Music Video
I'm Gonna Get You, Pt.1 — G.C. Cameron Lyrics
Soundtrack: Road House
I'm Gonna Get You, Pt.1 Song Lyrics
[Intro]
Well, well, well, well
Uh, hah
[Verse 1]
Come on, baby
When the eagle flew
Found my baby
Flyin'
Somebody's pipe
I never seen
Laid on the floor
Strokin'
Mmmhmm, sure was thinkin'
Closet door
Not quite closed
Two little eyes peepin'
Peepin'
Peepin'
Peepin, hey!
[Chorus]
Na, na-na nah
Na, na, na-na nah
Na, na-na nah
Jump back, hah
Don't stop me!
Hah, oh Lord
Ooh!
[Verse 2]
On the go
Full suits in lav'
And one on the right
Sweatin'
And all the shoes
Sittin' in a row
And one pair of shoes
Steppin'
Steppin'
Steppin'
Steppin', hey!
[Verse 3]
Jump out the window
Thru the grass, huh
And down the alley
Haulin'
Haulin'
Haulin'
Haulin', hey!
[Chorus]
Na, na-na nah
Na, na, na-na nah, well
Na, na-na nah
Jump back, hah
Don't stop me!
[Bridge]
(Ba-baba-ba) Hey!
(Ba-baba-ba)
(Gonna get you) Super, yo!
(Ba-baba-ba) Hey!
(Ba-baba-ba)
(Gonna get you) I said, uh-ahh!
(Ba-baba-ba)
(Ba-baba-ba) Gonna get you
(Gonna get you) Here I come
(Ba-baba-ba) Ahh-ha!
(Ba-baba-ba) Gonna get you
(Gonna get you) Hey!
[Outro]
Na, na-na nah
Na, na, na-na nah (Gonna get you)
Na, na-na nah
Jump back, hah (Gonna get you)
Don't stop me!
Na, na-na nah
Na, na, na-na nah, well (Gonna get you)
Na, na-na nah
Track Listing
›Johnny Too Bad
The Slickers
›Kоkomo
The Beach Boys
›Enter Sandman
Rina Sawayama
›Praise the Lord
BRELAND
›I Got Loaded
Los Lobos
›What I Got
Sublime
›Jukebox Songs
Sammy Kershaw
›Silver and Gold
Joe Strummer
›I'm Gonna Get You, Pt.1
G.C. Cameron
›Horsepower
Post Malone
›You Got to be a Man
Helene Smith
›Make Peace
Rastaleeves
›Keep on Smilin'
Rockin’ Dopsie Jr.
›You'll Lose a Good Thing
Rockin' Dopsie Jr. and The Zydeco Twisters
›Someday
Sugar Ray
›So Right
Rafa Carbonell
›Body Wan Shake
Freq Motif
›Before I Grow Too Old
Tommy McClain
›Poke Chop
Tommy McClain
›Florida Thang
Pouya
March, 29th 2024
G. C. Cameron is a famous R&B and soul singer, particularly known for his strong attachment to Motown Records and longtime membership in The Spinners. Mainly, his songs feature love, issues of relations, and other human feelings—all full of soulful melodies and strong vocal dynamics.
Literal Interpretation:
"I'm Gonna Get You, Pt.1" clearly describes a scenario in which he could be spying or looking into secret or even forbidden moments. These are the moments referred to by the "eagle flew," "somebody's pipe," or "a closet door not quite closed" hints. Repetition of lyrics and phrases, such as "Peepin'" and "Steppin'," creates a somewhat rhythmic, if not playful, character to the narrative and the story content, which in fact could be more serious.
Thematic Interpretation: It could be argued to be almost playful, with a strong statement of intent: stalk anyone or anything. The recurrent line, in every form, of "I'm gonna get you," coupled with descriptions of sneaking and watching, casts the motif of pursuit.
This could symbolize the pursuit of love, a goal, or even a deeper understanding of oneself or others.
It had also been included in the soundtrack for the film "Road House." Considering that movie's one characterized by theme of redemption, justice, and personal challenge, and so there is perhaps even a thread of pursuit and determination in the features. The one where blending romance with action, mixing movie genres with moral questions, ends the song. Placed within the larger scope of G.C. Cameron's discography and the tradition of soul music, "I'm Gonna Get You, Pt. 1" finds itself perfectly wedged as a reflection of just how the genre can tap into such great emotional truth with a compelling story and subtly performed music. The song in the film score enriches the depth and complexity of the emotional aspect of the narrative.
Literal Interpretation:
"I'm Gonna Get You, Pt.1" clearly describes a scenario in which he could be spying or looking into secret or even forbidden moments. These are the moments referred to by the "eagle flew," "somebody's pipe," or "a closet door not quite closed" hints. Repetition of lyrics and phrases, such as "Peepin'" and "Steppin'," creates a somewhat rhythmic, if not playful, character to the narrative and the story content, which in fact could be more serious.
Thematic Interpretation: It could be argued to be almost playful, with a strong statement of intent: stalk anyone or anything. The recurrent line, in every form, of "I'm gonna get you," coupled with descriptions of sneaking and watching, casts the motif of pursuit.
This could symbolize the pursuit of love, a goal, or even a deeper understanding of oneself or others.
It had also been included in the soundtrack for the film "Road House." Considering that movie's one characterized by theme of redemption, justice, and personal challenge, and so there is perhaps even a thread of pursuit and determination in the features. The one where blending romance with action, mixing movie genres with moral questions, ends the song. Placed within the larger scope of G.C. Cameron's discography and the tradition of soul music, "I'm Gonna Get You, Pt. 1" finds itself perfectly wedged as a reflection of just how the genre can tap into such great emotional truth with a compelling story and subtly performed music. The song in the film score enriches the depth and complexity of the emotional aspect of the narrative.
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