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Music Video

Look Down — Hugh Jackman, Russell Crowe & The Convicts Lyrics


Soundtrack: Les Miserables (2012)

Look Down Song Lyrics


PRISONERS
Look down, look down
Don’t look ‘em in the eye
Look down, look down,
You’re here until you die

CONVICT ONE
The sun is strong
It’s hot as hell below

PRISONER
Look down, look down,
There’s twenty years to go

CONVICT TWO
I’ve done no wrong!
Sweet Jesus, hear my prayer!

PRISONERS
Look down look down,
Sweet Jesus doesn’t care

CONVICT THREE
I know she’ll wait,
I know that she’ll be true!

PRISONERS
Look down, look down,
They’ve all forgotten you

CONVICT FOUR
When I get free ya won’t see me
Here for dust!

PRISONERS
Look down, look down
Don’t look ‘em in the eye

CONVICT FIVE
How long, oh Lord
Before you let me die?

PRISONERS
Look down, look down,
You’ll always be a slave
Look down, look down,
You’re standing in your grave

JAVERT
Now bring me prisoner 24601
Your time is up
And your parole’s begun
You know what that means.

VALJEAN
Yes, it means I’m free.

JAVERT
No!
It means you get
Your yellow ticket-of-leave
You are a thief

VALJEAN
I stole a loaf of bread.

JAVERT
You robbed a house.

VALJEAN
I broke a window pane.
My sister’s child was close to death
And we were starving.

JAVERT
You will starve again
Unless you learn the meaning of the law.

VALJEAN
I know the meaning of those 19 years
A slave of the law

JAVERT
Five years for what you did
The rest because you tried to run
Yes, 24601.

VALJEAN
My name is Jean Valjean

JAVERT
And I am Javert
Do not forget my name!
Do not forget me,
24601.

PRISONERS
Look down, look down
You’ll always be a slave
Look down, look down
You’re standing in your grave.


Track Listing


May, 23rd 2024
That's the type of song that "Look Down," as performed by Hugh Jackman, Russell Crowe, and The Convicts, is—the first track in the musical performance taken from the soundtrack of "Les Misérables (2012)." It states the whole misery and injustice imposed on prisoners in 19th-century France. To say, this song does rightfully set the mood for the themes of redemption, social injustice, and the quest for freedom developed through the film.

The repetitive "look down, look down" suggests nothing else but the chilling reminder of subjection and loss of man's dignity felt by the prisoners. It represents the oppressive force of both law and society itself on allegedly criminal personalities by telling them not to look at people, a sign of submission and shame.

Such details as the individual pleas and declarations of the convicts— "'The sun is strong/ It's hot as hell below,'" "'I've done no wrong! Sweet Jesus, hear my prayer!'"— places one in touch with individual stories of pain and desperation. In each instance, their cries for mercy or claims to innocence are dismissed by the collective response, "'Look down, look down/ Sweet Jesus doesn't care'"--or, put another way, stop looking down; even Sweet Jesus doesn't care any longer.

When Javert, at his entrance, calls for 24601 as a prisoner, time starts to turn against him in establishing the main antagonistic conflict: law against mercy, order against chaos, the implacable authority of Javert against the potential redemption of Valjean. Their interaction underscores the cruelty of the penal system and the enduring stigma of being a convict. Valjean's justification—"I stole a loaf of bread. My sister's child was close to death"—thrown into such painful contrast with Javert's icy interpretation of the law, is a symbolic manifestation of how much is sacrificed at the altar of inflexible legalism: complex moral issues and a human factor. Emphasized by the extension of Valjean's punishment for his attempt to escape, the law shows no mercy and takes away life and identity.

This melancholic refrain closes out the song, reiterating to prisoners and audience alike the inescapability of their past actions and society's judgment—literal and metaphorical enslavement.

"Look Down" does more than introduce the audience to key characters and conflicts; it plunges them into the oppressive atmosphere of the time and forces them to reflect on themes of justice, redemption, and the human spirit's resilience against systemic dehumanization.

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