Disney Records/YouTube & Spotify listings, Disney Wiki/Fandom pages, official trailers and music videos.

November, 22nd 2025