Ease My Mind Lyrics – Dafuniks
Soundtrack Album: Addicted
Intro
From… someone I run
Faster than a bullet from a gun
Chorus
I think I did it
One time too much I gotta quit it
Ease my mind
Ease my mind
Verse 1
Fraud in the headlight
Head over heels
I’m chasing an ending
But it won’t reveal
So I’ll just keep running
Focused on my feet
I wanna smell the flowers
I used to believe
Ease
Chorus
I think I did it
One time too much I gotta quit it
Ease my mind
(Ease my mind)
Ease my mind
I think I did it (I think I did)
One time too much I gotta quit it
Ease my mind
(Ease my mind)
Ease my mind
Verse 2
The easing of your mind
Is you searching for that drug
To get you outta that hole you dug
For yourself, move with stealth
Sniper scope prepare with the ?rope
From the hunter the prey has got no hope for escape
Accept faith, see from your shoulders remove the weight
Cause I know I will get the object of my desire
Cause I’m ? with the choir prior accept things in life will get easier
Ease your mind, cause it’s time
Chorus
I think I did it
One time too much I gotta quit it
Ease my mind
(ease my mind)
Ease my mind
(won’t you please ease my mind )
I think I did it (I think I did)
One time too much I gotta quit it
Ease my mind
(Ease my mind)
Ease my mind
Addicted
Soundtrack Lyrics for Movie, 2014
Track Listing
Song Overview
Review and Highlights
I first heard this cut on a cinema screen, not a turntable. The track rides a slow-rolling pocket where live drums and a second percussive layer keep a low flame while a bright metallic shimmer threads the gaps. Barbara Moleko lays a relaxed topline, then Joseph Agami steps in near the end with a measured verse that tilts the groove toward confession. A violin tags the fade, almost like someone opening a window after a long day - small gesture, big air.
Creation History
The piece began life as track 4 on Dafuniks’ debut album Enter The Sideshow Groove in early 2012, credited to the Copenhagen hip hop/soul crew with Moleko and Agami as featured voices. In November 2014 it resurfaced as a stand-alone single and crossed into film via Addicted (2014), broadening its audience beyond crate-diggers to moviegoers. Underdog Records handles the release lineage around the album and soundtrack usage.
Highlights - quick takeaways
- Hybrid of hip hop pulse and soul phrasing, with a faint blues tint from the topline and closing strings.
- Two-tier percussion and airy metallic timbre create a “moving while thinking” feel.
- Late-arriving rap verse reframes the hook as self-instruction, not just a wish.
- Original album cut (2012) later issued as a single (2014) and synced in a feature film.
Song Meaning and Annotations
Plot
The story moves like a late-night walk. Verse one tracks a narrator who’s “chasing an ending” but can’t see it yet, so they focus on the next step. The chorus is a mantra - a reminder to quit a habit and find quiet. Verse two changes voice: the rapper lays it out plain, linking the urge to “ease” the head with the pull of a drug or any escape hatch, then argues for acceptance as the lighter bag. By the outro, strings soften the scene, not as triumph, more like a decent breath finally landing.
Song Meaning
At heart it’s about interrupting compulsion. Not a sermon, a nudge: recognize the pattern, let pressure off the shoulders, and choose the smaller, saner step. The mood starts weary, grows determined when the verse flips to rap, then settles into something like cautious relief. Context matters too - this track traveled from a Danish live-band hip hop LP into an American erotic thriller’s soundtrack, so its self-talk theme flexes between private habit and public drama.
Annotations
“September, 22nd 2025 - The song of the blues genre of 3:24 in length, created by women's relaxed voice and percussion... A male voice came for several lines closer to the end of the song, and the violin sounds unexpectedly in the end.”
That’s a sharp ear. The running time lands at roughly 3:24; Moleko’s soft-attack phrasing leans blue, while the band keeps a pocket that feels hand-played, not quantized. The “metal instrument, vibrating in the air” you noted reads like a cymbal swell or triangle wash treated with reverb - a classic way to glue space between backbeat hits. When Agami enters late, the whole lyric turns from hoping to deciding. Then the violin exit - left-field on paper, but effective, a little crack of daylight at the edge of a heavy loop.
Style and instrumentation
Genre-wise, think live-band hip hop with soul fronting and light blues coloration. Drums and auxiliary percussion do most of the carrying; bass walks patiently; turntable textures and subtle metal shimmer hold the mids; a brief violin cameo lifts the tail. The groove is midtempo and pocketed, ideal for the mantra chorus to sit on top without strain.
Language and imagery
Short phrases, direct verbs. Even the hook is spare: “I think I did it... ease my mind.” It works because the arrangement leaves room for the words to echo. The rap verse adds sensory detail and a few gritty nouns, then points the camera back to choice and consequence.
Key Facts
- Artist: Dafuniks
- Featured: Barbara Moleko, Joseph Agami
- Release Date: February 13, 2012 - album version; November 3, 2014 - single
- Album: Enter The Sideshow Groove (Track 4)
- Length: 3:24
- Label: Underdog Records
- Language: English
- Genre: Hip hop, Soul
- Instruments: drums, auxiliary percussion, electric bass, guitar/keys textures, turntables, violin cameo
- Mood: restless - resolute - eased
- Music style: live-band hip hop with soul phrasing, midtempo pocket
- © Copyrights: © 2014 Underdog Records; ℗ 2014 Dafuniks
Questions and Answers
- Is this the same “Ease My Mind” Skrillex used?
- No. That one is based on Niki & The Dove’s “DJ, Ease My Mind.” Different song, different writers, different world.
- Where did the track first appear?
- As an album cut on Enter The Sideshow Groove in 2012, later pushed as a single in 2014.
- Who handles the lead vocal and the rap?
- Barbara Moleko takes the lead; Joseph Agami delivers the late-verse rap.
- What film used it?
- Addicted (2014). The cue is licensed courtesy of Underdog Records.
- Why the violin at the end?
- Arrangement psychology. After three minutes of groove and mantra, a brief string figure lifts the mood without changing the core beat. It signals release.
Additional Info
I like the breadcrumb trail here. The earliest widely logged appearance is as part of the Dafuniks album rollout in 2012, but an even earlier compilation slot pops up in 2010, crediting the song with Barbara Aersoe spelling and Agami. That tells you this tune sat in their live-book for a while before the album cut fixed it in amber. Also worth noting: the group’s hip hop/soul tag isn’t just branding - they’re a true live unit, which explains the subtly human push-pull in the pocket that makes this track land.
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